Beyerdynamic MA 212, MA 206 manual Zubehör optional, Technische Daten

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7.Zubehör - optional

Verschiedene Tischsprechstellen und Mikrofone

ZA 2 Transparente Abdeckung für Bedienelemente . . . . . . Best.-Nr. 453.005 ZE 100 Nachrüstsatz Erdschlußüberwachung . . . . . . . . . . . . . Best.-Nr. 453.781

8.Technische Daten

Frequenzgang. . . . . . . . . . . . . . . . . . 55 - 18.000 Hz

Klirrfaktor . . . . . . . . . . . . . . . . . . . . . 0,08%

Signal-Rauschabstand . . . . . . . . . . . . -75 dB

Mikrofoneingänge

Kopplung . . . . . . . . . . . . . . . . . . . . . elektronisch symmetriert Eingangsimpedanz . . . . . . . . . . . . . . 600

Vorverstärkung . . . . . . . . . . . . . . . . . 1 - 100 mV (-58 dBm - -18 dBm), einstellbar Phantomspeisung . . . . . . . . . . . . . . . 0 - 24 V, einstellbar für Mikro 1 und Mikro 2 Anschluss. . . . . . . . . . . . . . . . . . . . . . 3-pol. XLR

Prioritätsschaltung . . . . . . . . . . . . . . Ducking-Funktion auf Mikro 1 und 2, 0 - -40 dB, einstellbar,

erste Priorität für Mikro 1 und zweite Priorität für Mikro 2 über die restlichen Eingänge

Universal-Eingang

Mikrofon

Kopplung . . . . . . . . . . . . . . . . . . . . . unsymmetrisch Eingangsimpedanz . . . . . . . . . . . . . . 2 kVorverstärkung . . . . . . . . . . . . . . . . . 3 mV, fest Anschluss. . . . . . . . . . . . . . . . . . . . . . 6,35 mm Klinke

Belegung. . . . . . . . . . . . . . . . . . . . . . Spitze = NF-Signal; Schaft = NF-Masse

AUX

Kopplung . . . . . . . . . . . . . . . . . . . . . unsymmetrisch

Eingangsimpedanz . . . . . . . . . . . . . . 47 k

Vorverstärkung . . . . . . . . . . . . . . . . . 250 mV (-10 dBm), fest

Anschluss. . . . . . . . . . . . . . . . . . . . . . 2 x Cinch

Line-Eingang

Kopplung . . . . . . . . . . . . . . . . . . . . . unsymmetrisch

Eingangsimpedanz . . . . . . . . . . . . . . 47 k

Eingangspegel . . . . . . . . . . . . . . . . . 775 mV (0 dBm)

Anschluss. . . . . . . . . . . . . . . . . . . . . . 2 x Cinch

Klangregelung

Tiefen . . . . . . . . . . . . . . . . . . . . . . . . 100 Hz, ± 9 dB

Höhen . . . . . . . . . . . . . . . . . . . . . . . . 10 kHz, ± 9 dB

Tiefenfilter . . . . . . . . . . . . . . . . . . . . 24 dB/55 Hz

Höhenfilter . . . . . . . . . . . . . . . . . . . . 24 dB/18 kHz

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Contents Bedienungsanleitung Operating Instructions Page Deutsch English Ausführung SicherheitshinweiseDeutsch Vorderseite Bedien- und KontrollelementeAusschnitt Rückseite Universaleingang Anschlüsse MikrofoneingängeVorrangschaltung TonträgereingangNetzanschluß LautsprecheranschlußRecord Out Aufnahmeausgang InbetriebnahmeFehlercheckliste Fehler Mögliche Ursache LösungZubehör optional Technische DatenAusgänge Ansicht GrundplatineRecord-Ausgang Blockschaltbild Deutsch Bedienungsanleitung 5-KANAL-MISCHVERSTÄRKER MA Deutsch Bedien- und Kontrollelemente Tonträgereingänge NF-Erweiterungsausgang 0 dB InsertNetzanschluß Dungen zu lösen. Versuchen Sie, das Erweiterungs-Ausgang Slave Line-EingängeInsert Gain Gain Gain Blockschaltbild Safety Information ModelEnglish Front view Controls and IndicatorsRear view detailed view Universal input Priority switchingConnections Microphone inputs Auxiliary inputRecord Output Setting upLoudspeaker connection Mains connectionTrouble Shooting Problem Possible Cause SolutionOptional Accessories Technical SpecificationsOutputs Top View of the Printed Circuit BoardRecord output Wiring Diagram English Operating Instructions MA 212 5-CHANNEL Mixer Amplifier English Controls and Indicators Auxiliary inputs Additional AF output 0 dB Mains connection Optional Accessories Sound control AUX inputsSlave output Phantom Wiring Diagram

MA 206, MA 212 specifications

Beyerdynamic, a prominent name in the world of audio technology, has expanded its offerings with the MA 206 and MA 212 microphones, both of which are engineered to cater to a wide range of professional audio applications. These microphones stand out due to their precision, versatility, and advanced technology, making them ideal choices for studios, broadcasting, and live performances.

The MA 206 is designed for high-quality sound capture with its dynamic microphone design. Its cardioid polar pattern provides excellent feedback rejection, ensuring that ambient noise is minimized. This feature is particularly beneficial in live settings where multiple sound sources may compete for attention. The MA 206 also boasts a rugged construction, making it durable enough for extensive use in various environments. Its frequency response is tailored to capture the nuances of vocals, making it a preferred choice for singers and presenters alike.

On the other hand, the Beyerdynamic MA 212 takes audio capture a step further with its unique condenser technology. This microphone is equipped with a wide frequency response that allows it to capture a broad range of sound frequencies, from deep bass to high treble. The MA 212's supercardioid polar pattern ensures that it has a narrower pick-up area, which helps in isolating the sound source and reducing unwanted background noise. This makes it an excellent option for studio recordings where clarity and precision are paramount.

Both models incorporate Beyerdynamic’s proprietary technologies, such as advanced diaphragm design and high-quality internal components, ensuring exceptional sound fidelity. Additionally, the microphones are engineered to handle high sound pressure levels, making them suitable for loud sound sources without distortion.

Their ergonomic designs facilitate ease of use, with convenient mounting options and compatibility with various audio interfaces. Whether for recording, broadcasting, or live performance, the MA 206 and MA 212 deliver reliable performance and impeccable sound quality.

In conclusion, Beyerdynamic's MA 206 and MA 212 microphones exemplify the brand's commitment to excellence in audio technology. With their tailored features and robust construction, both microphones are set to meet the demands of audio professionals, ensuring that every sound is captured with clarity and precision. Whether in the studio or on stage, these microphones stand as symbols of Beyerdynamic’s legacy of innovation and quality in sound reproduction.