3. Input Channel section

1. 48V PHANTOM POWER SWITCH

This switch provides phantom power for condenser mics in groups of 8 channels. This allows other channel groups to remain non-powered for instruments and dynamic mics that don’t require phantom power. The 48V switch should not be engaged when using sources that do not use phantom power.

2. CHANNEL DIRECT OUT

The DIRECT OUT is a 1/4” TRS (Tip/Ring/Sleeve) balanced output. The DIRECT OUT provides an output of the channel (post fader) unaffected by the pan or assignments. This is typically used for multi-track recording where each channel feeds a track on the recorder. The DIRECT OUT can also be used for sending a channel to an effects unit and to return the effects unit to another channel for mixing.

3. CHANNEL TAPE IN

The TAPE IN is a 1/4” TRS (Tip/Ring/Sleeve) balanced input. The TAPE IN input jack makes up the alternate input path in the dual in-line format of the S/L series consoles. This is typically used as a return from a multi-track recorder. The TAPE IN signal can be accessed via the tape switch, through the Aux 7-8 tape switch or through the Aux 5-6 tape switch.

4. LINE IN

The LINE IN is a 1/4” TRS (Tip/Ring/Sleeve) balanced input. The LINE IN connectors are for connecting balanced and unbal- anced instruments, mics and line level sources such as drum machines or keyboards.

PHANTOM

POWER

24 17-24

DIRECT OUT

TAPE

IN

LINE

IN

MIC

INSERT

5. MIC IN

The MIC IN is an XLR balanced input. These Mic inputs are for connecting professional low impedance microphones. +48V Phantom power is provided via the grouped phantom power switch for condenser mics requiring phantom power.

6. INSERT

The INSERT is a 1/4” TRS (Tip/Ring/Sleeve) Tip send and a ring return break point. The INSERT jack is typically used for inserting an effects unit, compressor and/or equalizer at the beginning of the channel’s signal path. In the S/L series, the insert point is located post mic pre-amp and tape in (depending on the tape switch position) and before the EQ and AUX sends. With an insert cable (1/4” TRS on one end and dual 1/4” TS “Tip/Sleeve” on the other ends), the TRS end is used at the mixer’s insert jack and the corresponding tip TS (Tip/Sleeve) plug goes to the units input and the corresponding TS (Tip/Sleeve) plug goes in the units output. To use the INSERT jack as a direct output for an alternate multi- track recording output, use a 1/4” TS (Tip/Sleeve) cable and insert to the first “click” (1/2 insert). Then connect the other end of the cable to an input on a multi-track recorder. For detailed information on channel insert set up, please see section 7 Using the Insert Jacks on Pg 22

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Carvin SL40C manual Input Channel section
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SL40C specifications

The Carvin SL40C is a cutting-edge guitar amplifier that showcases the innovative spirit of Carvin, a company known for its high-quality sound equipment. The SL40C is designed specifically for guitarists seeking a versatile and powerful amp that can meet the demands of various musical styles, from rock and blues to jazz and country.

At the heart of the SL40C is its all-tube design, which provides a warm, rich tone that digital amps often struggle to replicate. The amp features a 40-watt output, making it suitable for both practice sessions and live performances. One of the standout characteristics of the SL40C is its dual-channel configuration, allowing players to switch between clean and overdriven tones effortlessly. This feature enables guitarists to achieve a wide range of sounds, from pristine cleans to creamy distortion.

The amp is equipped with a 12-inch speaker that delivers a robust sound with clarity and depth. The cabinet is designed to enhance the tonal characteristics, providing a balanced response whether playing clean chords or heavy riffs. The SL40C also has built-in reverb, adding depth to the sound and allowing musicians to create a more ambient atmosphere during performances.

One of the key technologies incorporated in the SL40C is its unique tone shaping controls. The amp includes a three-band EQ (bass, middle, treble) that allows players to sculpt their sound to fit any musical style. Additionally, the presence control enhances high frequencies, giving players the ability to achieve a bright and cutting tone.

Another impressive aspect of the Carvin SL40C is its portability. Weighing in at a manageable level, the amp is easy to transport, making it a favorite among gigging musicians who require a reliable and powerful solution without compromising on sound quality.

Durability is also a top priority in the design of the SL40C. The rugged construction ensures it can withstand the rigors of travel and live performances, while the classic aesthetic appeals to players who appreciate a vintage look.

In conclusion, the Carvin SL40C shines as a versatile and powerful amplifier capable of delivering exceptional sound quality across various musical genres. Its all-tube design, dual-channel functionality, and effective tone-shaping controls make it an indispensable tool for guitarists looking to elevate their sound. Whether in the studio or on stage, the SL40C continues to impress with its rich tones and robust features.
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