Elite ES700P Introduction, Configuration, Hi Frequency Cutoff Control, Subwoofer Level Control

	TYPE: ES700P				A-Z100B / 1v40
			230V	120V
			50Hz 1.3A	60Hz 2.5A
LR 21877		FUSE: T3,15A GDC		Yorkville FUSE: T5.0A 250V SLO~BLO

ON POWER CAUTION: REPLACE WITH

SAME TYPE FUSE AND RATING

ATTENTION: UTILISER UN FUSIBLE DE

RECHANGE DE MEME TYPE ET CALIBRE

POWER	LS700P		FULL–RANGE
	SUBWOOFER
AMPLIFIER			SPEAKERS
Left		Left
Right
		Right
ONE SUBWOOFER PER SYSTEM
		L	R
FULL–RANGE			FULL–RANGE
SPEAKER			SPEAKER

POWER

LS700P AMPLIFIER LS700P

SUBWOOFERSUBWOOFER

TWO SUBWOOFERS PER SYSTEM

Yorkville
		POWER
	HIGH		125 Hz
	FREQUENCY
LS700P	CUT OFF
DESIGNED & MANUFACTURED BY YORKVILLE SOUND • TORONTO, CANADA		100 Hz	150 Hz
	SUBWOOFER		0 +10
USER NOTE:	LEVEL	-5

This Subwoofer may be driven from Speaker Level				+20
or Line Level signals. If an élite processor is used,
this Subwoofer should be plugged into the SUB
output of the processor. The High–Frequency			+24
Cutoff should be set to 150-Hzand the Input Level			-10
should be set to LINE. For
Line Level operation a					dB
balanced (Tip Ring Sleeve)
cable should be used. If the	INPUT GROUND
system is being operated		UNGROUNDED
without a processor, this		GROUNDED
Subwoofer can be	INPUT LEVEL
connected to the output of
the power amplifier as shown		SPEAKER
in the diagrams and the		LINE
Input Level should be set to
SPEAKER. If none of the
equipment has a U-ground,
the INPUT GROUND should be set to			I
GROUNDED. Otherwise the INPUT
GROUND should be set to the		LEFT	N
position that best minimizes the hum.		(mono)	P
			U

Refer to the Owner's Manual	T
for other modes of operation

PARALLEL

THRU

I

RIGHT NP

U

T

PARALLEL

THRU

Introduction

The LS700P is a premium quality integrated powered subwoofer and amplifier. Created as an easy-to-setup addition to your PA, the LS700P will extend the bass of a typical sound system with a minimum of complication, and hence is intended primarily to operate with speaker level signals.

Configuration

The LS700P may be used in several different configurations, the minimum standard system is one LS700P used with a pair of full range speakers. The LS700P accepts the signal from sepa- rate Left and Right sources simultaneously. It then combines them into one signal (to drive the internal speakers). When used in a setup where only one signal is provided to a speaker, such as a mono system or stereo with more than one LS700P, use either the Left or Right input.

For normal operation connect the LS700P just like an ordinary speaker along with the full range speakers. The "INPUT LEVEL" switch should be set to "SPEAKER." If the audio source does not have a "U" ground, eg. a ground pin on the AC cord, the "INPUT GROUND" switch must be set to "GROUNDED." The LS700P may be wired before or after the full range speakers. Use the left and right inputs when using a single LS700P in a stereo system. Use either the left or right inputs when using separate LS700P's for each side or when used in a mono system. The LS700P does not alter the signal to the full range speakers in any way. The LS700P will not draw any power from the amplifier driving the full range speakers. Please note that an external cross-over is not necessary.

1. Hi Frequency Cutoff Control

This control varies the frequency at which the LS700P rolls off the high frequencies. This provides part of a crossover function. This crossover function also combines with the natural low frequency roll off inherent of the full range cabinet (when the LS700P is not used with an élite processor). This control should be set to the closest possible frequency to 20 Hz below the crossover point that the full range speakers processor uses as it's crossover point.

If an élite processor is used, set the high frequency cutoff to maximum (160 Hz)

2. Subwoofer Level Control

The subwoofer level control adjusts the amount of bass added to the sound system by the LS700P. This adjusts for the relative sensitivity of the companion full range speakers and the desired system frequency response. This control should be set by listening while operating at a medium level and then not changed. It is not possible to set this control properly at high levels since the limiter is determining the output level. Setting the level too high will over load the circuitry causing a loss of bass dynamics. The level control should not be set above the 9 o’clock position