SDEC3000.4500.om.qxd 4/16/09 10:06 AM Page 8

INPUT/OUTPUT ASSIGNMENTS

SDEC-4500

The SDEC-4500 comprises two units. Both the SDEC-4500P and SDEC-4500X are required for the digital equalizer to function properly in the Synthesis system. Please be sure to connect both units correctly according to the Input/Output Assignments chart on page 9.

The correct Synthesis Interconnect kit includes all the necessary connections for using the SDEC in the Synthesis system. Please be sure to order the S3000IC or S3000XLRIC for use with SDEC-3000 and S4000IC or S4500XLRIC for use with SDEC-4500. Retrofit kits are also available. Please contact JBL Synthesis Technical Support for more information at 516.594.0300 (USA only).

The SDEC-4500 is capable of processing up to 12 inputs and up to 20 outputs. Depending on the type and number of outputs will determine which connections you should use to connect the SDEC to the rest of your system. Please refer to the connection diagram for more information.

CONNECTION NOTES

The SDEC-4500 can process two outputs for the front left, center and right channels to output to an amplifier for a bi-amplified system. There are discrete outputs for a single high-frequency horn speaker (SAM1HF) and low-frequency (SAM2LF) speakers. These outputs can only be used with speakers designed to be used with an external crossover. Do not use the SDEC Digital Equalizer for any speakers other than the recommended Synthesis speaker packages.

There are three pairs of outputs for side speakers. If you are only using one pair of side speakers, then you may leave the second or third pair of outputs with no connection. If you are using a second or third pair of side speakers, then you should connect the pair closest to the front speakers to Output 1, the pair in the middle of the room to Output 2, and the pair closest to the rear speakers to Output 3.

There are up to four subwoofer outputs. You should use them in pairs so that you either have two or four subwoofers. All Synthesis systems are designed for at least two subwoofers.

You must connect the SDEC-4500P and the SDEC-4500X using the BlueLink connection, using an Ethernet network patch cable, Cat. 5e minimum.

The two units must be connected to an Ethernet network hub for the final calibration process. Both units need to be connected to the same hub or router, and an open port needs to be accessible for the calibration computer.

When using the SDP-40HD processor, make sure the subwoofer (in speaker setup) is set to Mono output and con- nect to the Subwoofer Left output.

SELECTING FULL-RANGE OR BI-AMPED CONFIGURATION

There are two ways to select between bi-amped or full-range LCR operation.

Please note: Only Method One can be done on the control ports (without a computer). Method Two requires a computer running the appropriate configuration software. Please contact JBL Synthesis Technical Support for more information.

METHOD ONE: WITHOUT A COMPUTER

Full Range: With the SDEC powered up and running, connect Control Input 1 to “C” (common) on the back of

the unit for full range. This is a temporary contact and should not be left in place.

METHOD TWO: WITH A COMPUTER

Bi-Amped:With the SDEC powered up and running, connect Control Input 2 to “C” for bi-amped. This is

a temporary connection and should not be

left in place.

While online and in Operate mode from within London Architector when using the Java remote, select the appropriate speaker configuration as your installation requires. The software will automatically configure the outputs correctly.

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JBL SDEC-4500P, SDEC-4500X manual

SDEC-4500P, SDEC-4500, SDEC-4500X specifications

The JBL SDEC-4500, SDEC-4500X, and SDEC-4500P represent a significant evolution in the world of digital signal processors (DSP) designed specifically for professional audio applications. These products are tailored to enhance sound quality and ensure optimal performance in various environments, including concert halls, clubs, and large venues.

The JBL SDEC-4500 is engineered to provide comprehensive processing capabilities that allow users to take full control of audio signals. One of its main features is its 32-bit floating-point processing, which ensures high precision and accuracy in audio handling. This feature is essential for maintaining audio integrity, especially in complex sound systems that require extensive tuning and adjustments.

The SDEC-4500X model builds upon the capabilities of the SDEC-4500, incorporating extended connectivity options. It includes multiple analog and digital input/output configurations, making it versatile for various setups. The device is equipped with advanced filter algorithms that enable users to implement precise EQ settings and dynamic control, thus tailoring the audio output to their specific needs and room acoustics.

The SDEC-4500P, on the other hand, is designed for portability and ease of use. This model retains the core processing features of the SDEC-4500 series while focusing on user-friendly interfaces. It includes a touchscreen display that allows for intuitive operation, enabling sound engineers to make adjustments on-the-fly during performances.

All models in the SDEC-4500 series feature comprehensive protection schemes, ensuring reliability and durability in demanding environments. They offer full matrix routing capabilities, allowing for flexible signal flow and management across various audio channels. Moreover, the built-in latency adjustment features help accommodate different system setups, optimizing performance while maintaining sound quality.

In addition to their core features, the SDEC-4500 series also supports remote control capabilities, allowing users to manage settings from a distance, which is beneficial for live sound situations. The integration of advanced technologies, such as the proprietary JBL DSP algorithms, ensures that the audio output meets professional standards while remaining adaptable to different applications.

In conclusion, the JBL SDEC-4500, SDEC-4500X, and SDEC-4500P showcase cutting-edge technology and design tailored for professional sound reinforcement. Their array of features, combined with robust performance and flexibility, makes them invaluable tools for audio professionals across various sectors. Whether in studio settings or live events, these DSPs elevate sound management to new heights.