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ARRI ARRIFLEX D-21 manual From The Field, Mikael Salomon, ASC

Models: ARRIFLEX D-21

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FROM THE FIELD

FROM THE FIELD

ARRI ARRIFLEX D-21

Mikael Salomon, ASC -

Director of The Company and The Andromeda Strain

“I'm very pleased with the final look of the six-hour miniseries The Company, which we shot in Canada, Hungary and Puerto Rico under very varied circum- stances.”

“I've had questions from industry professionals asking how much was digital and how much was shot on film. Great surprise when they learn that it was all digital except for a few slo-mo shots - the film intercuts seamlessly with the digital images.”

“Ridley [Scott] asked me to direct another miniseries and we decided - once again - to go with the ARRI digital camera. We're currently shooting in the Vancouver and getting great feedback on dailies.”

“I've been fielding calls from DP's interested in using the ARRI digital camera system. As I tell them, the best recommendation is that I'm using it again!”

The Company; from left to right:

Michael Zimbrich (1st AD), Ben Nott (Cinematographer),

Michael Carella (A Cam OP), Michael Salomon (Director)

Photo: Jan Thijs © Turner Broadcasting 2006

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ARRI ARRIFLEX D-21 manual From The Field, Mikael Salomon, ASC, Director of The Company and The Andromeda Strain

Contents

The Film Style Digital Camera ARRIFLEX D-21ARRIFLEX D-21 The Film Style Digital Camera ARRI ARRIFLEX D-21 n Cinematic Image Quality ARRIFLEX D-21 - Main Featuresn Flexible Output Option n ARRI Imaging Technology AIT · custom designed CMOS sensorn Compatibility with 35 Format Film Accessories and Support Equipment n Optical Viewfinder · zero delayARRI ARRIFLEX D-21 n 35 Format Film LensesARRI Imaging Technology STATE OF THE ART TECHNOLOGYThe CMOS sensor inside the D-21 was designed and developed for use in ARRI high-end motion picture cameras ARRI ARRIFLEX D-21H D T V 1 . 7 The Company Photo Sony Pictures TVThe Optical Viewfinder A CLEAR VIEWFOR AN AUTHENTIC CINEMATIC LOOK A Film Sized Sensor & Film Lenses for a Film LookTypical 2/3 video camera sensor aspect ratio ARRI ARRIFLEX D-21with Jon Joffin, Cinematographer right Photo A&E/Diyah Pera The Andromeda Strain Marty McNally, A Camera Operator centerMikael Salomon, ASC FROM THE FIELDDirector of The Company and The Andromeda Strain n Best Image Quality D-21 Data Mode Main Featuresn CinemaScope n Greatest Flexibility on the SetDifferent Productions Require Different Outputs FLEXIBLE OUTPUT OPTIONSARRIRAW T-Link A COMPLETE SYSTEM A True ARRI CameraARRI ARRIFLEX D-21 The Butchers Shop Cinematographer Sean Bobbitt, BSC Sean Bobbitt, BSC - Cinematographer on The Butcher’s ShopPhotos Andy Subratie Sam Nicholson - Cinematographer and Michael Coulter, BSC - Cinematographer on The Bank JobFROM THE FIELD VFX Supervisor on VFX scenes for Grey’s AnatomyJohn Pardue - Cinematographer on Frequently Asked Questions About Time TravelFROM THE FIELD Thomas Burstyn - Cinematographer on Tin ManFrank Küpper - Cinematographer on Afrika, Mon Amour Ed Wild - Cinematographer on Prisoners of the SunTechnical Data ARRI ARRIFLEX D-21 Great Britain GermanyItaly Canada