Audio-Technica p51857_1800 manual Transmitter Functions, Setting Description

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Function Menu

Default Setting

Choices (Edit)

Wrap-around*

Transmitter Functions

Frequency

Lowest in band

996 frequencies

Yes

 

 

 

(25 kHz steps)

 

 

RF Power

RF LOW

RF LOW, RF HI

Yes

 

 

 

 

 

 

Audio Input Level

+6 dB

- 6 dB, 0 dB, +6 dB, +12 dB

No

 

 

 

 

 

 

Power/Mute Locks

NO.LOC

NO.LOC, ALL.LOC,

Yes

 

 

 

MUT.LOC, PWR.LOC

 

 

Input Select**

MIC

MIC, INST

Yes

 

Reset to Defaults

PRESET

See Restore Default

 

 

 

Settings, page 14

 

 

 

 

 

 

 

Quit

QUIT

Press Set to exit

 

*Continue in the same Up/Down direction and choices “wrap around” to the other end of the range.

**On UniPaktransmitter only

RF power may be set to “RF HI” (30 mW nominal) or “RF LOW” (10 mW nominal) through the RF Power Adjustments on your Transmitter function menu. The default setting is “RF LOW”. While the High setting normally provides

maximum operating range, the Low setting will help extend battery life. The Low setting may also be preferred in multichannel systems, or when operating very close to the receiver, to reduce the possibility of interference or receiver RF overload.

Correct adjustment of transmitter audio input, receiver audio output, and mixer/amplifier input

Audio Input Level (Gain) Adjustments

and output levels is important for best performance.

on your Transmitter

A 4-position audio input gain setting, selected through the function menu, allows you to match

 

the audio input level to the transmitter for best modulation with minimum distortion. The choices

 

are +12 dB, +6 dB, 0 dB and -6 dB. The default value is +6 dB. Select the highest setting that

 

does not result in over-modulation with the highest audio/instrument input levels (an AF

 

indication on the receiver no higher than “0”).

 

When the transmitter is muted, it produces RF with no audio. When the transmitter is Using the Mute and Un-Mute Functions un-muted, it produces both RF and audio. To mute the transmitter (cut off the audio, but on your Transmitter

continue the RF output), press and release the Power/Mute button once. The word “MUTE” will appear in the LCD window, just below the frequency, and the Power-on LED will turn red. To un-mute the transmitter (restore the audio), press and release the Power/Mute button once again. The “MUTE” will disappear from the LCD window, and the Power-on LED will turn green.

The Power/Mute button can be programmed (through the function menu): power can be locked Power/Mute Locks On; Mute can be locked either On or Off.

Setting

Description

NO.LOC

The Power and Mute functions operate normally.

ALL.LOC

Both the Power and Mute functions are locked into their status as of the time

 

“ALL.LOC” is applied. (Power On, and Mute either On or Off.) Note: “ALL.LOC”

 

must be re-accessed and the setting changed to turn the transmitter off.

MUT.LOC

In “MUT.LOC” mode, the audio cannot be muted. The Power functioning is

 

unaffected. (If “MUT.LOC” is applied while the transmitter is muted, pressing the

 

Power/Mute button once will return to un-muted operation; thereafter the Mute

 

function is disabled until the setting is changed again.)

PWR.LOC

Power is locked On as of the time “PWR.LOC”is applied. The Mute functioning

 

is unaffected. Note: When in the “PWR.LOC” mode, the transmitter may be

 

turned off by: (1) Re-accessing the .LOC Menu and changing the setting, or

(2)Removing and re-installing the batteries. When the transmitter is turned on again, it will power-up in the “NO.LOC” mode. (Only the “PWR.LOC” function will change when batteries are removed; all other settings remain stored in memory.)

If an attempt is made to take an action that currently is locked out, the LCD will display “LOC.KED” briefly, then return to its previously-displayed contents.

The UniPakbody-pack transmitter provides input connections for both low-impedance (Lo-Z) Audio Input Selector microphones and high-impedance (Hi-Z) instruments. A wide range of Audio-Technica Wireless

Essentialsmicrophones and cables are available pre-terminated with the appropriate professional latching connector (see page 14 ).

Select the desired input – microphone or instrument – through the function menu; “MIC” or “INST” will show in the LCD window, just below the frequency.

(continued on page 14)

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Contents Series About RF Interference ContentsSeries Components dual-channel Receiver and Included Components/AccessoriesSystem Features dual-channel If your system is equipped with a Plug-on Transmitter Quick Overview of System OperationATW-R1820 Dual-channel Receiver Controls front panel Output a Output Select SwitchOutput B Operating the Receiver ATW-R1820 Dual-channel Receiver BatteriesSelecting Frequencies Overview… Dual-channel Operation First…Single-channel Operation Switch is in the 1 position Power/Mute Button Power-on LEDBattery Door AntennaTransmitter Batteries Battery ConditionOperating the Transmitter ATW-T1801 ATW-T1802Transmitter Functions Setting DescriptionReceiver Accessories Available AccessoriesTransmitter Accessories Tips for Best ResultsOverall System Specifications†ATW-T1802 Plug-on Transmitter One-Year Limited Warranty

p51857_1800 specifications

The Audio-Technica P51857_1800 is a versatile and high-performance microphone designed to meet the needs of performers and sound engineers alike. Part of Audio-Technica's acclaimed lineup, this model stands out for its exceptional sound quality and robust build, making it a top choice for live performances, studio recordings, and broadcasting applications.

One of the main features of the P51857_1800 is its dynamic microphone design. This construction affords the microphone superior durability, allowing it to withstand the rigors of live performances. Dynamic microphones are renowned for their ability to handle high sound pressure levels without distortion, making the P51857_1800 particularly well-suited for loud environments, such as concerts and public speaking events.

The P51857_1800 utilizes a cardioid pickup pattern, which is essential for focusing on the sound source directly in front of the microphone while minimizing background noise from the sides and rear. This feature ensures that the microphone captures vocals and instruments with clarity and precision, making it an excellent choice for vocalists and instrumentalists alike. The cardioid pattern also helps in reducing feedback during live performances.

In terms of technology, the Audio-Technica P51857_1800 is equipped with a frequency response range that enhances its performance across various sound frequencies. This broad frequency response allows for accurate reproduction of audio, whether it's the subtle nuances of a vocalist's voice or the dynamic range of a musical instrument. The microphone's ability to maintain fidelity at both low and high frequencies is a testament to its advanced engineering.

Additionally, the P51857_1800 features a rugged steel construction that provides not only durability but also a degree of resistance to mechanical wear and tear. The microphone's design incorporates a protective grille that shields the internal components from plosives and moisture, ensuring that the microphone remains functional even in challenging conditions.

Moreover, this model is lightweight and easy to handle, making it convenient for on-stage use. Its compatibility with standard microphone stands and easy-to-use connectivity options allow for quick setup and adjustments during performances.

In summary, the Audio-Technica P51857_1800 is a dynamic microphone that offers a blend of high sound quality, durability, and advanced technology. Featuring a cardioid pickup pattern, a broad frequency response range, and a robust design, it serves as an ideal tool for artists and sound engineers looking to achieve professional-quality audio in live and studio settings. Whether it’s for vocals, instruments, or broadcasting, the P51857_1800 delivers performance that can be relied upon in any scenario.