HRM-16
REMOTE MIXER
The HRM-16s receive their input signals and power supply entirely through the Centronics cable from the HDS-16. Eight mono and four stereo channels can be mixed and monitored with headphones or sent to a monitor system. The eight mono channels may be routed to the EFFECTS SEND output on the rear panel. The effected signal is returned to the HRM-16 through the stereo effect returns on the rear panel and blended into the mix with the EF- FECTS RETURN level control. The HRM-16 can be easily mounted on a microphone stand with the thumb screws and clip provided, or placed on a table or shelf.
TOP PANEL
The top panel provides:
■Level controls for four STEREO SOURCES;
■EFFECTS SEND, L/R pan, and level controls for each of eight mono channels;
■MASTER volume control;
■HI and LO shelving EQ controls with 12 dB boost and cut;
■TALKBACK VOLUME control, TALK button, and built-in microphone;
■EFFECTS RETURN level control.
TALKBACK
Press the TALK button and speak in the direc- tion of the built-in microphone above the button (three small holes in the shape of a triangle).
The microphone will pick up voices from up to six ft away so you do not need to speak directly into it. Use the TALKBACK VOLUME control to alter the level of incoming talkback information. See page 4 for a complete description of the talkback functions.
REAR PANEL
The HDS-16/HRM-16 system can be connect- ed in parallel or series without compromising sound quality or power as long as no more than four HRM-16s are connected in series from a single HDS-16 output.
■Parallel: Each HRM-16 is connected directly to the HDS-16 in a star confi guration.
■Series: One HRM-16 is connected directly to the HDS-16 with additional HRM-16’s con- nected together in a daisy chain.
Two, 50-pin, Centronics connectors are located on the right of the HRM-16’s rear panel:
