Presonus Audio electronic FP10 Microphones, Condenser, Dynamic, USB and other types, Ribbon

Page 18

OPERATION

2.3 MICROPHONES

The FP10 works great with all types of microphones including dynamic, ribbon and condenser microphones.

2.3.1 Condenser

Condenser microphones tend to generate a high-quality audio signal and are one of the most popular mic choices for today’s studio recording applications. Because of their design technology, condenser microphones require a power source, which can be provided from a small battery, external power supply or from microphone inputs as phantom power. The FP10 can send phantom power over the XLR inputs only.

2.3.2 Dynamic

Dynamic microphones are possibly the most widely used microphone type – especially in live shows. They are relatively inexpensive, resistant to physical damage and typically handle high sound pressure levels (SPL) very well. Unlike condenser microphones, dynamic microphones do not require a power source and, in most cases, has no effect on a dynamic microphone’s audio quality or sensitivity.

Dynamic microphones, especially ribbon microphones, tend to generate low output voltages, so they typically need more preamp gain than a condenser microphone.

Ribbon

Ribbon microphones are a special type of dynamic microphone and get their name from the thin metal ribbon used in their design. Ribbon microphones have very high quality sound reproduction qualities – especially higher frequencies sounds. However, they are very fragile and typically cannot handle high SPL’s.

The most important thing to note about Ribbon microphones is that nearly all Ribbon Microphones do NOT require phantom power. In fact, unless a Ribbon microphone specifically calls for phantom power, sending phantom power to a ribbon microphone will destroy it – usually beyond repair.

2.3.3 USB and other types

There are a vast number of microphone types available, and as technology increases, it is very likely more will surface. One type of microphone to emerge recently is the USB microphone. Most USB microphones have their own, built-in preamp and use drivers separate from the FP10.

If you are using a new or non-standard type of microphone (i.e., USB, headset, laser, MEMS, etc.), please consult your microphone’s user’s manual for power requirement or compatibility information.

Regardless of the microphone type you are using, we recommend reading your microphone’s user’s manual thoroughly before engaging phantom power or if any other usage questions may arise.

16 PreSonus 2007

Page 17 Page 19
Image 18
Page 17 Page 19
Contents FP10 Presonus Limited Warranty Table of Contents Page Overview IntroductionFeatures Summary of featuresWhat is in the BOX System Requirements MacintoshWindows Installation in Microsoft Windows OperationQuick Start UP Windows Vista only Windows XP onlyMultiple FP10’s only Operation Installation in Mac OS Cubase LE 4 Device Setup Operation Cubase LE Creating a Project Operation Sample Hook UP Diagram Dynamic MicrophonesCondenser USB and other typesUsing the Preamp Output and Line Input AS AN Insert 1 FP10 Advanced Settings Controls and ConnectionsFP10 Control Panel 2 FP10 Hardware Settings Microsoft WindowsFront Panel Layout Controls and Connections Controls and Connections Back Panel Layout Controls and Connections Pops and Clicks TroubleshootingTechnical Information No Sync Red Macintosh UsersPreamplifier Power IssuesAudio Drop Outs Cubase LEInstrument Input channels 1 & 2 only SpecificationsMicrophone Preamp Line InputsPower Headphone OutputDigital Audio

FP10 specifications

The PreSonus AudioBox FP10 is a versatile and powerful audio interface designed to meet the demands of musicians, podcasters, and audio engineers alike. Known for its reliable performance and professional quality, the FP10 offers an impressive array of features that cater to both beginners and seasoned professionals.

One of the standout features of the FP10 is its capability to handle up to 10 input channels. This includes eight mic/line inputs equipped with high-quality preamps, allowing users to record multiple audio sources simultaneously. The preamps provide a clean and transparent sound, ideal for capturing vocals, instruments, and other audio sources with clarity. Each input channel also features a gain control knob, ensuring that users can achieve the perfect level without distortion.

The FP10 employs USB 2.0 technology, offering a stable and efficient connection to computers, ensuring reliable performance for recording sessions. The interface is compatible with a wide range of digital audio workstations (DAWs), making it a flexible tool for any audio production setup. This ease of use is further enhanced by the inclusion of PreSonus Studio One Artist, a powerful music production software that comes bundled with the interface.

Another notable characteristic of the FP10 is its 24-bit/96 kHz audio resolution. This high-definition quality allows for detailed recordings, making it suitable for professional projects and high-fidelity music production. The device also features MIDI I/O, allowing users to connect and control external MIDI equipment seamlessly.

The FP10 also comes with various output options, including balanced TRS outputs and a headphone output with a dedicated level control. This ensures that users can monitor their recordings in real-time with accuracy. Additionally, the interface has direct monitoring capabilities, allowing for zero-latency monitoring while recording.

Portability is yet another appealing factor of the FP10. Its robust design makes it an ideal choice for musicians on the go, while its compact size allows it to fit easily into a laptop bag. With its combination of functionality, sound quality, and user-friendly features, the PreSonus AudioBox FP10 is a compelling choice for anyone looking to enhance their audio production capabilities. Whether in a studio or on the road, the FP10 stands ready to deliver professional results.
Top Page Image Contents