TAPCO S•8 Features
REAR PANEL DESCRIPTION |
| • The S•8 is designed to operate with a +4 dBu signal | |
| when the INPUT LEVEL control is at the MAX position. | ||
This is where |
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| • The S•8 can accept | ||
you connect |
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| up to a +20 dBu signal | ||
your signal to the |
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| by turning down the | ||
monitor and make |
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| INPUT LEVEL control | ||
adjustments to |
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| accordingly. | ||
the frequency |
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9 | • NEVER connect the | ||
response of | |||
the speakers |
| output of an amplifi er | |
to match the |
| directly to the input | |
monitor’s location |
| of the S•8. This could | |
and your room’s |
| damage the input | |
environment. |
| circuitry of the studio | |
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| monitor. |
1. INPUTS |
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| 3. HIGH FREQ | |
• | Since all three |
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| The HIGH FREQ |
| together | S•8 ACTIVE STUDIO MONITOR |
| switch tailors | |||||
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| INPUTS |
| SETTINGS |
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| electrically, do not |
| RCA | XLR | HIGH FREQ FILTER |
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| the overall high- | |
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| (UNBALANCED) | (BALANCED) |
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| connect more than |
| 2dB | 0 +2dB |
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| TRS | – | (NORMAL) |
| frequency response | ||||
| (BALANCED) | 4 | LOW FREQ FILTER OFF | MAX | |||||
| one signal at a |
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| INPUT |
| by ±2 dB at 5 kHz | ||
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| LEVEL |
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| 0 | +2dB +4dB |
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| (NORMAL) |
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| time to the jacks. |
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| AC SELECT |
| and above. Leave | |
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| RISK OF ELECTRIC SHOCK |
| 115V | 5 | ||||
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| DO NOT OPEN |
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• You can use the | WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, |
| this switch in the “0 | ||||||
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER. |
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NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
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AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
| CAUTION: REPLACE WITH THE SAME FUSE AND RATING. |
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| DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE. |
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| (NORMAL)” position | ||
| remaining jacks | SERIAL/DATE CODE |
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| 7 |
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| as “Thru” jacks for |
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| 6 | unless: | |
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| • You want to subtly | ||||
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| signal to another |
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| brighten or darken |
| monitor or to | 8 |
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| the sound of the |
| another amplifi er. |
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| speakers. | |
| If you do this, |
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| • Perhaps you have |
| be aware that |
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| BROUGHT TO YOU BY THE GROOVY FOLKS |
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| hearing loss caused | ||
| unbalancing the |
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| IN WOODINVILLE, WASHINGTON, USA |
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| by too many nights | ||
| C | U S | MANUFACTURED IN CHINA • FABRIQUE AU CHINE |
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| ©2003 MACKIE DESIGNS, INC. |
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| signal anywhere |
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| in front of a double |
| along the |
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| Marshall stack. |
| chain does so for all devices connected to the | • You just like to mix on the bright side or dull side. | |||||||
| chain. This negates the benefi ts associated with | ||||||||
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| If your mixes consistently sound dull or dark when | |||||||
| balanced lines and inputs. |
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| you listen elsewhere, this usually indicates that your | |||||
• Unbalanced TS |
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| monitors are too bright, relative to your normal | |||||||
| accommodated via the TRS jack. See “Appendix B: | ||||||||
| hearing. A bit less | ||||||||
| Connections” for more information. |
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| this, and you can force the mix in this direction by | |||||
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• When using a TS or TRS plug, make sure it is pushed all | reducing the | ||||||||
| the way into the jack. Partially inserting the plug into | by using the | |||||||
| the jack could result in a drop in signal level (by 6 dB). |
| Conversely, if your mixes are consistently too bright, | ||||||
• The S•8s can be used with a home receiver even | then adding some additional | ||||||||
| if the receiver lacks a preamp output by using a | in the monitors satisfi es your ears, and the resultant mix | |||||||
| has less HF content. |
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| Signal Wiring” on page 10 for more information.) |
| It’s a real rush to mix really loud. But remember that | ||||||
2. INPUT LEVEL |
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| the resulting mix only sounds good when you play it at | |||||
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| least that loud. However strange it may sound, mixes | ||||||
| The S•8 expects a | made at lower levels sound even better when played | |||||||
this control to adjust the sensitivity of the input section | loud, perhaps even a bit bigger than life. | ||||||||
according to the signal strength at its input. |
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