TUBE CONDENSER MICROPHONE T‑47

controls in the microphone channel should be set to mid-travel position to start with; low-cut filter and signal level attenuation should be switched off. To get the sound you want, try changing the mic position relative to the sound source or even move the microphone around in the recording room of your studio. Adjusting the angle at which walls face the sound source can also be helpful. Only when the desired basic sound has been achieved, you should start to use equalizers and signal processors, if any at all. Remember: less is often more!

5. Directivity

Your T‑47 features a capsule with a cardioid pickup pattern and is ideal for recording individual instruments, vocals and speech. Cardioid pickup pattern means that the sound produced by sources located in front of the mic is strongly picked up. It is often used in recording situations, since this directivity pattern tones down the pickup of sounds located to the back of the microphone.

To place the microphone correctly, the BEHRINGER logo needs to face the sound source being recorded.

6. Audio connection

To transmit a preamplified signal (OUTPUT connector on the PSU‑T), use a balanced microphone cable with the following pin assignment: pin 1 = shielding; pin 2 = +; pin 3 = -. Since your PSU‑T features gold-plated contact points, we recommend that you use only microphone cables with gold-plated connectors.

Fig. 6.1: XLR connectors

7. Warranty

Find our terms of warranty at http://www.behringer.com.

Warranty

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