Antares manual Chapter Creative Applications for the ATR-1a

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Chapter 5:

Creative Applications for the ATR-1a

The ATR-1a works on vocals so well you may think that’s all it can do. Actually, lots of instruments can use it to great advantage. Fretless bass, electric violin, trombone, even the theremin, all feature continuous pitch potential, unconstrained by frets or keys. Here are some other ideas for using your ATR-1a:

Produce instant double tracking in one take! Record with two mics, sending only one signal through the ATR-1a. If you’re going for a tight double track, set the SPEED rather fast (page one in the PROGRAM menu) and DETUNE the ATR-1a slightly (page six in the SYSTEM menu). Increase both of these parameters to broaden the doubled effect. You can also use some VIBRATO (page three in the PROGRAM menu) to make a more dynamic effect (small depth and rate values are best, with medium delay). Of course, you can also decide to record a single virgin track, and bounce that to another, processing through the ATR-1a. This way you can dial in the effect while auditioning the mix.

Recording with two mics (as above) while improvising can also produce heterophonic effects (the effect of two players and instruments playing the ‘same’ melody, which actually varies with some different pitch material). The more constrained your scale is in the ATR-1a, the more variation there will be between the two performances.

To set up a drone or ambient aura behind a melodic performance, try sending some of the signal to the ATR-1a with an extremely constrained scale (for example, in the key of C: C, F, G, A#) and then on to a lush, long reverb. The effect produced will be a steady backdrop of chanting tones behind the main melodic material.

Don’t be afraid to use just as little of the ATR-1a as you need. It’s quite possible that a performer has really quite good intonation, but fails consistently on one or two notes. In this case, use the ATR-1a’s indi- vidual BYPASS function (page two, bottom line in the PROGRAM mode) to bypass all the notes except the one(s) which need the retuning. This way, the ATR-1a is working in a completely transparent mode, and only when needed.

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Contents Page Page Contents Index Welcome Technical Support Few words from Dr. Andy Page Some background Chapter Introducing the ATR-1aSo what exactly is it? Some pitch terminology Little bit about pitchHow the ATR-1a detects pitch Scales How the ATR-1a corrects pitchSpeed VibratoProgram Mode Program Mode vs. Song ModeAn example Song Mode Chapter Setting Up the ATR-1a Page Front Panel Chapter Panel Controls and ConnectorsPage Back Panel Chapter Display Screens and Menu Pages Mode PagesFlash Screen ATR-1a version ATR-1a ProcessorSongXXaaaaaaaaaaaaa StepYYbbbbbbbbbbbbb Song Mode Main ScreenProgram Edit Pages ProgramXX Speed 0 is fast yy Press page when doneProgxx Press to make scale from Midi Make Scale From MidiScale XXCC#DD#EFF#GG#AA#B#D E F#G a B Why set Scale notes to Blank?ProgXX Dpth Rt Dly yyyyyy xxx zzz dddd ProgXX Save? To Pgm ProgramXX NameaaaaaaaaaaaaaSong Edit Pages Program NameSongXX 1 2 3 Programs 0 0 0 SongYY Speed 0 is fastSong Speed Song ItemsSong Vibrato SongXX Dpth Rt Dly yyyyyy xxx zzz ddddSongXX Save? To Sng SongXX NameaaaaaaaaaaaaaSystem Edit Pages Song NameBass Mode Bass ModeSensitivity LCD Aa bb Sensitivity and LCDFoot Switch and Detune FootSwitch Detune Aaaaaa bbbbMidi Channel Note Sustain Aaaa bbb ccc PgmChg Bend ModWhl Aaa ccc ddd Midi Speed Step Control aaa bbb Midi Vib Rate Delay Control aaa bbbEdit Owner Name aaaaaaaaaaaaaaaaaaaa SysEx Device Number aaaOwner Message Chapter Creative Applications for the ATR-1a Page Page Factory Programs AppendixScale and Chord Guides Scales/Modes reference chartChord reference chart G a G B A C A B B D C D C E D F E G F G F a System data = Midi System Exclusive Message FormatsFrom the front panel Vibrato Delay Table Midi System Exclusive Message Examples This message sets Program data in the ATR-1a Page Model ATR-1a, version Midi Implementation ChartDAC ATR-1a SpecificationsIndex Midi