| Recording Menus |
| GAIN UP |
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| OFF: Allows you to shoot dark scenes with no picture |
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| CAMERA |
| brightness adjustment. |
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| [AGC]: The overall appearance may be grainy, but the |
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The “m” settings are effective when the Power Switch is |
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| image is bright. |
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set to both “A” and “M”. However, the menu settings can |
| AUTO |
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| : The shutter speed is automatically |
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be changed only when the Power Switch is set to “M”. |
| adjusted. Shooting a subject in low or poor lighting at |
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[ ] = |
| slow shutter speed provides a brighter image than in the | ||||||||||||||||||||||
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| AGC mode, but the subject’s movements are not smooth | |||||||||||||||||||
REC MODE |
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| or natural. The overall appearance may be grainy. While | ||||||||||||||||||||||
[SP]: To record in the SP (Standard Play) mode |
| the shutter speed is being automatically adjusted, “ | ” | |||||||||||||||||||||
LP: Long |
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the recording time. |
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| MANUAL |
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NOTES: |
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| The “q” settings are effective only when the Power |
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● If the recording mode is switched, the playback picture will |
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| be blurred at the switching point. |
| Switch is set to “M”. |
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● It is recommended that tapes recorded in the LP mode on |
| [ ] = |
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| this camcorder be played back on this camcorder. |
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● During playback of a tape recorded on another camcorder, |
| DIS |
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| blocks of noise may appear or there may be momentary |
| OFF: Disables the function. |
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| pauses in the sound. |
| [ON |
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| ]: To compensate for unstable images caused |
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SOUND MODE |
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| NOTES: |
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[12 bit]: Enables video recording of stereo sound on four |
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| ● Accurate stabilization may not be possible if hand shake is | |||||||||||||||||||||||
separate channels, and is recommended for use when |
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| excessive, or under the following conditions: |
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performing Audio Dubbing. (Equivalent to the 32 kHz |
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| • When shooting subjects with vertical or horizontal stripes. | |||||||||||||||||||||||
mode of previous models) |
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| • When shooting dark or dim subjects. |
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16 bit: Enables video recording of stereo sound on two |
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| • When shooting subjects with excessive backlighting. |
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separate channels. (Equivalent to the 48 kHz mode of |
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| • When shooting scenes with movement in various |
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previous models) |
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| • When shooting scenes with |
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ZOOM |
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| ● Switch off this mode when recording with the camcorder on | ||||||||||||||||||||||
16X: When set to “16X” while using digital zoom, the |
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| a tripod. |
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zoom magnification will reset to 16X since digital zoom |
| ● The “ |
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| ” indicator blinks or goes out if the Stabilizer |
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will be disengaged. |
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[40X]: Allows you to use the Digital Zoom. By digitally |
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| TELE MACRO |
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processing and magnifying images, zooming is possible |
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| [OFF]: Disables the function. |
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from 16X (the optical zoom limit), to a maximum of 40X |
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digital magnification. |
| ON: Usually the distance to a subject where the lens is in | ||||||||||||||||||||||
700X: Allows you to use the Digital Zoom. By digitally |
| focus depends on the zoom magnification. Unless there |
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processing and magnifying images, zooming is possible |
| is a distance more than 1 m (3.3 ft) to the subject, the |
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from 16X (the optical zoom limit), to a maximum of 700X |
| lens is out of focus at the maximum telephoto setting. |
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digital magnification. |
| When set to “ON”, you can shoot a subject as large as |
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| possible at a distance of approx. 60 cm (2 ft). |
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SNAP MODE |
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| NOTE: |
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[FULL]: Snapshot mode with no frame |
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| Depending on the zoom position, the lens may go out of |
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| focus. |
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FRAME: Snapshot mode with frame |
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[FULL]
For details on the procedure, refer to “Snapshot (For Video Recording)” ( pg. 21).
WIDE MODE
[OFF]: Records with no change in the screen ratio. For playback on a TV with a normal screen ratio.
CINEMA: Inserts black bands at the top and bottom of
the screen. The |
| indicator appears. During playback |
on
without distortion. The |
| indicator appears. When using |