TUBE 50/100 - MANUAL
TUBE 50 TUBE 100
A L L - T U B E G U I T A R A M P L I F I E R S
| 5 |
| 5 |
| 5 |
| 0 |
| 0 |
| 0 |
| 5 |
| 0 |
| 0 |
| 0 |
| 5 |
| 0 |
| 5 |
|
| 0.5 | 1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 2 | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 0.2 |
| 5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 25 |
0 | 10 | 0 | 10 | 0 | 10 | +5 | +5 | +5 | 0 | 10 | +5 | +5 | +5 | 0 | 10 | +5 | 0 | 10 | DRY | WET | 0 WATTS 50 | ||||||||
| 5 |
| 5 |
| 5 |
| 0 |
| 0 |
| 0 |
| 5 |
| 0 |
| 0 |
| 0 |
| 5 |
| 0 |
| 5 |
|
| 1 | 2 | 5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 0.2 |
|
| 12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 25 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| .02 |
|
| 50 |
0 | 10 | 0 | 10 | 0 | 10 | +5 | +5 | +5 | 0 | 10 | +5 | +5 | +5 | 0 | 10 | +5 | 0 | 10 | DRY | WET | 0 WATTS |
| ||||||||
1.0 JACKS AND CONTROLS
AMP MODE A/B: Activates either MODE A or MODE B for both chan- |
| EQ SECTION: BASS, MID and TREBLE controls for CHANNEL | ||||||||||||||||||||
nels (CHANNEL 1 and CHANNEL 2). MODE B is active when the but- |
| 1. As is standard in tube amps, MID and TREBLE controls | ||||||||||||||||||||
ton is pressed in. You can also execute this switching function via the |
| influence each other: if you boost the treble, the mids are cut | ||||||||||||||||||||
STAGEBOARD (Button 1). Note that if you use the stageboard, you |
| and vice versa. This EQ shaping feature allows you to dial in | ||||||||||||||||||||
must leave the button on the front panel in the "OFF" position (AMP |
| a wide variety of subtle tonal modifications. | ||||||||||||||||||||
MODE A) to allow the stageboard to take control. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ENGLISH
| 5 |
| 5 |
| 5 |
| 0 |
| 0 |
| 0 |
0 | 10 | 0 | 10 | 0 | 10 | +5 | +5 | +5 |
|
|
|
|
STAGEBOARD: Input jack for the |
|
|
|
STAGEBOARD. The Stageboard is a |
| INPUT: Input | |
set of footswitches with which you |
| ||
| jack for guitars. | ||
can activate the channels, the |
| ||
|
|
| |
modes, and the REVERB/FX LOOP. |
|
|
|
|
|
|
|
VOLUME MODE A: Determines the volume of AMP MODE A. Higher VOLUME settings add a crunchy edge to the signal.
MASTER MODE B: Determines the volume for MODE B in CHANNEL 1.
GAIN MODE B: Effectively determi- nes the degree of distortion for MODE B in CHANNEL 1.
7
