M-Audio manual Choosing & Using Microphones

Page 32

Choosing & Using Microphones

32

Page 31 Page 33
Image 32
Page 31 Page 33
Contents Page Contents MicrophoneC apter 1Design Microphone TypesDynamic microphones Ribbon microphonesCapsule Size Condenser microphonesBackplate Small CapsulesMedium Capsules Large CapsulesPatterns Cardioid patternSuper-cardioid pattern Single pattern vs. multi-pattern micsTop Address vs. Side Address Designs Microphone ElectronicsTubes vs. solid state Tube electronicsStory behind affordable matched pairs for stereo-miking Manufacturing StandardsSolid state electronics Higher standards Choosing & Using Microphones Temperature and Humidity Caring forChapterMicrophones2Shock Protection Pop Filters and WindscreensCleaning and Storage Basic MikingChapterConcepts3 Close-Miking vs. Distance-Miking TechniquesMic Preamp Large Capsules vs. Medium CapsulesDealing with Unwanted Low-Frequencies Recording Environment Revolutionary New Tampa PreampPhasing Issues with Multiple Microphones Choosing & Using Microphones Choosing & Using Microphones Stereo MikingChapterTechniques4 Appropriate angleBlumlein Mid-SideSpaced Omni Decca TreeChoosing & Using Microphones Specific MikingChapterApplications5 VocalsAcoustic Guitar Electric Guitar Grand PianoDrums Three different approaches to miking Drum kit with two mics Choosing & Using Microphones Choosing & Using Microphones Choosing & Using Microphones M-Audio FamilyChapter 6of Microphones Patterns Cardioid, Omni & Figure Address TopTroubleshootingAppendix a Tips Problem No audio from micProblem Audible buzz Problem Sound is muffledAudio France Audio Germany Audio Japan ContactAppeInformationdix BAudio Canada
Top Page Image Contents