The First Name In Digital Audio
AVR-3600
Since surround signals are all processed in the digital domain, the
all the Front L/R, Center, Surround L/R, and Subwoofer channels. This combination of DSP and D/A converters works to bring out the tremendous potential of
Dynamic Discrete Surround
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| D.F. |
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| Demodulator |
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| D/A |
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| Digital |
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| Decoder |
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| Master |
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| Digital Input |
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| Interface |
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| Volume |
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| Surround |
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| Simulator |
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A/D Converter |
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| Analog Input |
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| D/A |
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Digital Filter
Fully Discrete 5-channel Equal Power Amplifier
Powerful, Responsive Power Supply
Discrete Construction Chassis and Direct Signal Routing
The interior of the chassis is divided to give separate compartments for the power amplifier, pre- amplifier, video circuit, digital circuit and power supply. This design prevents mutual interference and allows each section to perform at its full potential.
Dynamic Compression Circuit
This parameter is used when the listener wants to reduce the relative loudness between the soft and loud portions of the sound (dynamic range). The control of the volume range allows for better
Dialog Normalization (On/Off)
This circuit recognizes a “cue” in the Dolby Digital signal that “knows” the average dialog level of that program and adjusts the level of your system so that large changes in volume between pro- grams are avoided. This feature allows all Dolby Digital sound tracks to be reproduced at the same subjective loudness without affecting their dynamic range and prevents “overpowering” the important dialog audio track.
Rich Selection of Surround Modes
The
Channel Stereo, Classic Concert, Rock Arena, Jazz Club, Super Stadium, Mono and Matrix.
Cinema Equalizer
This circuit makes the overly bright sounding dialog heard on some movie soundtracks easier to lis-
ten to.
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