Fostex owner manual Application Examples, Example 1 Using the PH-100 as a cue box

Model PH-100

Application Examples

<Example - 1: Using the PH-100 as a cue box >

The following figure shows the example of using PH-100s as cue boxes for recording.

Each PH-100 is installed in each booth of a recording studio. Musicians in each booth can monitor the sound with the desired balance between signals from the [INPUT] and [AUX IN] jacks by adjusting the [INPUT] and [AUX IN] controls on the front panel.

	CUE OUT #1
												MIXER										MON OUT
	CUE OUT #2
						AUX IN															INPUT
1	5	2	5	3	5	4	5	5	5	6	5	7	5	8	5	9	5	10	5		5	AUX IN
																						PH-100
																						HEADPHONE AMP DISTRIBUTOR
0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10
																				PEAK	5	CAL
									PHONES											ST MONO 0	10	POWER
																					INPUT

AUX IN INPUT

1 5 2 5 3 5 4 5 5 5 6 5 7 5 8 5 9 5 10 5 5 AUX IN

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

PEAK5

CAL

PH-100

HEADPHONE AMP DISTRIBUTOR

PHONES

ST MONO 0 10 POWER

INPUT

<Example - 2: Using an individual talkback monitor facility>

The following figure shows the example of using an individual talkback monitor facility of the PH-100.

By connecting each [CHANNEL IN] jack to an individual cue output of the mixing console which can send a talkback signal, you can send talkback to an individual musician.

INPUT

MIXER

CUE OUT MON OUT

CHANNEL IN

INPUT

AC IN

5	4	3	2	1	L
10	9	8	7	6	R
PHONES (PRIORITY TO "FRONT PHONES" OUTPUT)					CASCADE
					OUT (-10dBV)

5	4	3	2	1	L/MONO
10	9	8	7	6 R
		CHANNEL IN (-10dBV)			AUX IN
					(-10dBV)

L/MONO

R

INPUT

(-10dBV)

+4dBu

-10dBV

INPUT L

+4dBu

-10dBV

INPUT R

1	5	2	5	3	5	4	5	5	5	6	5	7	5	8	5	9	5	10	5	5	AUX IN
0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10	0	10
																			PEAK	5	CAL

PH-100

HEADPHONE AMP DISTRIBUTOR

ST MONO 0	10	POWER
PHONES	INPUT

5