![Dynamically-activated EQ](/images/new-backgrounds/9471/94713x1.webp)
(113 dB dynamic range)
Open architecture allowing future software updates via MIDI
2
Balanced inputs and
output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Internal
(100 - 240 V~),
Conceived and designed by
BEHRINGER Germany
Or, if you prefer the
Dynamically-activated EQ
Dynamic EQ automatically raises or lowers a defined frequency range based on volume level. It’s literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with ATTACK, RELEASE, THRESHOLD and RATIO parameters).
DEQ opens up a world of both creative mastering and PA problem solving possibilities. We’ve given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.
Feedback Destroyer with Learning Mode
With the digital capabilities we’ve just listed, it’s easy to see why we were able to include a
FBD can be run in AUTO mode to compensate for movements of performers on stage, or in SNGLE mode that locks onto individual frequencies and then varies the amount of attenuation and bandwidth depending on feedback stimulus — more suited to fixed microphone installations.
We also included a LEARN mode that generates short audio pulses, raises their gain until feedback occurs and then locks into potential
Stereo Imager (WIDTH).
While usually considered a mastering technique, the ability to widen the stereo image can be useful in live sound work, too. When you hear it in action, we think you and your audience will be impressed.
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DEQ2496 |
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| EUROPOWER |
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| EP4000 |
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| EUROLIVE |
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XENYX 2222USB |
| B1520 PRO |
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