CARVIN ENGINEERING DATA C1600 16CH & C2400 24CH STEREO MIXER OPERATING MANUAL
Congratulations on the purchase of your mixer. Your new Concert Series mixer demonstrates CARVIN’s commitment to producing the highest qual- ity and most sophisticated engineering in the audio industry today. The “C” series mixers are designed to be professional mixers for use in live per- formance sound reinforcement systems. Features include a full function stereo mixer with two nine band graphic equalizers. Exclusive features include grouped phantom power and internal 24 BIT stereo digital effects. The high quality construction will provide years of performance in and out of the studio. Enjoy your new mixer.
OVERVIEW
The MIC/LINE input channels feature Balanced XLR and TRS 1/4” inputs with grouped phan- tom power for condenser mics. There are 3 bands of EQ with a MID SHIFT and LOW CUT, 2 post fader effect sends, and 2 monitor
CHANNEL EQ WITH ACTIVE TONE CIRCUITS
The Concert Series incorporates 3 bands of EQ per channel. They offer smooth non inter- active tone curves so your adjustments will sound natural and yet be effective. The high (treble) and low (bass) “shelving” type controls cover the complete upper and bottom por- tions of the audio range. The LOW CUT switch provides instant elimination of unwanted low frequencies below 75 Hz. The MID EQ controls are a “band pass” type which peak at 2.5k Hz or 700 Hz (depending on the MID SHIFT switch) for added presence to your mid range tones . Because CARVIN uses “active” tone circuits, you are able to boost or cut your tones without any signal loss to your sound.
C1600& C2400 BLOCK DIAGRAM
MON 2
MON 1
EFF 3
EFF 1&2
R
L
PFL
RECEIVING INSPECTION—read before getting started
INSPECT YOUR MIXER FOR ANY DAMAGE which may have occurred during shipping. If any damage is found, please notify the shipping company and CARVIN immediately. SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to
SAVE YOUR INVOICE. It will be required for warranty service if needed in the future. SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sepa-
rately. Please allow several days for the rest of your order to arrive before inquiring. RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual for your records. Keep your portion of the card and return the portion with your name and comments to us.
INTERNAL SIGNAL ROUTING
A balanced mic or instrument plugs directly into the high quality XLR Neutrik™ connectors and is then routed into the differential circuits for excellent hum and noise cancellation. As your signal continues within the console, a
HEADROOM
Headroom is very important when designing a
SWITCHING POWER SUPPLY
The Concert Series power supply offers unsurpassed rejection of noise and hum while providing precision voltage for all preamp stages. The internal switching power supply takes the 60 Hz AC line input and immediately converts it to 100kHz well outside of the audio range. The 100kHz AC is sent through a transformer and converted to precision DC voltages. Now you can go anywhere and never worry about inconsistent sound due to fluctuating voltages because your mixer automatically switches internally to use 120 or 240VAC. (120VAC & 240VAC compatible with the proper AC cable) CARVIN has spared no expense to achieve the best possible quality & performance.
For your records, you may wish to record the following information.
Serial No.________________________________ Invoice Date_______________
C1600 & C2400 SPECIFICATIONS:
CHANNELS | INSERT |
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| MUTE | PAN |
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| LO |
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| HEADPHONE |
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MIC |
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| CHANNEL TONE |
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| CONTROLS |
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| HEADPHONE | LEVEL |
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| MIC |
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| EFF 1&2 | AND METER |
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| SWITCHES |
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| PRE |
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| L - R |
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| METERS |
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LINE | PAD |
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| EFF 3 |
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| PFL |
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| OUTPUT |
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| line pad |
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| BAL OUT |
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| HI | MID | LOW |
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| GAIN |
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| MONO |
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| MON 1 |
| MONO | Unbal OUT |
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| FADER |
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| LEFT BUSS |
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| MON 2 | FADER |
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| BAL OUT |
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| Unbal OUT | LEFT |
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| DUAL | TAPE OUT |
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| 9 BAND |
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| GRAPHIC EQ |
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| AND |
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| ASSIGNMENT |
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| BAL OUT |
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| PFL L R 1&2EFF 3EFF | 1MON | 2MON |
| RIGHT BUSS | SWITCHES |
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| MONITOR 1 | Unbal OUT | RIGHT | ||||
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| MONITOR 1 |
| TAPE OUT |
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| MON 1 |
| BAL TRS |
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| LEVEL |
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| MONITOR 2 |
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| LEFT |
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| MON 2 |
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| BAL TRS |
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| LEVEL |
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| TAPE IN |
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| MON 1 | INTERNAL |
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| RIGHT |
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| DIGITAL |
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| EFFECTS |
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| RETURN |
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| EFFECTS 1 |
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| LEVEL |
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| LEFT |
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| MON 1 |
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EFFECTS RETURNS |
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| EFFECTS 2 |
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ONE AND TWO |
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| EFFECTS 1&2 |
| OUTPUT |
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| RIGHT |
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| LEVEL |
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| RETURN |
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| LEVEL |
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| EFFECTS 3 |
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| EFFECTS 3 | OUTPUT |
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| EFFECTS 3 |
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Frequency Response: | Mic or Line Inputs: |
Total Harmonic Distortion: | Less than .01% |
Equivalent Input Noise: | 150 ohm source: |
Output Noise: | less than |
| (all levels minimum) |
Output Headroom: | +28dB XLR bal, +20dB 1/4” unbal |
Maximum Gain: | Mic in to Master Line Out: 74dB |
Crosstalk: | Adjacent ch’s: |
Common Mode Rejection: | |
Phantom Power: | All XLR Mic in (channel groups of 8) |
Channel EQ.: | 3 band active,LOW: 80Hz ±15dB |
| MID: 2.5K or 700 Hz±15dB |
| HI: 11.5KHz ±15dB |
Graphic EQ.: | 9 Band Oct. Intervals ±12dB |
Mic Input: | Balanced XLR input |
Line Input: | Balanced 1/4” Phone Jack |
Power Consumption: | C1600: 30VA, C2400: 40VA |
Size: | C1600: 14”D x 23”W x 3.1”H |
| C2400: 14”D x 30”W x 3.1”H |
12340 World Trade Drive, San Diego, CA 92128
(619)