4 Using the Microphone

Double bass:

Align the microphone with one of the f holes from a distance of about 16 inches (40 cm).

If you need to record the double bass together with an ensem- ble, place the microphone closer to the instrument and set the polar pattern to hypercar- dioid (turn the polar pattern se- lector one notch CW from cardioid ( )) to prevent leak- age from other instruments into the bass microphone.

Cello/technique 1:

• Refer to “Double bass” above.

Cello/technique 2:

Use a close-in microphone as

in technique 1 above plus a distant microphone.

Set the level of the close-in microphone approx. 20 dB lower than the distant mic level.

4.4.6 Double Bass, Cello

Fig. 12: Double bass.

We recommend using two micro- phones:

Place one PERCEPTION 820 TUBE 8 to 12 inches (20 to 30 cm) away from the guitar and aim at the sound hole.

Aim a small-diaphragm micro- phone (e.g., a C 451B) at a point near the bridge from a distance of about 3 1/2 feet (1 m) or at the body from a point below and to the rear of the instrument.

We recommend using two micro- phones:

Place mic 1 above and to one side of the player (to reduce blowing noise) and align it with the player's mouth

Aim mic 2 at the instrument from the side.

Refer to fig. 14. If you prefer to use a single microphone, place the microphone about 7 to 8 1/2 feet (2 to 2.5 m) above the floor and aim as mic 1 above.

4.4.7 Acoustic Guitar

Fig. 13: Miking an acoustic guitar with a single microphone.

4.4.8 Flute

Fig. 14: Miking the flute with a single microphone.

PERCEPTION 820 TUBE

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AKG Acoustics 820 manual Double bass, Double Bass, Cello, Aim mic 2 at the instrument from the side, Acoustic Guitar, Flute

820 specifications

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