Roland pt-2000 owner manual List of Demo Songs, Profiles of Composers

Page 10

Listening to the Demo Songs

List of Demo Songs

No.

Title

 

Composer

Copyright

 

 

 

 

 

 

 

 

 

 

 

 

1-1

Intro

J. Maul

© 1991, 1999 Roland UK

 

 

 

 

 

 

1-2

Je Te Veux

E. Satie

© 1997 Roland Corporation

 

 

 

 

 

 

1-3

Golliwog’s Cakewalk

C. Debussy

© 1996 Roland Corporation

 

 

 

 

 

 

1-4

“Fröhlicher Landmann” from “Album Für Die Jugend” Op. 68

R. Schumann

© 1996 Roland Corporation

 

 

 

 

 

 

2-1

Bagatelle “Für Elise” WoO. 59

L. v. Beethoven

© 1994 Roland Corporation

 

 

 

 

 

 

2-2

Arabesque No. 1 in E-Major

C. Debussy

© 1994 Roland Corporation

 

 

 

 

 

 

2-3

Salut D’Amour Op. 12

E. Elgar

© 1996 Roland Corporation

 

 

 

 

 

 

2-4

“Troika Drive: November” from “The Seasons,” Op. 37

P. Tchaikovsky

© 1996 Roland Corporation

 

 

 

 

 

 

3-1

A Maiden's Prayer

T. Badarzewska

© 1996 Roland Corporation

 

 

 

 

 

 

3-2

“Promenade” from “Tableaux d’une exposition”

M. Musorgsky

© 1995 Roland Corporation

 

 

 

 

 

 

3-3

On Wings Of Song

F. Mendelssohn

© 1996 Roland Corporation

 

 

 

 

 

 

3-4

Moment musicaux No. 3, Op. 94-3

F. Schubert

© 1994 Roland Corporation

 

 

 

 

 

 

4-1

No. 14 “La Styrienne” from “25 Easy Studies” Op. 100"

F. Burgmüller

© 1992 Roland Corporation

 

 

 

 

 

 

4-2

Turkisch March (Piano Sonate No. 11 in A Major, 3rd Movement “Alla Turca”)

W. A. Mozart

© 1994 Roland Corporation

 

 

 

 

 

 

4-3

Rondo Brillante “Aufforderung Zum Tanz” in D-flat Major, Op. 65"

C. M. v. Weber

© 1994 Roland Corporation

 

 

 

 

 

 

4-4

“Frühlingslied” from “Lieder Ohne Worte Heft 5,” Op. 62-6

F. Mendelssohn

© 1996 Roland Corporation

 

 

 

 

 

 

5-1

Cantata BWV. 147 (Jazz Arranged)

 

J. S. Bach /

© 1993 Roland Corporation

 

Naoki Nishi

 

 

 

 

 

 

 

 

 

 

5-2

Gymnopedie No. 1

E. Satie

© 1997 Roland Corporation

 

 

 

 

 

 

5-3

Fantasie-Impromptu Op.66

F. Chopin

© 1994 Roland Corporation

 

 

 

 

 

 

5-4

Etude No. 5 in G-flat Major “Black Keys,” Op. 10-5

F. Chopin

© 1990 Roland Corporation

 

 

 

 

 

 

6-1

Etude No.3 in E Major “Chanson De L’Adieu,” Op. 10-3

F. Chopin

© 1992 Roland Corporation

 

 

 

 

 

 

6-2

Mazurka No.5 in B-flat Major, Op. 7-1

F. Chopin

© 1995 Roland Corporation

 

 

 

 

 

 

6-3

Valse No. 6 in D-flat Major, Op. 64-1 “Petit Chien”

F. Chopin

© 1990 Roland Corporation

 

 

 

 

 

 

6-4

Nocturne No. 2 in E-flat Major, Op. 9-2

F. Chopin

© 1993 Roland Corporation

 

 

 

 

 

 

7-1

Fly Free

J. Maul

© 1992 Roland Corporation

 

 

 

 

 

 

7-2

Piano Sonata No. 14 in C-sharp Minor, “Moonlight” 1st Movement

L. v. Beethoven

© 1998 Roland Corporation

 

 

 

 

 

 

7-3

“Berceuse” from “Dolly,” Op. 56

G. Fauré

© 1995 Roland Corporation

 

 

 

 

 

 

7-4

Slavonic Dance No. 10, Op. 72-2

 

 

© 1998 Roland Corporation

 

A. Dvoräk

 

 

 

 

 

 

 

8-1

Mood/Ending

J. Maul

© 1991, 1999 Roland UK

 

 

 

 

 

 

8-2

3-Romances Sans Paroles No. 3, Op. 17

G. Fauré

© 1996 Roland Corporation

 

 

 

 

 

 

8-3

“Clair de lune” from “Suite Bergamasque”

C. Debussy

© 1990 Roland Corporation

 

 

 

 

 

 

8-4

“Träumerei” from “Scenes From Childhood” Op. 15

R. Schumann

© 1997 Roland Corporation

 

 

 

 

 

 

*All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

*No data for the music that is played will be output from MIDI OUT.

Profiles of Composers

John Maul

John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work encompasses studio recordings and live performances including work with top UK Jazz artists. His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works.

Having been a product specialist for Roland U.K., John is now actively involved in music software composing/programming for both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was published and printed.

Naoki Nishi

Born in 1958 in Hiroshima, Japan. Began working professionaly at the age of 21. Has so far released 9 albums on which he is featured. He has also taken part in numerous other albums. His broad range of activities have included appearances at a number of

jazz festivals in Japan and other parts of the world. In addition to his duties as an instructor at the Tokyo Conservatoire Shoubi, he has provided his services as a demonstrator for Roland since 1990. He is considered to be one of Japan’s finest jazz pianist.

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Contents Starting Out Connecting External Devices Step up with MidiConnecting to Audio Equipment Appendices Before You PlayImportant Safety Instructions Page Page Maintenance Power SupplyPlacement Additional PrecautionsStarting Out Main FeaturesButton Descriptions Before You Play Connecting the Power CordSetting the Music Stand Opening and Closing the LidTurning Off the Power About the Volume knobConnecting Headphones Turning On the PowerPlaying Back the Demo Song Listening to the Demo SongsPlaying Back and Stopping the Demo Song Stopping the Demo SongList of Demo Songs Profiles of ComposersPerforming with Various Instrument Sounds Playing the KeyboardPerforming with Piano Sound Try Pressing the Tone ButtonLayering Two Instrument Sounds- Dual Play Layering the Piano tones and Strings tonesReverting to a Single Instrument Tone Layering the Harpsichord and Strings TonesAdding Reverberation to the Sound Reverb Effect Changing the Reverb TypeChanging Keyboard Touch Sensitivity HeavyEx. Using the C Major Keys to Play a Song in E Major Changing the Volume Balance in Dual PlayTransposing without Changing Your Fingering- Key Transpose Setting the Reference Pitch to 442 Hz Adjusting the Reference Pitch Master TuningSetting the Reference Pitch to 440 Hz Lowering/ raising the Reference PitchUsing Midi Local On/Off Making ConnectionsSet the Midi Channel Ex. Set the Midi Channel toSwitching Omni On/Off Switching Local On/OffOmni On/Off Connectors Connecting to Audio EquipmentMaking the Connections When using sequencers TroubleshootingWhen using external sound devices AppendicesSpecifications Functions Assigned to the KeyboardMidi Implementation Chart Memo Information AfricaAvis 02896867 ’01-11-E2-11N

pt-2000 specifications

The Roland PT-2000 is a standout model in the realm of musical instruments, specifically designed for both budding musicians and seasoned professionals seeking a reliable and versatile keyboard workstation. With its blend of innovative technology, user-friendly features, and robust sound engines, the PT-2000 sets a new standard in digital keyboards.

One of the main features of the Roland PT-2000 is its extensive range of high-quality sounds. Boasting over 1,000 onboard sounds, it includes a comprehensive library of acoustic instruments, synthesizers, and sound effects that cater to various musical genres. This rich and diverse sound bank enables musicians to explore and experiment with their creativity, providing them the tools necessary to compose, arrange, and perform seamlessly.

The PT-2000 is powered by advanced sound synthesis technologies that elevate its performance capabilities. With its SuperNATURAL technology, the keyboard delivers incredibly realistic instrument sounds that closely mimic traditional acoustic performances. This technology ensures that every nuance of playing dynamics is captured, providing a highly expressive experience for the user.

Additionally, the PT-2000 features an intuitive interface, making it easy for musicians to navigate through its array of functions. The large, backlit display provides clear visibility, allowing for effortless selection of sounds, effects, and settings even in low-light conditions. The user-friendly controls, including sliders and knobs, enable real-time manipulation of parameters, making live performance adjustments straightforward and engaging.

The keyboard also comes equipped with a variety of connectivity options, including USB, MIDI, and audio outputs. This flexibility makes it easy to integrate the PT-2000 into any existing music setup, whether it be in a studio or live performance environment. Furthermore, the inclusion of built-in effects and a robust sequencing engine opens the door for endless creative possibilities, allowing users to layer sounds, create complex arrangements, and add unique touches to their compositions.

In terms of portability, the PT-2000 strikes a perfect balance between functionality and convenience. Its lightweight design and durable construction make it an ideal choice for musicians on the go, without sacrificing performance quality.

Overall, the Roland PT-2000 stands out as a remarkable keyboard workstation that combines advanced technology, comprehensive features, and user-centric design. It is an excellent choice for musicians looking to expand their creative horizons while enjoying the reliability and performance for which Roland is renowned.
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