Roland VR-760 Effects/Parameter List MOD Delay Modulation Delay, TRI TAP DLY Triple Tap Delay

Effects/Parameter List

18: MOD DELAY (Modulation Delay)

Adds modulation to the delayed sound, producing an effect similar to a flanger.

When Mode is NORMAL:

				Balance D	2-Band
L in						L out
					EQ
		Delay		Modulation	Balance W
	Feedback
	Feedback
					Balance W
		Delay		Modulation
R in					2-Band	R out
				Balance D	EQ
When Mode is CROSS:
				Balance D	2-Band
L in						L out
					EQ
		Delay		Modulation	Balance W
		Feedback
		Feedback
		Delay		Modulation	Balance W
R in					2-Band	R out
				Balance D	EQ
Parameter			Value		Explanation
Delay L			0.0–500.0 ms		Adjusts the delay time from the di-
Delay R					rect sound until the delay sound is
					heard.
Feedback			-98–+98%		Adjusts the proportion of the delay
					sound that is fed back into the ef-
					fect. Negative (-) settings will in-
					vert the phase.
Mode			NORMAL, CROSS		Selects the way in which delay
					sound is fed back into the effect
					(See the figures above.)
Rate #			0.05–10.00 Hz		Frequency of modulation
Depth			0–127		Depth of modulation
Phase			0–180˚		Spatial spread of the sound
HF Damp			200–8000 Hz,		Adjusts the frequency above
			BYPASS		which sound fed back to the effect
					will be cut. If you do not want to
					cut the high frequencies, set this
					parameter to BYPASS.
Low Gain			-15–+15 dB		Gain of the low range
High Gain			-15–+15 dB		Gain of the high range
Balance #			D100:0W–D0:100W		Volume balance between the direct
					sound (D) and the delay sound (W)
Level			0–127		Output Level

19: TRI TAP DLY (Triple Tap Delay)

Produces three delay sounds; center, left and right.

Balance D

L in			2-Band	L out
			EQ
	Left Tap		Balance W
Triple Tap Delay		Center Tap
Feedback	Right Tap		Balance W
R in			2-Band	R out
			EQ
		Balance D

Parameter	Value	Explanation
Delay C	200–1000 ms, note	Adjusts the delay time from the di-
Delay L		rect sound until the delay sound is
		heard.
Delay R
Feedback #	-98–+98%	Adjusts the proportion of the delay
		sound that is fed back into the ef-
		fect. Negative (-) settings will in-
		vert the phase.
Level C	0–127	Volume of each delay sound
Level L
Level R
HF Damp	200–8000 Hz,	Adjusts the frequency above
	BYPASS	which sound fed back to the effect
		will be cut. If you do not want to
		cut the high frequencies, set this
		parameter to BYPASS.
Low Gain	-15–+15 dB	Gain of the low range
High Gain	-15–+15 dB	Gain of the high range
Balance #	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the delay sound (W)
Level	0–127	Output Level

20:QUAD TAP DLY

(Quadruple Tap Delay)

This effect has four delays.

		Balance D
L in		L out
		Delay 1
	Feedback	Balance W
		Delay 2
	Quadruple Tap Delay
		Delay 3
		Balance W
		Delay 4
R in		R out
		Balance D
2	3
1	4	Stereo location of each delay sound

LR

Parameter	Value	Explanation
Delay 1–4	200–1000 ms, note	Adjusts the delay time from the di-
		rect sound until the delay sound is
		heard.
Level 1–4	0–127	Volume of each delay sound
Feedback #	-98–+98%	Adjusts the proportion of the delay
		sound that is fed back into the ef-
		fect. Negative (-) settings will in-
		vert the phase.
HF Damp	200–8000 Hz,	Adjusts the frequency above
	BYPASS	which sound fed back to the effect
		will be cut. If you do not want to
		cut the high frequencies, set this
		parameter to BYPASS.
Balance #	D100:0W–D0:100W	Volume balance between the direct
		sound (D) and the delay sound (W)
Level	0–127	Output Level

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