The ARRI Accessory Pack is included with many

ARRI Kits or may be purchased separately.

571700 ACCESSORY PACK (4.2 lbs)

(1)

571703

Accessory Pack Bag

(1)

571704

Ditty Bag

(1)

571705

Clothes Pins, 18 pack

(1)

571706

25’ Extension Cable w/ Triple Tap

(1)

571707

Lamp Pack, Fresnel

(1)

850010

Grip Gloves

571701 ACCESSORY PACK (4.2 lbs)

Same as above but uses #571808 Lamp Pack, ARRILITES

ALTERNATE LAMPS

Many ARRI Fixtures use a variety of different lamps allowing you to switch to a lower wattage lamp. Following is a partial list of alternate lamps for 120V fixtures.

Fixture

Cat. #

Type

Watts

Color Temp

Life

AL 600

571645

EKB

420

3200°

75 hours

AL 650

571140

FAD

650

3200°

200 hours

FR 150

530140

ESR

100

2900°

750 hours

FR 650

531340

FKW

300

3200°

150 hours

FR 650

531645

FRG

500

3200°

150 hours

FR 1000

531140

EGR

750

3200°

200 hours

SCRIM BAGS

Use ARRI Scrim Bags to hang scrims and filter frames on the light stand while you are working.

571711

Scrim Bag for 3" – 5" Scrims

571712

Scrim Bag for 6 5/8" – 7 3/4" Scrims

571714

Scrim Bag for 9" – 10" Scrims

 

 

SAFETY CABLE

Always use a safety cable when hanging lights from a grid or other overhead structure.

853276

Safety Cable

FILTERS

Dichroic Filters raise the color temperature to approximate daylight.

571654

Dichroic Filter for ARRILITE 600

571154

Dichroic Filter for ARRILITE 650 & 1000

 

 

571254

Dichroic Filter for ARRILITE 2000

Heat Filter Glass reduces heat without affecting color or intensity.

571157

Heat Filter for ARRILITE 650 & 1000

SNOOTS

Snoots help to cut the light down to a small circular pattern.

530130 Snoot for Fresnel 150

531330 Snoot for Fresnel 300

531630 Snoot for Fresnel 650

531130 Snoot for Fresnel 1000

For a complete list of lamps and accessories, please contact your ARRI dealer.

OPTIONAL ACCESSORIES

WIRE SCRIMS are placed in the slot between the front face of the instrument and the barndoors. Full single, double and triple scrims reduce the intensity without changing other characteristics of the beam. Half single, half double and half triple scrims ‘cut down’ only part of the light field.

Green Scrim (Single) reduces light by approximately a 1/2 f-stop.

Red Scrim (Double) reduces light by approximately

1f-stop.

Blue Scrim (Triple) reduces light by approximately

11/2 f-stop.

SCISSOR CLAMPS easily mount smaller lights to drop ceilings in offices and other industrial spaces. Normally used to hang an instrument directly above or behind

the subject for hair/separation light.

SUPER CLAMPS are adjustable, versatile mounting clamps used to quickly attach lights to beams, pipes, ledges, etc.

CABLE CROSSOVERS

Cable Crossovers provide protection and a safe traffic path over cables.

571725 Cable Crossover, Small, Blue

571726

Cable Crossover, Small, Blue, 3 Pack

571727

Cable Crossover, Small, Blue, 6 Pack

571730

Accessory Bag - fits 3 Cable Crossovers

ARRI Kits use tough nylon roller blade wheels to withstand the abuse of life on the road.

ARRI LIGHTING KITS 11

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ARRI Lighting Kits manual Optional Accessories, Accessory Pack 4.2 lbs, Fixture Cat. # Type Watts Color Temp Life

Lighting Kits specifications

ARRI Lighting Kits are renowned in the film and photography industry for their exceptional quality and diverse applications. Recognized for their precision and reliability, these kits cater to professionals seeking optimal lighting solutions. One of the main features of ARRI lighting kits is their versatile range of fixtures, including tungsten, fluorescent, and LED lights. Each type offers unique characteristics that suit different shooting conditions and aesthetics.

Tungsten lights provide a warm color temperature, ideal for achieving a natural look and feel. Their robust construction ensures durability on set, while their dimming capabilities allow for precise control over illumination levels. Fluorescent lights, on the other hand, are known for their energy efficiency and cooler operating temperatures, making them suitable for extended shooting sessions. They emit soft, even light, reducing harsh shadows and creating a flattering appearance.

ARRI’s LED lights feature cutting-edge technology, incorporating high-quality diodes for superior color accuracy and consistency. The daylight and tungsten LED options allow cinematographers to adapt easily to varying environments. Many ARRI LED fixtures also come equipped with adjustable color temperatures, allowing users to match ambient light sources seamlessly. This flexibility is critical for achieving the desired mood and aesthetic in any shoot.

An essential characteristic of ARRI kits is their modularity. Many kits are designed with interchangeable components, enabling users to customize their lighting setups according to specific needs. Light modifiers such as softboxes, reflectors, and diffusion materials can be added to soften or direct light, providing additional control over the final look.

Built for ease of use, ARRI lighting kits often include intuitive control interfaces that simplify adjustments during production. Many fixtures feature remote control capabilities, allowing cinematographers to make changes without interrupting the shoot. This user-centric design emphasizes ARRI’s commitment to creating tools that not only enhance creativity but also streamline the production process.

In conclusion, ARRI Lighting Kits stand out for their high-quality fixtures, versatile configurations, and innovative technologies. Whether for film, television, or photography, these kits are tailored to meet the diverse needs of professionals, elevating visual storytelling across various mediums. With ARRI’s reputation for excellence, users can trust that their lighting solutions will deliver outstanding performance every time.