SUGGESTED FIRST TIME OPERATION

If this the first time you’ve used a FENDER BXR 300 we suggest that you try the following first time control setting procedure.

Be sure the speaker is connected with a speaker cable (not an instrument cable) and the line cord is plugged into a suitable power source. If you own a BXR 300C, the internal 15 inch speaker will already be connected.

Depress the two “ENHANCE” buttons and turn the VOLUME to zero (7 O’CLOCK) and the TREBLE, MID, MID FREQUENCY, and BASS to “0” (12:00 O’CLOCK), and DELTACOMP™ off. With your instrument connected, press the power rocker switch to “ON” The RED PILOT lamp will illuminate, and the fan in the rear panel will begin to rotate slowly.

Advance the volume while playing a few notes on the bass. Experiment with the controls to become familiar with the features that are available to you.

SETTING UP EXTERNAL SIGNAL PROCESSING

External signal processors may be used as previously described. Devices used with the preamp out, power amp in may be set up as follows:

Connect the “PREAMP OUT” to the input jack of the effects device, and the “POWER AMP IN” to the output jack of the effects device. Read the owner’s manual for the device as required. if you get no sound when the device is in the “IN” mode, you may have the wires to the external device crossed (exchanged) or the device may not be turned on.

SUGGESTED SPEAKER ARRANGEMENTS WITH BXR 300R

There are an almost infinite number of speaker setups possible, what with the variety of speaker systems available. We will attempt to describe four typical situations.

FIGURE 1 is a common connection favored by the bassist who wants extremely high level. it should be noted that two 15” speakers have 50% more cone area than one 18” speaker.

FIGURE 2 is an example of two FENDER BXR 410 ‘s connected in parallel.

FIGURE 3 shows a BXR 115 and a BXR 410 connected in parallel, which provides a well balanced wide range arrangement.

FIGURE 4 illustrates one FENDER BXR SPECTRUM system operating in full range mode. With it’s 18” woofer, the SPECTRUM is ideal for five string bass.

PARALLEL SPEAKERS

When speakers are connected in parallel, as in the example of FIGURE 1, 2, and 3 above, the impedance of two equal systems will halve. impedance of equal impedance systems will have a new impedance equal to the individual identical impedance divided by the number of systems. The minimum for the FENDER BXR 300 is 4 ohms, there is no maximum (if no speakers are connected, no harm will result).

MECHANICAL OPTIONS

For those users who will not be “rack mounting” their BXR 300R we have provided the option of removable rack ears. with the rack ears removed, an optional strap handle kit may be installed. If you should use a handle kit other than FENDER, be sure that the mounting screws protrude no more than 1/2 inch past the mounting plane (underside) of the handle.

If you decide at a later time to re-install the rack ears, make sure that you use the same screws that were originally supplied.

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Fender BXR 300R, BXR 300C owner manual Suggested First Time Operation

BXR 300C, BXR 300R specifications

The Fender BXR 300R and BXR 300C are powerful bass amplifiers designed for musicians seeking versatility and high-quality tone in their performances. With robust construction and innovative technology, these models offer a range of features that cater to both live performances and studio recordings.

At the core of the BXR series is the impressive output power. The BXR 300R and BXR 300C deliver 300 watts of power, ensuring that your bass can be heard clearly in any setting. This power output allows for a dynamic range that can handle the low frequencies of electric bass without distortion, making these amplifiers ideal for various styles of music, from rock to jazz.

One of the standout features of the BXR series is the built-in bi-amped configuration. This technology separates the high and low frequencies, sending them to dedicated drivers. The BXR 300R features a robust 15-inch speaker for low-end response, paired with a horn tweeter for crisp highs. This design ensures that the amplifier can reproduce the full spectrum of bass frequencies with clarity and precision.

Both models include extensive EQ controls, allowing players to shape their sound. With a 3-band EQ featuring bass, mid, and treble controls, musicians can easily sculpt their tone to fit any genre. Additionally, the presence control enhances the amplifier's brightness, providing an extra edge to the sound when needed.

The BXR series also incorporates a unique D.I. output, making it easy for players to connect to mixing consoles or recording equipment. This feature is particularly useful for live performances and studio sessions, offering a clean signal that preserves the integrity of the original tone.

Portability is another crucial aspect of the Fender BXR 300R and BXR 300C. Designed for musicians on the go, both models come equipped with sturdy handles and a lightweight design, making them easy to transport.

In summary, the Fender BXR 300R and BXR 300C bass amplifiers stand out in the competitive market by offering a blend of power, innovative technology, and user-friendly features. Whether on stage or in the studio, these amplifiers provide the reliability and tonal versatility that every bassist seeks, delivering performances that resonate with both musicians and audiences alike.