571962 SOFTBANK D3 KIT (44 lbs)

(2)

530100

150W FRESNEL

(2)

530110

Barndoor

(2)

530120

Filter Frame

 

 

 

(2)

530150

3” Full Single Scrim

 

 

 

(2)

530152

3” Full Double Scrim

 

 

 

(2)

530143

ESP 150W Lamp

 

 

 

(1)

531600

650W FRESNEL

 

 

 

(1)

531610

Barndoor

(1)

531620

Filter Frame

 

 

 

(1)

531650

6 5/8” Full Single Scrim

 

 

 

(1)

531652

6 5/8” Full Double Scrim

 

 

 

(1)

531658

Chimera Speed Ring

 

 

 

(1)

571659

Chimera Video Pro Bank, XS (16”x22”)

 

 

 

(1)

531640

FRK 650W Lamp

 

 

 

(1)

570112

Ceiling Scissor Clamp

 

 

 

(3)

570051

AS-01 Stand

 

 

 

(1)

571194

Compact 3-Light Case (32 1/2”x17”x10 1/2”)

 

 

 

571962W

SAME AS ABOVE WITH WHEELS

 

 

571862 SOFTBANK D3 KIT (for 220V)

571862W

SAME AS ABOVE WITH WHEELS

571963 SOFTBANK D4 KIT (50 lbs)

(2)

530100

150W FRESNEL

(2)

530110

Barndoor

(2)

530120

Filter Frame

(2)

530150

3” Full Single Scrim

(2)

530152

3” Full Double Scrim

(2)

530143

ESP 150W Lamp

(1)

531300

300W FRESNEL

(1)

531310

Barndoor

(1)

531320

Filter Frame

(1)

531350

5” Full Single Scrim

(1)

531352

5” Full Double Scrim

(1)

531340

FKW 300W Lamp

(1)

531600

650W FRESNEL

(1)

531610

Barndoor

(1)

531620

Filter Frame

(1)

531650

6 5/8” Full Single Scrim

 

 

 

(1)

531652

6 5/8” Full Double Scrim

 

 

 

(1)

531658

Chimera Speed Ring

 

 

 

(1)

571659

Chimera Video Pro Bank, XS (16”x22”)

 

 

 

(1)

531640

FRK 650W Lamp

 

 

 

(1)

570112

Ceiling Scissor Clamp

 

 

 

(4)

570051

AS-01 Stand

 

 

 

(1)

571194

Compact 3-Light Case (32 1/2”x17”x10 1/2”)

 

 

 

571963W

SAME AS ABOVE WITH WHEELS

 

 

571863 SOFTBANK D4 FRESNEL KIT (for 220V)

 

 

 

571863W

SAME AS ABOVE WITH WHEELS

 

 

 

FIXTURE SELECTION: WATTAGE

Consider these important factors when deciding which size ARRI fixture is best for your production:

Camera / Film Stock sensitivity

Area of Coverage

Depth-of-Field

CAMERA/FILM STOCK SENSITIVITY: Many film and video projects today are recorded on film stocks and video cameras that are extremely light sensitive. In general, the more light sensitive the recording medium the less light you will need to record an image. Many of today’s digital cameras are so light sensitive that you may only need the smallest of ARRI’s lighting tools

to capture your image.

571964 SOFTBANK D5 KIT (50 lbs)

(2)

530100

150W FRESNEL

 

 

 

(2)

530110

Barndoor

 

 

 

(2)

530120

Filter Frame

 

 

 

(2)

530150

3” Full Single Scrim

 

 

 

(2)

530152

3” Full Double Scrim

 

 

 

(2)

530143

ESP 150W Lamp

 

 

 

(2)

571065

ARRILITE 650

 

 

 

(2)

571110

Barndoor

 

 

 

(2)

571150

7 1/4” Full Single Scrim

 

 

 

(2)

571152

7 1/4” Full Double Scrim

 

 

 

(2)

571158

Chimera 7 1/4” Speed Ring

 

 

 

(2)

571659

Chimera Video Pro Bank, XS (16”x22”)

 

 

 

(2)

571140

FAD 650W Lamp

 

 

 

(1)

570035

Super Clamp w/ 5/8” Stud

 

 

 

(1)

570112

Ceiling Scissor Clamp

 

 

 

(4)

570051

AS-01 Stand

 

 

 

(1)

571194

Compact 3-Light Case (32 1/2”x17”x10 1/2”)

 

 

 

571964W

SAME AS ABOVE WITH WHEELS

571864 SOFTBANK D5 KIT (for 220V)

571864W

SAME AS ABOVE WITH WHEELS

ARRI LIGHTING KITS 9

Page 9
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ARRI Lighting Kits manual Fixture Selection Wattage, Softbank D3 KIT 44 lbs, Softbank D4 KIT 50 lbs, Softbank D5 KIT 50 lbs

Lighting Kits specifications

ARRI Lighting Kits are renowned in the film and photography industry for their exceptional quality and diverse applications. Recognized for their precision and reliability, these kits cater to professionals seeking optimal lighting solutions. One of the main features of ARRI lighting kits is their versatile range of fixtures, including tungsten, fluorescent, and LED lights. Each type offers unique characteristics that suit different shooting conditions and aesthetics.

Tungsten lights provide a warm color temperature, ideal for achieving a natural look and feel. Their robust construction ensures durability on set, while their dimming capabilities allow for precise control over illumination levels. Fluorescent lights, on the other hand, are known for their energy efficiency and cooler operating temperatures, making them suitable for extended shooting sessions. They emit soft, even light, reducing harsh shadows and creating a flattering appearance.

ARRI’s LED lights feature cutting-edge technology, incorporating high-quality diodes for superior color accuracy and consistency. The daylight and tungsten LED options allow cinematographers to adapt easily to varying environments. Many ARRI LED fixtures also come equipped with adjustable color temperatures, allowing users to match ambient light sources seamlessly. This flexibility is critical for achieving the desired mood and aesthetic in any shoot.

An essential characteristic of ARRI kits is their modularity. Many kits are designed with interchangeable components, enabling users to customize their lighting setups according to specific needs. Light modifiers such as softboxes, reflectors, and diffusion materials can be added to soften or direct light, providing additional control over the final look.

Built for ease of use, ARRI lighting kits often include intuitive control interfaces that simplify adjustments during production. Many fixtures feature remote control capabilities, allowing cinematographers to make changes without interrupting the shoot. This user-centric design emphasizes ARRI’s commitment to creating tools that not only enhance creativity but also streamline the production process.

In conclusion, ARRI Lighting Kits stand out for their high-quality fixtures, versatile configurations, and innovative technologies. Whether for film, television, or photography, these kits are tailored to meet the diverse needs of professionals, elevating visual storytelling across various mediums. With ARRI’s reputation for excellence, users can trust that their lighting solutions will deliver outstanding performance every time.