4 Using the Microphone

 

 

 

 

 

 

 

 

 

4.4.4 Electric Guitar/Bass

 

 

Electric guitar:

 

 

 

 

 

 

• Position the microphone 1 to

 

 

 

 

6 inches (2.5 to 15 cm) in front

 

 

 

 

of the speaker, aiming at a point

 

 

 

 

just off the speaker diaphragm

 

 

 

 

center.

 

 

 

 

• Use the bass cut and preattenu-

 

 

 

 

ation pad.

 

 

 

 

• You may want to use an addi-

 

 

 

 

tional distant microphone to cap-

 

 

 

 

ture the sound of the speaker

 

 

 

 

cabinet as it interacts with the

 

 

 

 

room.

Fig. 10: Electric guitar.

Electric bass:

Use the same technique as for the electric guitar.

You can use a DI box to add the direct signal of the line output on the bass amp to the microphone signal.

4.4.5 Violin, Viola

 

Solo violin:

 

 

 

• Set the polar pattern selector to

 

 

cardioid (

) or omnidirectional

 

 

(

).

 

 

 

• Direct the microphone at the f

 

 

holes from a height of 6 to 8 feet

 

 

(1.8 to 2.5 m) above the floor.

 

 

Viola:

 

 

 

 

• Set the polar pattern selector to

 

 

cardioid (

) or omnidirectional

 

 

(

).

 

 

 

• Direct the microphone to the f

 

 

holes from

a height of 7 to

 

 

10 feet (2.2 to 3 m) above the

 

 

floor.

 

Fig. 11: Violin.

 

 

 

 

 

Large string sections:

 

 

Use a combination of a main microphone in an XY, MS, ORTF, or other stereo configura- tion and close-in spot microphones.

12

PERCEPTION 820 TUBE

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AKG Acoustics 820 manual Violin, Viola

820 specifications

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