Audio Taper Faders, Master Section, Phones Jack

Master Section. Each channel can be assigned to the 1- 2, 3-4, and L-R Faders in stereo pairs. This feature allows the operator to group certain channels (such as the chan- nels used to mic an entire drum kit) and assign them to one pair of the master faders in the 1-2, 3-4 sub group. This sub-mixing feature decreases the number of channel faders that need to be adjusted.

16. AUDIO TAPER FADERS

Slide all faders down when connecting your inputs. Increase each channels fader to achieve the overall mix. Calibrated 60mm faders with audio taper are featured for smooth fade-outs.

MASTER SECTION

17. GROUPS 1 - 4

Once a channel has been assigned to one of the 4 groups (see 15), 60mm faders control the level of each group.

channel is great for a third main mix, a subwoofer out or				28. POWER LED Verifies the mixer is on.
in the case of a main mono mix, group 1-4 and L-R creates				29. PHONES JACK
a 6 buss console.
20. CONTROL ROOM SELECTION SWITCHES				1/4” stereo jack for headphone or control room output.
				30. TAPE IN TO L-R SWITCH
Use these switches to select what is heard through the
headphones and control room		jacks. Select LEFT-RIGHT,		This switch assigns the source coming from the RCA TAPE
CENTER, GROUP 1-2 or GROUP 3-4				IN connections to the L-R mix.
21. PFL RED LED				31. TAPE IN CONTROL
Indicates that the headphone, control room, and meters				This adjusts the level of the source coming from TAPE IN.
are monitoring the channels where the PFL is switched on.				32. CONTROL ROOM JACK
22. L-R SUB TO CENTER SWITCHES				This 1/4” stereo connection is for headphones or connecting
Assignes the LEFT-RIGHTmix to the CENTER Fader.				a control room power amp & studio reference monitors.
23. PHONES CONTROL				33. TAPE OUT SOURCE
The PHONES control sets the desired level of the PHONES				This switch changes the tape out source from L-Rto AUX
jack for monitoring through headphones.				3-4. This is a great feature for 2 track live recording where
41	40	39	38 37	a different mix is needed
				from the L-R house mix

The 4 output connections (see 38) are the output of these 4 faders. By assigning the 4 faders to the L & R faders and/or the Center fader the operator can use the 4 groups

	18	19
17

24. CONTROL ROOM

The CONTROL ROOM knob adjusts the level of CONTROL

ROOM output jack for monitoring.

34. STEREO RETURNS

Each return contains a mas- ter level for the L-Rmix and a master level for the AUX (monitor mix) with RETURN 1 & 2 going to AUX 1, and 3 & 4 going to AUX 2.

35. TAPE IN-OUT

Stereo RCA jacks for con-

necting a tape recorder or CD

player.

36. CENTER

XLR balanced output from

the CENTER fader.

37.LEFT / RIGHT XLR & 1/4” CONNECTORS

This set of balanced and unbalanced connectors are for connecting the main mix to external power amp(s).

38. 1/4” GROUP OUT-

PUT CONNECTORS

1 through 4 offer output of each individual GROUP fader for use in multitrack recording or connecting additional power amps for stage monitors or main house speakers.

39. AUX SENDS

Six 1/4” output connectors drive external effects. Or, use these sends to drive additional power amps for stage moni- tors. The C2440 provides bal- anced 1/4” outputs for long cable runs on AUX SENDS

1 & 2.

40. AUX RETURNS

Four 1/4” stereo pairs (8 inputs) to return external effects in stereo.

as sub-mixes. Each fader has assignment switches and a sub-mix pan control for L-R assignments.

18. MASTER LEFT & RIGHT FADERS

These faders send the main stereo mix from all channels and GROUPS assigned to the L-R Faders. This mix is then rout- ed to the main balanced and unbalanced output connectors (see 37). The left and right signals will be identical if all pan controls are set to their center positions.

19. CENTER FADER

The Center fader gets its signal only from the center assignment switches on the 4 groups and L-R. The Center

25. L-R LED VU METERS

This group of LEDs are ten segment 6 dB resolution meters that give the operator the mixer output from 30mv to 15.8vac.

26. AUX SENDS

These are the Master Sends for AUX 1-6. Each has its own PFL switch to assist in adjusting the send level.

27. CONTROL ROOM LISTEN

These 5 switches function just like the Control Room Selection Switches (see 20) providing a stereo listen for the 4 returns and Tape In.

42. MIC PHANTOM

POWER SWITCH / RED

LED

This switch provides phantom power for condenser mics in groups of 8 channels. This allows other channel groups

to remain non-powered to use the LINE inputs for instru- ments and MIC inputs for mics that don’t require phantom power. The groups reduces noise and wasted power.