Behringer LX210, LX1200H manual Control Elements, Front panel

Page 5

V-AMPIRE LX1200H/LX210

2. CONTROL ELEMENTS

Fig. 2.1: V-AMPIRE’s control elements (front panel LX1200H)

2.1 Front panel

 

s A: Accesses the MIDI functions. Use the arrow buttons to

 

set the MIDI channels (1 through 16) for transmitting and

 

 

 

 

The GAIN control determines the distortion level and the

receiving MIDI data.

saturation of an amp simulation.

 

 

If you use button A in EDIT mode to select the MIDI function

 

 

 

 

The VOLUME control determines the volume of the selected

and then press the TAP button, the MIDI OUT connector is

preset.

 

 

 

set to act as a MIDI THRU. In this setting (the TAP LED is lit)

The BASS control in the EQ section is for boosting or

no MIDI data is sent, but the device passes on the signal

received at the MIDI IN connection.

cutting the low-frequency range.

 

 

s B: Selects the DRIVE function. This noticeably raises

The MID control is for boosting or cutting the mid-range

frequencies.

 

 

 

distortion and volume. Use the arrow buttons to switch

 

 

 

DRIVE on and off. The DRIVE function is wired pre GAIN

 

 

 

 

TREBLE controls the high-frequency range of the selected

control.

+ While editing the DRIVE function, you can also

preset.

 

 

 

+ The LED rings around the VOLUME, BASS, MID,

activate and adjust the Wah-Wah effect by turning

TREBLE, GAIN, EFFECTS and REVERB controls each

the EFFECTS control. The LEDs surrounding the

EFFECTS control indicate the position of the pedal.

have nine LEDs. On each ring either one LED or

If none of the LEDs light up, the Wah-Wah is not

two neighboring LEDs (in between position) will

activated.

light up at a time, indicating a total of 17 different

 

positions.

 

 

 

s C: This button activates the CABINETS mode. Use the

+ If the TAP button

 

 

 

is pressed, the TREBLE control

arrow buttons to select the type of speaker or combination

functions as a PRESENCE control. This enables you

of speakers you want. You can also switch off the speaker

simulation completely (“-”). For further details, please refer

to boost/cut a

high-frequency

filter tuned to

to chapter 5.2.

whatever amp model is active, thus simulating the

 

frequency-dependent negative feedback of tube

s D: Use this button to select the REVERB function. The

amps.

 

 

 

arrow buttons can be used to select one of nine different

 

 

 

 

The AMPS control is for selecting one of 32 different

types of reverb in addition to the multi-effects processor.

For further details see chapter 6.3.

amplifier simulation models. The control is surrounded by a

 

ring of 16 LEDs. Each LED corresponds to two types of

s E: Here you can activate the NOISE GATE function. Use

amplifiers. The first 16 simulations can be selected by

the arrow buttons to adjust the noise reduction threshold.

turning the AMPS control.

 

 

 

 

+ After preset editing, please press TUNER/EXIT to

To select the simulation models 17 - 32, press down the

TAP button while making your selection by turning the AMPS

quit (the EDIT MODE LED dies out).

+ CONFIGURATION: If you press the D and E buttons

control.

 

 

 

+ The LED “17 - 32” in the bottom left-hand corner of

simultaneously, you can select the general

operating mode of your V-AMPIRE, allowing

the DISPLAY indicates that one of the simulation

adjustments to different studio and live situations

models 17 - 32 has been selected.

 

 

(see chapter 3). To do that, first exit the EDIT mode

 

 

 

 

In addition, you can activate a PREAMP BYPASS by

by pressing TUNER (“Exit”).

 

pressing the button combination TUNER

and TAP

The TUNER button is for switching on the tuner. In addition,

for using the V-AMPIRE as effects unit. If PREAMP BYPASS

this button can be used to quit EDIT mode (“Exit”).

has been selected, none of the LEDs on the AMPS control

Use the two arrow buttons to select a different bank (BANK

lights up. To disable PREAMP BYPASS, simply select a

DOWN and BANK UP). You can skip banks by holding

different amp model or press both buttons again.

each of the buttons down. To activate the EDIT mode,

 

 

 

 

These five buttons are for selecting a preset (A - E) within

press both buttons simultaneously. If you press one of the

one bank.

 

 

 

buttons A - E ( ) in that mode, the arrow buttons can be

In EDIT mode (activated by simultaneously pressing the

used for setting parameters.

 

arrow buttons described in

), the buttons perform the

 

function printed directly below them:

 

 

 

 

 

 

 

 

 

 

 

 

2. CONTROL ELEMENTS

5

Image 5
Contents Version 1.0 February AmpireDetailed Safety Instructions Important Safety InstructionsForeword Table of ContentsBefore you get started IntroductionManual Online registrationFront panel Control ElementsV-AMPIRE display Rear panel Quit the configuration menu by pressing TUNER/EXIT Selecting an operating modeOperating Modes and Applications Live on stage or in a rehearsal room2 LX210 Rehearsal or recording at home LX1200H und LX210Calling up presets PresetsEditing presets Studio recording/recording LX1200H und LX210Restoring all factory presets Storing presetsAMP/SPEAKER-SIMULATION Amp descriptionsTuner Speaker descriptions Effects Processor Reverb and delay algorithmsWah Wah Effect descriptionsSetting reference pitch a Tuning your guitarTuner Separate reverb effectAudio connections InstallationMains voltage Sending/receiving Midi Sysex data SpecificationsMidi connections Appendix PSOHPHQWDWLRQ&KDUW§ 3 Warranty § 1 Other Warranty Rights and National LAW§ 4 Return Authorization Number § 5 Warranty Regulations

LX210, LX1200H specifications

Behringer, known for its commitment to affordability and quality, offers an impressive range of amplifiers and cabinets, including the LX210 and LX1200H models. These products are designed to meet the needs of musicians, providing them with the power and flexibility to achieve their desired tone.

The Behringer LX210 is an all-encompassing 2x10 guitar speaker cabinet that blends portability with professional-grade sound quality. Featuring two 10-inch speakers, this cabinet produces an impressive tonal range that can accommodate various musical styles. The design allows for excellent low-end response while maintaining clarity in the mids and highs, making it a versatile choice for guitarists. The robust construction ensures durability, while the lightweight nature allows for easy transport. Additionally, the LX210 includes a high-quality tweeter for enhanced high-frequency response, making it suitable for both clean and distorted sounds.

On the other hand, the Behringer LX1200H is a powerful 120-watt guitar amplifier head, known for its versatile tones and solid build quality. It features a 3-channel preamp, allowing musicians to switch between clean, overdrive, and distortion sounds seamlessly. The built-in effects loop enables users to integrate their favorite effects pedals, enhancing the tonal palette even further. The LX1200H provides a wide range of EQ controls, including bass, mid, and treble, ensuring that players can shape their sound to fit any performance or recording scenario.

Both products incorporate Behringer’s innovative Class-D technology, which not only reduces weight but also increases efficiency, resulting in higher power output with lower energy consumption. This makes both the LX210 and LX1200H ideal for gigs and studio sessions.

Furthermore, the LX1200H features a headphone output for silent practice, allowing musicians to hone their skills without disturbing others. The rugged chassis and high-quality components ensure reliability during live performances.

In conclusion, the Behringer LX210 and LX1200H represent a powerful combination of high performance, versatility, and durability. With their user-friendly features and advanced technologies, they are designed to meet the demands of today’s musicians, making them a worthy addition to any guitar rig. Whether you are playing small venues or recording in the studio, these models provide the quality and sound clarity that musicians require.