Behringer XL3200 6. Modifications, 7. Specifications, MON, AUX RETURN, Line input, Crosstalk2, Mono inputs, Channel inserts, Frequency response, Channel direct outs

17XENYX XL1600/XL2400/XL3200 User Manual

MON

A signal sent from AUX RETURN can be added to the stage mix using the MON control.

AUX RETURN

The AUX RETURN controls adjust the volume level of the aux return signals in the main mix.

6. Modifications

◊These modifications require soldering. Attempt only if you are experienced in using an iron on PCBs. Otherwise, refer to qualified personnel. After modification the warranty becomes void.

◊We wish to be absolutely clear that BEHRINGER cannot be held responsible after you start disassembling your XENYX. If you make much of your warranty privileges, think again.

◊Links should not be threaded into the holes on the PCB, but are to be soldered to the tinned areas around the holes. Bend the links a little upwards.

6.1 Mon/Aux sends > post-EQ

Pre-fader switched monitor sends and aux sends are tapped off before the equalizer. Do you prefer post-EQ? What are you waiting for? You don't have to look far—the necessary information is found on the bottom side of the unit.

◊Make sure to turn off the mixer and disconnect it from the mains before removing the cover.

1)Strip the PRE EQ lead.

2)Solder a POST EQ link into place.

3)Make these modifications to as many channels as required (does it have to be all of them?).

6.2 Direct Out > pre-fader

If you prefer to use the Direct Out pre-fader than post-fader, the signal needs to be tapped off before the fader and not after the fader. To perform this modification, find the label "DIR-OUT" on the circuit board.

◊Make sure to turn off the mixer and disconnect it from the mains before removing the cover.

1)Strip the POST FADER lead.

2)Solder a PRE FADER link into place.

3)Make these modifications to as many channels as required.

7. Specifications

Mono inputsMicrophone inputs (XENYX Mic preamp)

		Type	XLR connector, electronically balanced,
			discrete input circuit RF rejection filters
	Mic E.I.N.1 (20 Hz - 20 kHz)
		@ 0 Ω source resistance	-127 dB / 129.7 dB A-weighted
		@ 50 Ω source resistance	-126 dB / 128.3 dB A-weighted
		@ 150 Ω source resistance	-125 dB / 126.5 dB A-weighted
	Frequency response
		To Direct Out	<10 Hz - 50 kHz (-1 dB)
			<10 Hz - 100 kHz (-3 dB)
		To Insert Send	<10 Hz - 90 kHz (-1 dB)
			<10 Hz - 170 kHz (-3 dB)
		Gain range	0 dB to +60 dB
		Max. input level	+24 dBu @ 0 dB Gain
		Impedance	approx. 2.6 kΩ balanced
		Signal-to-noise ratio	120 dB / 122 dB A-weighted
			(0 dBu In @ +22 dB Gain)
		Distortion (THD + N)	typ. 0.0008 %
	Line input
		Type	¼" TRS jack, electronically balanced
		Impedance	approx. 20 kΩ balanced,
			approx. 10 kΩ unbalanced
		Gain range	-10 dB to +40 dB
		Max. input level	+22 dBu @ 0 dB Gain
Channel inserts
		Type	¼" TRS jack, unbalanced
		Max. input level	+22 dBu
Channel direct outs
		Type	¼" TRS jack, balanced
		Impedance	approx. 75 Ω balanced
		Max. input level	+22 dBu
	Crosstalk2
		Main fader closed	100 dB
		Channel muted	90 dB
		Channel fader muted	85 dB

Frequency response (Mic In →Main Out)

<20 Hz - 20 kHz	+0 dB / -1 dB
<10 Hz - 160 kHz	+0 dB / -3 dB

1)Equivalent Input Noise

2)Measuring conditions: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain

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