Split Recording Setup.

The Split recording method has many different looks depending on the mixing consoles setup and features. The basic concept of split record- ing is simply using a different channel or bus for mixing than was used for tracking. The complication comes with how the features of the mixer are used. If the mixer has direct outputs, then the channel used for tracking goes direct to the recorder’s inputs and another channel is used for the recorders playback through the mixer. If the channel does not have direct outputs, then the channel output goes through the busses to the recorders inputs. If there are more tracks and inputs than channels, then the channels have to be patched for mic and instru- ments to track. For playback and mixing, the channels are patched for tape outputs.

With S/L consoles, some split recording is done when there are less tracks on the recorder than on the console or multiple channels are desired to be recorded to one or two tracks. In these cases, the Groups are used to sub-mix banks of channels down to one or two tracks. The same In-line setup is used, except that the direct outputs going to the desired tracks to get the sub mixed signals are patched to the out- puts of the groups being used for sub mixing the channels. Even in this setup patching is greatly reduced with the S/L console because the tape returns can remain in the channels and only 8 direct outs and 8 recorder inputs need to be going through a patch bay for patching to the group outputs. The best recording setup has the least possible patching and interconnection.

Figure 5-3shows a simple combination of in-line and split recording setups using a patch bay like the Carvin PB48 patch bay . The setup shows a typical 16 channel recording system. The first 8 channels are connected with the in-line method; where the mixer’s TAPE IN’s are receiving the multi-tracks 1-8 outputs and the mixers DIRECT OUT’s are going directly to the multi-tracks inputs 1-8. Tracks 9-16 are setup using a patch bay with the normal connection (with nothing plugged in the front ) producing the same setup as with tracks 1-8. Using the patch bay allows the busses to be used instead of the direct out’s for inputs to the multi-track recorder. This allows multiple channels to be mixed down to one or two busses using less tracks. With the patch bay, compressors, gates or effects can also be patched (optional to using the insert jacks) covering multiple channels with one unit. The final channel setup shown in Figure 5-3shows the same 16 channels with the inputs from the mics and instruments being recorded.

see figure 5-3 on page 16

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Carvin SL40C manual Split Recording Setup

SL40C specifications

The Carvin SL40C is a cutting-edge guitar amplifier that showcases the innovative spirit of Carvin, a company known for its high-quality sound equipment. The SL40C is designed specifically for guitarists seeking a versatile and powerful amp that can meet the demands of various musical styles, from rock and blues to jazz and country.

At the heart of the SL40C is its all-tube design, which provides a warm, rich tone that digital amps often struggle to replicate. The amp features a 40-watt output, making it suitable for both practice sessions and live performances. One of the standout characteristics of the SL40C is its dual-channel configuration, allowing players to switch between clean and overdriven tones effortlessly. This feature enables guitarists to achieve a wide range of sounds, from pristine cleans to creamy distortion.

The amp is equipped with a 12-inch speaker that delivers a robust sound with clarity and depth. The cabinet is designed to enhance the tonal characteristics, providing a balanced response whether playing clean chords or heavy riffs. The SL40C also has built-in reverb, adding depth to the sound and allowing musicians to create a more ambient atmosphere during performances.

One of the key technologies incorporated in the SL40C is its unique tone shaping controls. The amp includes a three-band EQ (bass, middle, treble) that allows players to sculpt their sound to fit any musical style. Additionally, the presence control enhances high frequencies, giving players the ability to achieve a bright and cutting tone.

Another impressive aspect of the Carvin SL40C is its portability. Weighing in at a manageable level, the amp is easy to transport, making it a favorite among gigging musicians who require a reliable and powerful solution without compromising on sound quality.

Durability is also a top priority in the design of the SL40C. The rugged construction ensures it can withstand the rigors of travel and live performances, while the classic aesthetic appeals to players who appreciate a vintage look.

In conclusion, the Carvin SL40C shines as a versatile and powerful amplifier capable of delivering exceptional sound quality across various musical genres. Its all-tube design, dual-channel functionality, and effective tone-shaping controls make it an indispensable tool for guitarists looking to elevate their sound. Whether in the studio or on stage, the SL40C continues to impress with its rich tones and robust features.