Sound Performance Lab 2048 manual Mid, High

Page 11

Mid, High

 

 

 

 

 

 

 

 

Operation

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mid

The Mid filter covers a frequency range of 140 Hz to 3.5 kHz (Frequency control). The frequency range of the Mid filter reaching down to 140 Hz offers a problem-free access to sounds in this range. This means that a snare which operates often around 160 Hz can be processed with the Mid filter, leaving the Low filter free for other instruments.

The maximum cut and boost (Cut/Boost control) of the selected frequency is +/- 15 dB.

The Q factor can be varied from 0.5 to 5 Q with the Bandwidth control. A lower Q factor relates to a larger bandwidth at the selected frequency whereas a larger Q factor defines a smaller bandwidth.

Please read the information about proportional-Q principle of the filter and the recommendation of setting of bandwidth on page 8.

High

The High filter spans the frequency range from 940 Hz to 24 kHz (Frequency control). The High filter is utilized in the first place for narrow band corrections, whether to eliminate interference frequencies (e.g. pilot reference) or to accentuate certain frequencies. The combination of High and Air band offers excellent possibilities for the processing of the high frequencies, thereby permitting the High filter for example to be used for precise adjustments while the Air filter is providing a silky top end.

The maximum boost or cut (Cut/Boost control) of the selected frequency is +/- 15 dB.

The Q factor can be varied from 0.5 to 5 Q with the Bandwidth control. A lower Q factor relates to a larger bandwidth at the selected frequency whereas a larger Q factor defines a smaller bandwidth.

Please read the information about proportional-Q principle of the filter and the recommendation of setting of bandwidth on page 8.

11

Page 10 Page 12
Image 11
Page 10 Page 12
Contents N u a l Stereo Q Model ManualContents Introduction Hookup FeaturesConnections Inputs XLR or JackConnections Proportional-Q principle Recommendations for the setting of bandwidth QSub Bass PowerActive Low LowHigh Mid3D Enhancer AirDimensions Power SupplySpecifications Power SupplyWarranty Sound Engineer Copy MasterArtist

2048 specifications

Sound Performance Lab (SPL) has once again set a high bar for audio excellence with its latest offering, the SPL 2048. This groundbreaking device is designed for professional audio engineers and enthusiasts who demand the utmost precision and creativity in their sound production. The SPL 2048 is a powerful audio interface that combines cutting-edge technology with a user-friendly design, making it a versatile tool for a wide range of applications, from recording studios to live sound environments.

One of the standout features of the SPL 2048 is its high-resolution audio capture capability. With support for sample rates up to 192 kHz and 24-bit resolution, this device ensures that every nuance of sound is captured with pristine clarity. The 2048 utilizes state-of-the-art AD/DA converters that are optimized for minimal latency and high dynamic range, giving users the ability to work with high-quality audio without compromising performance.

In addition to its exceptional audio fidelity, the SPL 2048 is equipped with an impressive array of inputs and outputs. The device features multiple XLR/TRS combo inputs, allowing for seamless connectivity with various microphones and instruments. The output section also provides balanced TRS outputs, as well as digital outputs for integration with other audio systems. This flexibility ensures that the 2048 can be easily incorporated into any studio setup or live performance rig.

The SPL 2048 also excels in its built-in processing capabilities. By incorporating sophisticated digital signal processing (DSP) features, users can access a range of effects and dynamics processing tools directly within the interface. This allows for real-time monitoring and adjustments, streamlining the workflow and enhancing creativity during recording sessions.

Moreover, the device is designed with a robust yet sleek chassis, reflecting SPL's commitment to durability without sacrificing style. Its intuitive interface features clearly labeled controls and a sleek display, making it easy for users to navigate through settings and features seamlessly.

In summary, the Sound Performance Lab 2048 is a culmination of innovation and craftsmanship in audio technology. With its high-resolution audio capture, versatile connectivity options, built-in processing capabilities, and user-friendly design, the SPL 2048 is poised to become an essential tool for audio professionals and enthusiasts alike. Whether in a studio environment or on stage, the SPL 2048 delivers unmatched sound performance, making it a worthy investment for those seeking excellence in audio production.
Top Page Image Contents