Front Panel Controls & Connections

(1)	(2)	(3)	(6)	(7)	(8)	(9)	(10)	(11)	(12)

(4)(5)

FRONT PANEL

Note: 1 through 5 below are referenced to Channel 1. The other channels are identical.

(1) GAIN CONTROL

The Gain Control determines the proportion of the channel signal in the mix.

(2) CONTOUR CONTROL

Adjusting this control will contour the audio, either bringing out more highs and definition or increasing low and mid frequencies to provide more punch.

(3) REVERB CONTROL

The Reverb Control adjusts the level of signal sent by each channel to the internal Reverb DSP (Digital Sound Processor). The signal sent is mono, post-Contour and will be affected by the channel Gain Control.

(4) LINE INPUT

The Line input is designed to accept balanced or unbalanced line- level signals such as those from keyboards, drum machines, or samplers. Use the GAIN control (1) to adjust for the desired level. If a balanced signal is to be connected to the line input, then a 1/4" TRS (stereo) phone plug should be wired for: Tip = positive (+), Ring = negative (-), Sleeve = ground.

(5) MIC INPUT

The Mic input is an electronically balanced XLR type designed to accept signals from any balanced low impedance (Low Z) microphone. It will be necessary to adjust the channel gain with the input GAIN control (1) to achieve a nominal operating level. The XLR jack is configured for: Pin1 = ground, Pin2 = positive (+), Pin3 = negative (-).

(Note: Only either the Mic or the Line input of a given channel can be connected at one time. Do not connect both simultaneously to the same channel.)

(6) MASTER — VOLUME CONTROL

This controls the final level of the signal output.

(7) MASTER — REVERB CONTROL

This controls the level of the reverb effects sound.

(8) MASTER — HIGH CONTROL

The control has a shelving response giving 15dB of boost or cut at 12KHz.

(9) MASTER — MID CONTROL

The control has a shelving response giving 15dB of boost or cut at 1.5KHz.

(10) MASTER — LOW CONTROL

The control has a shelving response giving 15dB of boost or cut at 100Hz.

(11) MASTER — DEPTH CONTROL

This controls the amount of feedback of the reverb reflection, i.e. the number of reflections and the length of time before they diminish in volume.

(12)POWER ON LED INDICATOR Indicates when the unit is ON.

RPA2 specifications

Nady Systems RPA2 is an innovative wireless microphone and mixing system designed for musicians, performers, and sound engineers seeking a reliable audio solution. Renowned for its exceptional sound quality and versatility, the RPA2 is perfect for both live sound applications and studio recording.

One of the main features of the RPA2 is its UHF (Ultra High Frequency) wireless technology, which provides a robust transmission that minimizes interference. The system operates within a broad frequency range, allowing users to select from multiple channels to find the clearest signal available. This ensures high audio fidelity and a stable connection, even in complex environments.

The RPA2 includes a digital display that offers real-time monitoring of signal strength and battery status. This user-friendly interface makes it easy to adjust settings and ensure optimal performance. With its quick setup capabilities, users can transition between different environments without the need for extensive reconfiguration.

Another notable feature of the RPA2 is its ability to support multiple microphone configurations. It is compatible with various Nady wireless microphones and can easily accommodate different sound sources, be it vocals, instruments, or speech. This flexibility makes it an ideal choice for diverse applications, from live performances to corporate events.

In terms of sound quality, the RPA2 employs advanced audio processing technologies that enhance clarity and reduce latency. This ensures that resulting audio remains true to the original sound, providing an immersive experience for both the performer and the audience.

Additionally, the RPA2 features durable construction, making it suitable for both stage and studio use. The compact and lightweight design allows for easy portability, and the rugged casing is built to withstand the rigors of travel and frequent handling.

Battery life is another critical factor for any wireless system, and the RPA2 excels in this area with its efficient power management. The use of rechargeable batteries further enhances its usability, ensuring long operation times without the need for constant replacements.

In conclusion, the Nady Systems RPA2 stands out due to its reliable UHF technology, user-friendly interface, versatility in microphone support, superior sound quality, and durable design. These features make it a top choice for anyone seeking an efficient and high-performance wireless audio solution. Whether on stage or in the studio, the RPA2 delivers outstanding audio performance that meets the demands of today’s musicians and sound professionals.