S P E A K E R C O N N E C T I O N S
CONNECTION TIPS
Speakers and electronics terminals have corre- sponding (+) and
amplifier. Wiring “out of phase” results in thin sound, weak bass and a poor stereo image.
With the advent of multichannel surround sound systems, connecting all of the speakers in your system with the correct polarity remains equally important in order to preserve the proper ambience and directionality of the program material.
To use the
through hole in the center post is visible under the collar. Insert the bare end of the wire through this hole; then screw the collar down until the connection is tight. The hole in the center of each collar is intended for use with
SPEAKER-LEVEL CONNECTIONS
| RIGHT |
|
|
| LEFT |
– | + |
|
| – | + |
| – | + | – | + |
|
| Receiver’s Speaker Outputs |
|
|
Your S412PII speakers | to the | If your receiver or | amplifier |
should be connected to your | on the back of each S412PII | does not have a line | |
receiver in two ways (at | speaker. Remember to | subwoofer output, | then you |
speaker level and line level) | maintain the correct | do not need to make | any |
in order to achieve the best | polarities (“+” to “+” and | other connections, | and you |
performance, especially | should skip to the | section | |
when listening to program | a red binding post for “+” | titled “Amplifier Controls.” | |
material recorded in digital | and black for |
|
|
formats, such as Dolby* | connections will provide |
|
|
Digital and DTS.® |
|
| |
Connect the | transducers, and you should |
|
|
ALWAYS make these |
|
| |
4 on your receiver or amplifier | connections. |
|
|