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2.7CROSSfADER section
[28]The VcA cONtrOLLED crOSSFADEr is used to cross fade between the selected channels (see {30 }). The crossfader used in the VMX1000USB is a professional
[29]Use the cF cUrVE control to modify the control character of the crossfader between linear and logarythmic in an infinite number of steps. When in linear characteristic mode, the crossfader fades equally in each segment of its movement range; in the logarythmic characteristic mode, volume control is concentrated to the outer segment of the fader’s range of motion.
[30]Use the ASSIGN A and ASSIGN B rotary switches to determine which input signals are routed to the A and B sides of the CROSSfADER. With ASSIGN A, channels 1 through 4 can be selected; with ASSIGN B, channels 2 through 5. Then, you can alternate between these two channels using the CROSSfADER (see {28 }).
2.8AUTO BPM COUNTER
The integrated auto BPM counter is an extremely useful feature. It ensures smooth transition from one track to the next. It can calculate the tempos of various tracks in BPM (beats per minute). Both BPM counter sections are identical and both show the BPM value of the two stereo channels routed to the crossfader.
The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is shown in the respective DISPLAY {31 }. Several tempo changes in one track would produce a constant display of various BPM values and thus lead to unnecessary confusion. That’s why each beat counter section has a SYNc LOcK button {32 } that can be used during the song to limit the range of possible tempo values. This makes sense if the counter has already calculated a realistic value.You can do the same manually with the BEAt ASSISt button {33 }. Push this button
at least three times in sync with the song’s tempo, and the tempo you tapped appears in the DISPLAY. The BEAT ASSIST and SYNC LOCK buttons are each equipped with a LED.
To exit SYNC LOCK or BEAT ASSIST mode, simply press the SYNC LOCK key in both channels once again.
◊When no signal is present (or when the signal level is too low), the BPM display shows only dashes. When the signal is present but can not be identified, the display shows 160 BPM and then shows the dashes. The beat counter then attempts to get another readout. Therefore,“160”BPM is no usable value; rather, it is simply an error message when the signal can not
be analyzed.
PRO MIXER VMX1000USB User Manual
2.9 Connections
[34]These are the LINE and cD inputs respectively, used for connecting tape decks, CD or MD players etc. Unlike other channels, channels 4 and 5 feature two line inputs.
[35]The PHONO inputs for channels 1 through 3 are intended for connecting turntables. Channels 1 through 3 can be switched over to line level (see {36 }).
[36]Using the PHONO/LINE switches, you can change the input sensitivity of the PHONO inputs on channels 1 through 3 to line level (switch pressed). This way, you can even connect a tape deck or a CD player to the PHONO inputs.
◊IMPORTANT: Always pay attention to the correct position of the PHONO/LINE switch when connecting a line level signal to a phono input. The switch must be in its pressed position (LINE)! Otherwise, overdriving may lead to permanent damage to the phono input.
[37]The GND connectors are used for grounding turntables.
[38]The MIC AUX signal, adjustable using the AUX controls on the microphone channels (see {3 }), is laid out at this SEND jack connector. for example, the input of an external reverb can be connected here.
[39]An external stereo effects signal can be fed back into the VMX1000USB using the rEtUrN L/r jack connectors. If you connect a mono effects signal, you need to use the left RETURN L connector. The effect volume can only be adjusted on the output control of the effects unit.
[40]SErIAL NUMBEr. Please take the time to complete and return the warranty card within 14 days of the date of purchase. Or, simply register online at www.behringer.com.
[41]The balanced MAIN 1 XLR outputs are used for connecting a power amplifier. Use the VOL 1 control to adjust the volume (see {16 }).
[42]Hitting the MONO key changes the stereo MAIN 1 output signal into a mono signal. Doing this makes sense when you for example use your PRO MIXER in large rooms where the speakers are placed far from each other. A stereo signal would have a disrupting effect, since the speakers each transmit a somewhat different signal. If you press MONO, an identical signal is transmitted to both MAIN 1 outputs. The BAL 1 control (see {18 }) has no function here.