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manual ARRI ARRIFLEX D-21
Models:
ARRIFLEX D-21
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FAQ
n Optical Viewfinder · zero delay
ARRIFLEX D-21 - Main Features
Technical Data
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ARRIFLEX
D-21
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Contents
The Film Style Digital Camera
ARRIFLEX D-21
ARRIFLEX D-21 The Film Style Digital Camera
ARRI ARRIFLEX D-21
n ARRI Imaging Technology AIT · custom designed CMOS sensor
ARRIFLEX D-21 - Main Features
n Cinematic Image Quality
n Flexible Output Option
n 35 Format Film Lenses
n Optical Viewfinder · zero delay
n Compatibility with 35 Format Film Accessories and Support Equipment
ARRI ARRIFLEX D-21
ARRI Imaging Technology
STATE OF THE ART TECHNOLOGY
The CMOS sensor inside the D-21 was designed and developed for use in ARRI high-end motion picture cameras
ARRI ARRIFLEX D-21
H D T V 1 . 7
The Company Photo Sony Pictures TV
The Optical Viewfinder
A CLEAR VIEW
FOR AN AUTHENTIC CINEMATIC LOOK
A Film Sized Sensor & Film Lenses for a Film Look
Typical 2/3 video camera sensor aspect ratio
ARRI ARRIFLEX D-21
with Jon Joffin, Cinematographer right Photo A&E/Diyah Pera
The Andromeda Strain Marty McNally, A Camera Operator center
FROM THE FIELD
Mikael Salomon, ASC
Director of The Company and The Andromeda Strain
n Greatest Flexibility on the Set
D-21 Data Mode Main Features
n Best Image Quality
n CinemaScope
FLEXIBLE OUTPUT OPTIONS
Different Productions Require Different Outputs
ARRIRAW T-Link
A COMPLETE SYSTEM
A True ARRI Camera
ARRI ARRIFLEX D-21
Sean Bobbitt, BSC - Cinematographer on The Butcher’s Shop
The Butchers Shop Cinematographer Sean Bobbitt, BSC
Photos Andy Subratie
VFX Supervisor on VFX scenes for Grey’s Anatomy
Michael Coulter, BSC - Cinematographer on The Bank Job
Sam Nicholson - Cinematographer and
FROM THE FIELD
Thomas Burstyn - Cinematographer on Tin Man
Frequently Asked Questions About Time Travel
John Pardue - Cinematographer on
FROM THE FIELD
Frank Küpper - Cinematographer on Afrika, Mon Amour
Ed Wild - Cinematographer on Prisoners of the Sun
Technical Data
ARRI ARRIFLEX D-21
Canada
Germany
Great Britain
Italy
