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INSERTS AND DIRECT OUTS
FULL INSERT
The insert jack is a Tip Ring Sleeve (TRS) 1/4” phone jack, where the tip is the send, the ring is the return and the sleeve is ground. When used as an insert point or in full insert mode, the chan- nel is opened up to allow an external piece of equipment to be inserted into the channels signal path. The channel signal coming from the micro- phone preamplifier will be forced to go through the external equipment before it can continue back through the channel
FULL INSERT
LINE
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12 12
TIP: SEND
RING: RETURN
SLEEVE: GROUND
INSERT JACK
STEREO PLUG
HALF INSERT DIRECT OUT
The half insert connection creates a send signal without breaking the channels signal path. The insert in this mode is no longer used as an insert but it becomes what is called an “insert direct out”. An insert direct out functions as a normal direct out but the plug has to be half inserted. If an insert is needed on the same channel, spe- cial cabling is required to perform both func- tions. The half insertion connects the tip of the plug being inserted to the ring of the jack. See the fig. If the jack is fully inserted to where the tip of the plug connects to the tip of the jack, the internal jack switch will open and the chan- nel’s signal path will be broken. The connec- tion will still function as a direct out but the channel’s signal will stop at the insert and not continue on to the rest of the channel and the masters. The result of the half insert is multi- ple outputs for use in
1/2 INSERT |
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1 | MIC |
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INSERT JACK
INSERT GAIN 4 5 6
3 7
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TO RECORDER
SEND RETURN
TO EFFECTS
MULTI-TRACK RECORDING
TWO-TRACK
TAPE RECORDER
TAPE OUT
Although the Concert Series 16 & 24 channel mixers may be primarily used for live applications, the quality of these boards are also designed for use in
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LEFT | RIGHT | MONO |
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EFF 2 | RTN 2 L RTN 2 R | LEFT | RIGHT |
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record a performance and mix down to a two track recorder later.
DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | |||||||||||||||||||||||||||||||||
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63 | 125 | 250 | 500 | 1K | 2K | 4K | 8K | 16K |
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CONCERT SERIES
C2400
MULTI-TRACK RECORDER
Recording a live performance direct to two track (typically done by connecting a DAT or cassette recorder to the RCA TAPE OUT connectors) can also be done instead of a recording with a
5 | EFF | 5 | EFF | 5 | EFF | 5 | EFF | 5 | EFF | 5 | EFF |
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| PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN | C | PAN |
L | R | L | R | L | R | L | R | L | R | L 1/2R | L | INSERTRL RL R | DIRECTL RL R | L OUTRL R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | L | R | ||||||||||||
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PEAK | PEAK | PEAK | PEAK | PEAK | PEAK |
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INTERNAL DIGITAL EFFECTS
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SEND 1 |
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1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | MON 1 MON 2 LEFT RIGHT MONO |
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Multitrack Out
MULTI-TRACK MIXDOWN
IN | L &R |
| OUT |
1 | 2 | 3 | 4 | 5 | 6 | 7 PHANTOM | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15PHANTOM 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23PHANTOM 24 |
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LINE | LINE | LINE | LINE | LINE | LINE | POWER | LINE | LINE | LINE | LINE | LINE | LINE | LINE | POWER | LINE | LINE | LINE | LINE | LINE | LINE | LINE | POWER | LINE |
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MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC | MIC |
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| TAPE IN |
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DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT | DIR - INSERT DIR - INSERT | EFF 3 | RTN 3 L | RTN 3 R | MON 1 | MON 2 | PHONES |
AUX EFFECTS PROCESSOR
Follow this set up for mixing down to a two track recorder. Connect the
& RIGHT outputs to monitor your mixdown sessions. |
Mixing is a practiced skill. A trained ear will know when to |
EQ, add effects, compress, gate, and when not to. Listen |
to your favorite CD through the same headphones or mon- |
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| 50 | 0 |
| 50 |
GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | ||||||||||||||||||||||||||||||||||||||||||||||||
HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
| HI | 0 |
|
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 | ||||||||||||||||||||||||
MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
| MID | 0 |
|
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 | ||||||||||||||||||||||||
LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| LOW 0 |
| ||||||||||||||||||||||||
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 |
| +15 | ||||||||||||||||||||||||
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
|
| 1 |
0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
| 5 | MON |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
|
| 2 |
0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||||
0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
| 5 | EFF |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
|
| 3 |
0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
| C | PAN |
L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | L R | ||||||||||||||||||||||||||||||||||||||||||||||||
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
|
| SIG |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK |
| PEAK | ||||||||||||||||||||||||
+12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
| +12 |
|
|
+6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
| +6 |
|
|
0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
| 0 |
|
|
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+12 |
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| POWER | ||
8 |
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4 |
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| EQ 1 |
| EQ |
0 |
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4 |
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| LEFT / | RIGHT / | |
8 |
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| MON 1 | MON 2 | |
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| EQ 1 |
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| PEAK |
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| +18 |
|
63 |
| 125 | 250 | 500 | 1K | 2K | 4K | 8K |
| 16K |
|
| +12 |
| |||
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| EQ 2 |
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| +6 |
|
+12 |
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| 0 |
| |
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| - 6 |
| |
8 |
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4 |
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0 |
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4 |
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| 30 |
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| L | R | ||
8 |
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| CONCERT SERIES | ||||||
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| C2400 | |
|
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| INTERNAL DIGITAL EFFECTS |
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| |||||||
5 |
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| 5 |
| 5 | REVERB |
| 3 |
| ECHO |
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| 45 | REV |
|
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| ||||
0 | 10 | PEAK | 0 | 10 |
| 0 | 10 FLANGE | 2 1 |
|
| CHORUS |
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| ||||
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| 1 |
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SEND 1 |
|
| RTN 1 |
| MON 1 | REV |
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| REV |
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| ||||
| SENDS |
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| STEREO RETURNS |
|
|
| TAPE IN | |||||||
5 |
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| 5 |
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| 5 |
| 5 |
| 5 |
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| 5 |
|
| 5 |
0 | 10 |
| 0 | 10 |
| 0 | 10 | 0 | 10 | 0 | 10 |
| 0 | 10 | 0 | 10 | |
EFF 2 |
| EFF 3 |
| RTN 2 | MON 1 | RTN 3 |
| MON 1 |
|
| |||||||
+12 |
|
| +12 |
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| +12 |
| +12 |
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| +12 |
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| PFL | |
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| PHONES | |
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| 5 |
+6 |
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| +6 |
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| +6 |
| +6 |
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| +6 |
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0 |
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| 0 |
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| 0 |
| 0 |
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| 0 |
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| 0 | 10 |
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| MONO |
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| MON 1 |
| ||||||
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| MON 2 |
|
TAPE RECORDER
itoring system you plan to mix through. Note each instru- |
ment’s level and position in the stereo mix. Use this as a |
guide to help mix your project. Mixing down to a digital |
format such as DAT or to an analog reel to reel will yield |
different results. Digital recorders are meant to accurately |
represent the original sound source, therefore you should |
get exactly what you heard while mixing. |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | MON 1 MON 2 LEFT RIGHT MONO |
|