Behringer MX2004A Project studio-laying vocals to tape, Projekt Studio, laying vocal tracks

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EURORACK MX2004A

muddy FOH sound, as well as causing a reduction in feedback thresholds. Don’t forget to notch out trouble- some frequencies using a graphic or parametric equalizer, or feedback destroyer (see the BEHRINGER ULTRA-CURVE PRO DSP8024 or the FEEDBACK DESTROYER PRO DSP1124P, which do all of these and

more). Use the low-cut filters to eliminate floor rumble, mics popping etc.

Switching logic for this setup is: and up, and down, down for channels 1 to 8 except 6.

6.3 Project studio—laying vocals to tape

8-track MIDI project studio with sampler, 8-track recording system, one vocal mic and two effects units:

Projekt Studio, laying vocal tracks

Source

Routing

Mic/Line

Mono/Stereo

Input

Vocals

Alt 3-4

M

Mono

1

Band

Main Mix

L

Mono

2

Band

Main Mix

L

Mono

3

Band

Main Mix

L

Mono

4

Band

Main Mix

L

Mono

5

Band

Main Mix

L

Mono

6

Band

Main Mix

L

Mono

7

Band

Main Mix

L

Mono

8

Sampler #1

Main Mix

L

Stereo

9/10

Sampler #2

Main Mix

L

Stereo

11/12

Sampler #3

Main Mix

L

Stereo

13/14

Sampler #4

Main Mix

L

Stereo

14/15

Effect #1

 

 

Stereo

Aux 1

Effect #2

 

 

Stereo

Aux 2

MX 882 Mix out

> 2-Track input

 

 

Alt 3-4 out

> Available

 

 

 

Aux out 1

> Effect 1

 

 

 

Aux out 2

> Effect 2

 

 

 

Main Mix out L

> Recording (DAT L)

 

 

Main Mix out R

> Recording (DAT R)

 

 

Monitor out L

> Monitor system

 

 

Monitor out R

> Monitor system

 

 

Tab. 6.3: MX2004A example "Project studio, laying vocals to tape"

With largely computer-generated music you will want to have plenty of Line inputs, and an ability to take vocals quickly, efficiently, and with minimal desk disturbance. Often a vocal line is added after the music is almost complete. For this we try not to use a valuable aux send as a cue feed. In general, the mix in the artist’s headphones can be the same as that going into the control room monitors: basically a stereo mix with 1) the vocal channel raised above the “mix” level in volume and 2) any off-putting channels muted.

If you intend to take several tracks in quick succession, you can route the channel via the Alt 3-4 bus simulta- neously into all tape tracks via a simple junction box, splitter lead, line mixer like our MX882, or patchbay.

Note: When using Alt 3-4 to send to tape, you can either audition the signal via the tape recorder track, or by assigning Alt 3-4 to the control room monitors , or both. If you are auditioning the vocalist via both routes, the voice should appear louder to you (and the singer) during a take, but be set properly in the mix during playback. By a benign twist of fate, this is usually exactly what you (and they) want.

Note that there are two aux sends and two stereo aux returns. If you want to use more than two effects units, these can either be 1) patched across insert points, 2) inserted between the sampler’s outputs and desk inputs, or 3) driven from the channel insert. If you have invested in the 8-channel BEHRINGER ULTRALINK PRO MX882 for tape monitoring purposes, you can turn the 2-track input into eight line inputs for accepting stereo or mono effects or synths etc. during mixdown.

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6. APPLICATIONS

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Contents MX2004A Safety Instructions Foreword MX2004A Table of Contents Technical Background Introduction ArchitectureInput level setting PSU power supply unitMono Input Channel Before you beginAux sends EqualizerRouting, fading and muting Stereo Input Channel Main SectionInsert RoutingStereo aux returns MeteringSolo function Solo2-track input and output MonitoringAlt 3-4 output InputSetting UP Initializing channels for gain settingAuditioning a signal and setting up a channel Selecting inputsApplications Multitrack initializationRecording levels Track sheetKeyboard Mixer Live gig with simultaneous 2-track recordingLive Gig with 2-TK recording Project studio-laying vocals to tape Projekt Studio, laying vocal tracksPatchbay configuration PatchbayParallel Half-normalledNormalled OpenPatchbay organization Example of a studio organization with four patchbaysLooming problems Technical BackgroundMixing EqualizationEurorack MX2004A connections InstallationGain optimization Connections Installation Modifications ExpandingSpecifications Power supplyMain mix PhysicalWarranty § 1 Warranty CARD/ONLINE Registration