Behringer DX100 user manual Equalizer, Outputs, Output Section

the level of that side of the cross fader. This way it is possible to punch in a piece of music, typically a certain drum track or lyric, into the playing piece of music. Traditionally this is done by rapidly pushing the fader up from minus infinity to 0 or +6 dB or moving a cross fader from one side to the middle to give a stuttering or ‘gated’ effect. These methods are still valid, but if you are looking for instantaneous transforming check out our ergonomic alternative - a pair of big PUNCH buttons , operating on channels 2 and 3. We are sure you will grow to love their speed and ease of operation.

+The big PUNCH buttons on the DX100 are designed to get a quick control. At this point it’s worth pointing out that all the smaller switches on your DX100 are latching. This means they stay down until you hit them again. PUNCH buttons are non-latching, or momentary in opera- tion. This means that they are only active when your finger (or other appendage) is actually holding them down, like the keys on a MIDI keyboard. These are ideal for executing transfor- mations, as you will very quickly find as you get into using your DX100.

ϑTry running a rhythm track through channel 1 (cross fader fully to the left). Now use the chan- nel 2 PUNCH button to manually chop in a sustained signal like orchestral music, ambient sounds, noise, whatever.

5.3 Equalizer

Master EQ comprises three control knobs which enable cut and boost of TREBLE , MID and

BASS frequencies respectively (see below for specs.) EQ can sweeten or effect the mix, with the fading out and in of frequency bands being very popular.

Control	EQ	Frequency	Gain	OFF position
Treble	Shelving	10 kHz	+/- 12 dB	Centre
Mid	Peaking	700 Hz	+/- 8 dB	Centre
Bass	Shelving	50 Hz	+/- 12 dB	Centre

Tab. 5.1: EQ section of your DX100

ϑThe EQ can have a great influence. It can enhance or ruin your sound. The EQ is particularly useful if you use both sides of the centre position.

5.4 Outputs

Stereo outputs include MAIN and TAPE controlled by the rotary control MAIN OUT

bargraph meters unless PFL is engaged.

(see chapter 7 CONNECTIONS). Level to these outputs is , top right on the top panel. MAIN OUT level is displayed on the

+Watch the output meters! Remember - distortion is not volume, and any distortion introduced before the power amplifiers and speakers will worsen your sound and cause amps and speak- ers to clip sooner.

MAIN would normally feed the main PA system (or Hi-Fi amp if you are mixing at home). The TAPE stereo output is primarily for recording, but it could also be used for feeding the mix into a separate sound system, such as DJ foldback or another room or area in a dance club.

10 5. OUTPUT SECTION