PRO MIXER DJX700 User Manual
engages directly proportionally to the fader’s incremental movement. When set to logarithmic, the fader’s movement yields higher volume increases as the fader moves farther along its range of motion.
XPQ 3D surround effect
The XPQ 3D surround function is a
Auto BPM counter
The integrated auto BPM counter is an extremely useful feature. It ensures smooth transition from one track to the next, taking a lot of the guesswork out. It can calculate the various tempos of tracks in bpm (beats per minute). Both BPM counter sections are identical and both show the BPM value of the two signals routed to the crossfader. The LEDs located above the DISPLAYs 1 - 4 [29] indicate which of the four input channels are routed to the respective BPM counter.
The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is shown in the respective Display [30]. Several tempo changes in one track would produce a constant display of various BPM values and thus lead to unnecessary confusion. That’s why the beat counter sections each have a SYNC LOCK button [31] that can be used during the song to limit the range of possible tempo values. This makes sense if the counter has already calculated a realistic value. You can do the same thing manually with the BEAT ASSIST button [32]. Pushing this button at least three times in sync with the song’s tempo results in the calculated tempo appearing in the DISPLAY. The Beat Assist and SYNC LOCK buttons are each equipped with a LED. When you have limited the tempo of the tracks on both channels with the SYNC LOCK or BEAT ASSIST buttons, the difference in tempo from both channels is illustrated in the form of a
5
◊When no signal is present (or when the signal level is too low), the BPM display shows only dashes. When the signal is present but can not be identified, the display shows
160 BPM and then shows the said dashes. The beat counter then attempts to get another readout. Therefore, “160” BPM is no usable value; rather, it is simply an error message when the signal can not be analyzed.
To exit the SYNC LOCK or BEAT ASSIST modes, simply push the SYNC LOCK button once more on both channels.
Internal effects processor
Presets of the multi-effects processor
| GRP | EFF |
|
|
1 | 0 | Reverb | Big Plate |
| 1 | Reverb | Small Chamber |
| 2 | Reverb | Bright Room |
| 3 | Reverb | Voice Widener |
| 4 | Reverb | Phil's Drums |
| 5 | Reverb | Short Delay |
2 | 0 | Delay | 1/2 95 BPM |
| 1 | Delay | 3/4 95 BPM |
| 2 | Delay | 1/1 95 BPM |
| 3 | Delay | 1/2 110 BPM |
| 4 | Delay | 3/4 110 BPM |
| 5 | Delay | 1/1 110 BPM |
| 6 | Delay | 1/2 124 BPM |
| 7 | Delay | 3/4 124 BPM |
| 8 | Delay | 1/1 124 BPM |
| 9 | Delay | 1/2 131 BPM |
| A | Delay | 3/4 131 BPM |
| B | Delay | 1/1 131 BPM |
3 | 0 | Echo | 1/2 95 BPM |
| 1 | Echo | 3/4 95 BPM |
| 2 | Echo | 1/1 95 BPM |
| 3 | Echo | 1/2 110 BPM |
| 4 | Echo | 3/4 110 BPM |
| 5 | Echo | 1/1 110 BPM |
| 6 | Echo | 1/2 124 BPM |
| 7 | Echo | 3/4 124 BPM |
| 8 | Echo | 1/1 124 BPM |
| 9 | Echo | 1/2 131 BPM |
| A | Echo | 3/4 131 BPM |
| B | Echo | 1/1 131 BPM |
4 | 0 | Flanger | Stereo Flanger |
| 1 | Flanger | Vintage Flanger |
| 2 | Flanger | Dual Phaser |
| 3 | Flanger | Rotary Speaker |
| 4 | Flanger | Stereo Chorus |
5 | 0 | Panning | Panning |
| 1 | Panning | Tremolo |
6 | 0 | Filter | Auto Filter |
| 1 | Filter | LFO Filter |
| 2 | Filter | Vinylizer |
7 | 0 | Sim/Dyn | Ultrabass |
| 1 | Sim/Dyn | Ultrafex |
| 2 | Sim/Dyn | Voice Changer |
| 3 | Sim/Dyn | Tube Amp |
| 4 | Sim/Dyn | Blues |
| 5 | Sim/Dyn | Radio Speaker |
ENGLISH