highlighting their tremendous imaging, | | ultra low distortion with high power | | we feel, are unfounded. We think the |
dynamics and musicality. | | | | | | | | handling. | | | | | | | | | | | | Energy brand and its loyal customer base |
Tom Norton, of Stereophile and | | | | All of us here feel the new RC-70 | | deserved better. |
Ultimate AV fame, had a totally different | | surpasses the performance parameters | | | | | | | | | Scott Goodman |
opinion of the RC-70 than your team. | | that were established by the original | | | | | | Energy Speakers Brand Manager |
In his review Mr. Norton is quoted as | | Reference Connoisseur. The RC-70 still | | | | | | | | SCARBOROUGH, ON |
saying, “the RC-70 had superb overall | | has the captivating, immersive sound of | | | | | | | | | |
tonal balance” and that the “top end of | | the original, but has improvements in | | | Kudos and, better, bravo for a singu- |
the RC-70 is as open, airy and as detailed | | almost every area. | | | | | | | | | | lar and superlative publication. I quite |
as you could wish for.” Mr. Norton’s | | | | In your review you mention that the | | eagerly digested my very first issue ever |
comments regarding soundstage repro- | | frequency response curve “is amazingly | | of UHF about a week ago. I am still in a |
duction and midrange accuracy are also | | flat, one of the best we have ever mea- | | very pleasant state of shock! |
different from what you found. He said, | | sured.” Then you suggest that comes at | | | Having quite regularly sampled both |
“the RC-70’s sounded neither ‘in your | | a cost: phase accuracy. Flat frequency | | The Absolute Sound and Stereophile for |
face’ forward nor recessed, and produced | | response of the speaker system is made | | about four decades, my mind set was |
a detailed, well-focused soundstage… | | up of both magnitude and phase rela- | | entirely unprepared for UHF’s unique |
Voices were…beautifully served by | | tionships of the individual drivers. | | raison d’être. Your guiding ethos, ethics |
the RC-70, with soaring female voices | | Since you mention the RC-70 has flat | | and modus operandi are so simple in |
and male vocals that were rich and full | | frequency response, it would suggest | | their fundamental elegance. To allude |
bodied.” | | | | | | | | | | that the phase relationship between the | | to Carly Simon’s lyrics celebrating the |
We are not sure if your opinions | | individual drivers is also correct. | | | now mythic procreative capacity of 007 |
were biased due to your experience and | | | | Also, another point is the place- | | is simply incorrect. Not only “Nobody |
appreciation of the old Reference Con- | | ment of the microphone in trying to | | Does it Better” — double negative |
noisseur model, or if you were looking | | recreate the square wave that you were | | intended — but no other publication does |
for something else from these speakers. | | measuring. In a two-way speaker, the | | it! | | | | | |
Your comparison of the original Refer- | | microphone distance can be at a shorter | | | | | | | | | Bob Reinach |
ence Connoisseur to today's RC-70 is | | distance and still deliver a somewhat | | | | | | | | POULSBO, WA |
like comparing a 20-year-old muscle car | | meaningful measurement. With a multi- | | | | | | | | | |
with today's muscle car. They are very | | source speaker | | | | | | | | | | | | | | | | | spelling | mistake on the |
different in every sense, | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | . 75… “redicovery.” |
a direct comparison | | | | | | | | | | | | FEATURES | | | | | | | | | | | | subscribers are prob- |
apples and oranges | | | | | | | | | | | | | | | | | of the | | | | educated than most, |
be good or excellent | INTERACTIVE | | | | | | | | | | | | | | | . probably be getting a |
very differently, | | | | | | | | | | | | | | | | | | | | electronic | version | | | | | magazine |
| | | | | | | | | just like the full | (paid) | | | | | | to the | | |
into consideration | | | | | | | | | | | | | be whisked right | magazine though. |
| This free issue | works | | | | and you'll | | |
| | the table | of contents, | | on page | 79. And if you |
Today’s | | | in | | | | | | | Jeff Malloch |
| | on a heading | | | | of advertisers | | | | | | find | |
| Click | | | with the names | | | | | | | | |
product had more | | | | . Same thing | | | | to | the Internet you’ll | | | ELORA, ON |
| | | | | | | | connected | | | | | | | | | | | |
to meet. Twenty | | article | itself | | ads in this | | issue, if you're | | | | | | | | | | | | | |
| | on most | | | | . | | | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | |
about the sound. | | click | | | on | the company’s | Web site | | | | | | | | | | | | | | | | | thinks of running |
| yourself | | | | | | | | | | | | | | | | | | |
low distortion and | | | | | | | | | | | | | | | | | | | | | | | | | | | on a cover. Too obvious, right? |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
less of a concern. | | | | | | | | | | | | | | | | | | | | the microphone | | | | | | | | | |
used in a number of different configura- | | is placed at greater distances from the | | | I read the comment about the “open |
tions, from state of the art two channel | | speaker. | | | | | | | | | | | | source” turntable in UHF No. 74. Your |
systems to high-powered multichannel | | | | We are still not certain why you | | writer said that this was not the way hi-fi |
systems. The Reference Connoisseur | | were not able to get good results from | | equipment is designed. |
Series must have the efficiency to be | | the RC-70, even though the response | | | Yet one of the top billed turntables |
driven with modest-powered amplifiers, | | curve suggests the speaker should be | | around, the Teres , was designed just this |
plus must have the dynamic range and | | excellent. Maybe the room you placed | | way. Interested people got together on |
power handling to handle the demands | | the speaker in was too small for such a | | a newsgroup and deliberated, and this |
of movie soundtracks. A three-year | | full range speaker system? We do know | | led to a small run of parts and then a |
development program was necessary to | | that the RC-70 is definitely suited to | | commercial endeavor, and some pretty |
redesign every component in order to | | larger rooms than the previous Refer- | | over-the-top variations, not to mention |
meet these standards. The new tweeter, | | ence Connoisseur model, as it has more | | the Redpoint brand. You can check out |
midrange and woofers for the Reference | | extended response and output. | | | | | the process here: http://www.teresaudio. |
Connoisseur Series are ground-breaking | | | | As you can tell, we are very disap- | | com/project/index.html. |
in their ability to perform to the high- | | pointed by the tone of your review | | | | | | | | | Dominic |
est musical standards, while providing | | and by some of the comments, which | | | | | | | | MONTRÉAL, QC |