1.MIC SWITCH – Turns the MIC INPUT and
2.MIC GAIN – Adjusts the audio level of the MIC INPUT and
3.MIC BASS – Adjusts the low (bass) frequencies of the microphone channel.
4.MIC TREBLE – Adjusts the high (treble) frequencies of the microphone channel.
Tip: If you experience feedback when using a microphone at loud levels, try turning down the high frequencies.
5.CHANNEL GAIN – Adjusts the channel’s
6.CHANNEL BASS – Adjusts the low (bass) frequencies of the corresponding channel.
7.CHANNEL MID – Adjusts the
8.CHANNEL TREBLE – Adjusts the high (treble) frequencies of the corresponding channel.
9.INPUT SELECTOR – Selects the input source to be routed to the corresponding channel. Input jacks are located on the rear panel.
10.CHANNEL FADER – Adjusts the audio level on the corresponding channel
11.CUE GAIN – Adjusts the volume level of the headphone output.
12.HEADPHONES – Connect your ¼” headphones to this output for cueing and mix monitoring. Headphone output controls are located on the top panel.
13.CUE SLIDER – When the CUE MODE SELECTOR is set to “CH1 – CH2,” this blends the audio from Channel 1 and 2 in the headphones. Sliding this to the left plays Channel 1. Sliding to the right plays Channel 2.
14.CUE METER – Monitors the audio level of the Cue Channel, depending on the position of the CUE MODE SELECTOR.
15.CUE MODE SELECTOR – Selects the audio that is sent to the headphones. Selecting MASTER routes the Program mix to the headphones. Selecting FX routes the effects block output to the headphones. (This allows you to cue the effects before applying it.) Selecting
16.CROSSFADER – Blends audio between the channels assigned to the left and right side of the crossfader.
Note: The crossfader is
17.CROSSFADER (CF) REVERSE – Reverses the assignment of Channels 1 and 2 on the crossfader.
18.CROSSFADER (CF) SLOPE – Adjusts the slope of the crossfader curve. Turn knob to the left for a smooth fade (mixing) or to the right for a sharp cut (scratching).
19.MASTER – Adjusts the output volume of the Program mix.
20.STEREO LEVEL INDICATOR – Monitors the audio level of the Program mix.
21.EQ KILL SWITCHES – Eliminates the bass, mid, or high frequencies of the corresponding channel.
22.EFFECTS (FX) ON – Turns effects processing on and off. Note that you will also have to raise the Intensity Mix control to be able to hear the effects once they have been turned on.
23. | ASSIGN | – This switch selects the audio source on which the effects will be applied: the MIC INPUT and |
| LINE INPUT | |
| illuminate as the switch is toggled. | |
24. | SELECT | – This switch selects the effects group. The selected group will illuminate as the switch is toggled. When |
| the ASSIGN switch is set to MIC/AUX, you can select from the effects on the bottom row. When the ASSIGN switch is | |
| set to CH1, CH2, or MASTER, you can select from the effects on the top row. | |
25.RATE / FREQUENCY – Adjusts the rate / frequency of the selected effect.
26.MIX / INTENSITY – Controls the amount of effected (wet) vs.
27.TAP – In order to align
When beat sync has been enabled, effects denoted with an asterisk (*) will have rates / frequencies related to the tempo (see “Effects Descriptions” section). You can use the RATE / FREQUENCY knob to adjust the
To disable beat sync and have continuous control over the rate / frequency of an effect, press and hold trhe TAP button until it remains lit. Now the RATE / FREQUENCY knob allows you to precisely tune the rate / frequency of an effect.
To
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