(2) Rear panel
$0LINE2, 4, 6, 7, 8 input jacks
•These stereo pairs of unbalanced RCA jacks are inputs for any line level device.
$1PHONO1, 2, 3 / LINE1, 3, 5 input jacks
•These stereo pairs of unbalanced RCA jacks are inputs for a PHONO (RIAA) stage for magnetic (MM) cartridges or a LINE stage suitable for any device, such as a CD player.
$2PHONO1, 2, 3 / LINE1, 3, 5 switches
•These switches change the input from PHONO to a LINE level inputs.
•These switches set a LINE level inputs when turntable is not connected.
$3Phono ground screw (GND)
•This screws provide a place to connect the ground wire from a turntable.
This terminal is exclusively for a turntable grounding and not a safety earth ground.
$4AUX MIC input jack
•Accepts a balanced microphone with 1/4” TRS mono jacks.
•Pin layout: Tip=Hot Ring=Cold Sleeve=GND
$5MAIN MIC input connector
•Neutrik combo jack.
•Accepts either a balanced microphone with an XLR connector or an unbalanced microphone with 1/4” TS mono jacks.
•Pin layout:
XLR: 1. GND 2. Hot 3. Cold
$6Maintenance connector
NOTE:
This connector can be used only for firmware updating. Do not connect device, or may cause damage.
$7LINE2, 4, 6, 8 FADER output jacks
•Connect these jacks to the FADER input jacks of
$8SEND / RETURN jacks
•These 1/4” TS mono jacks allow external processing of the program signal.
•When connect monaural type effect processor, use Lch input and output.
$9DIGITAL OUT (COAXIAL) jack
•This RCA jack provides a digital output data. The signal is unaffected by the MASTER LEVEL control.
•We recommend using a 75 Ω/ohm RCA cord for best digital transfer. (available from any audio/video retailer)
%0REC OUT jacks
•This stereo pair of RCA jacks provide a line level output. The signal is unaffected by the MASTER LEVEL control.
%1BOOTH OUT jacks
•This stereo pair of RCA jacks provide a unbalanced line level output with independent top panel BOOTH LEVEL control.
%2MASTER OUT (UNBALANCED) jacks
•This stereo pair of RCA jacks provide a unbalanced line level output.
•Connect these jacks to the unbalanced analog input jacks on an amplifier or console.
%3LEVEL ATT
(Master out level attenuator)
•Use this to attenuate the MASTER output level.
•Reference is 0 dB.
%4MASTER OUT (BALANCED) connectors
•These XLR type connectors provide a balanced line level output.
•Connect these connectors to the balanced
analog input connectors on an amplifier or console.
• Pin layout: 1. GND 2. Hot 3. Cold
• Applicable connector:
Cannon
NOTE:
Do not
%5MASTER MONO OUT ON/OFF switch
•When this switch is on, mixed L and R signal is outputted from the MASTER OUT (Both BALANCED and UNBALANCED).
ENGLISH
(3) Display
%6Crossfader A assign indicators
•This indicator shows channels of assigned channel to Crossfader A side.
%7Preset mode indicators
%8Sampler mode indicators
SAMP.:
•The Sampler sound is recorded.
LOOP:
•Playing Sampler in Loop mode.
REV.:
•Reverse Sampler playback.
%9Character display
•This displays various operational information, etc..
•[ 1 ] :
[ 2 ] :
[ 3 ] :
[ 4 ] :
The number of assigned input source is displayed on the character display under these indicator.
^0Effect assign indicators
• Selected Effector source is indicated here.
^1Crossfader B assign indicators
•This indicator shows channels of assigned channel to Crossfader B side.
^2Effector BPM display
•This display indicates the BPM of the assigned source.
^3BPM mode indicators
AUTO:
•This indicator is lit, when the BPM mode is
AUTO BPM.
•This indicator is flashed, when the AUTO BPM
is locked.
MANUAL:
•This indicator is lit, when the BPM mode is manual BPM input. You can input desired BPM by MODE PARAMETER knob.
^4Cue button indicators
• Channels of CUE selected are indicated.
^5Cue BPM display (Auto count)
•This display indicates the BPM of the selected channel.
NOTE:
BPM will not be displayed, if 2 or more channels are selected.
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