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You can use this function to enhance or compress reproduction of black areas on the screen. When stretched, the contrast of high- contrast images is reduced so that you can capture both highlights and shadows. With 0.45 gamma, you can shoot with ambient lighting only (no fill light required), allowing you to obtain better detail reproduction in bright or shadowed areas. When compressed, the contrast is in-
creased, making colors richer. Video Scan Mode; It is
possible to select be- tween video or "Hi Res Frame Mode" for a more cinematographc effect. Full Auto Shooting; In an emergency, or when
it's not possible to pause to adjust white balance or change the
gain, the Full Auto Shooting mode provides point-and-shoot ease of operation, leaving you simply to zoom, focus, and press the record button. Activating Full Auto Shooting puts the camera in the Auto Iris mode, even if the lens is set to manual. Automatic Video Level Control (ALC) is also activated, along with Extended Electronic Iris (EEI) which provide both variable gain and variable shutter and Full Auto White to follow color temperature. This means you can shoot con- tinuously from a dark to a bright and indoor to outdoor without changing gain, iris, white balance or ND filter.
Functions and switch layout
for professionals; In addition to the Full Auto Shooting to handle difficult or variable lighting environments, the GY-DV5000 is equipped with an array of pro-level functions that provide professionals with the creative flexibility they need. These include soft detail correction, Skin Tone Detection, fully adjustable gamma, Iris over/ under Black Stretch/Compress, Frame Mode etc. The GY-DV5000's switches have also been arranged in the way that most professionals are accustomed
to, making operation more intuitive, precise, easy, and error-free. Since you won't have to "re-learn" how to use this camcorder all over again, the GY-DV5000 is the ideal camera for any assignment. 400% wide
dynamic range; The DV5000's super fast multi-stream parallel processing DSP creates an ultra- smooth gamma curve calculated using a true log scale algorithm. The result is a dynamic range of over 400% that accurately reproduces fine details and
colors in both shadowed and high- lighted areas. LOLUX 0.4 lux (F1.4); When activated, the LOLUX mode increases sensitivity with almost no increase in noise. LOLUX increases the gain by +36 dB so you can capture high-quality video footage with excellent color balance, en- hanced gradations, and minimal color smear in low-light conditions.
New audio-related functions;
When color bars are output, audio reference signals (test tone) are also output. The audio reference signal can be set to -12 dB or -20 dB as required. In addition, a "wind out" function is provided to minimize extraneous noise picked up by the microphone. 2.5-inchtri-mode LCD
display; The 200,000-pixel 2.5" color TFT LCD monitor provides a high-resolution 440 TVL video im- age during shooting or instant re- play. Like the viewfinder, it has an adjustable peaking and zebras that simplify focus and iris setting. A push button selects three display modes: Video only, Video images with text information overlay in- cluding time, status, mode, and other data are shown on the screen, Data information only including time, status, mode, and other data
are shown on the screen. The monitor tilts up 180 degrees for high-angled overhead shooting and tilts down 90 degrees for low-angle shots. Video-only can be
displayed or with data overlayed--or data alone can be
displayed. Optional 1.5" CRT
black & white viewfinder; The high-resolution viewfinder shows your subject in black and white, making it easy to locate and frame your subject with the monitor
closed. The view-
finder can be moved forward or backward and the view angle can be adjusted so you can
easily keep your subject in frame. The viewfinder can be
raised about 90 degrees for high-angle shooting. Larger studio viewfinders are also
optionally available. Light link function; When you use an Anton Bauer battery (option), you can link light (option) ON/OFF switching to the recording trigger. You can also turn it on all the time with the switch if required. Time/date re-
cording; Time and date with seconds resolution can be re- corded on the tape over color bars or video. Time and date are also overlaid over the video output. Other Features include: Full Auto White (FAW), Spot L/Back L, Aspect ratio (4:3/letter box), Detail correc- tion, Detail V/H balance, Skin detail detection, White clip select, Knee point select, Setup adjustment, Lock audio (16-bit, 48Khz only), ACCU-FOCUS, Automatic level con- trol (ALC), System file selection, Smooth transition mode, Variable slow shutter, Built-in color bar, Gamma control, Auto black level, Zebra pattern (4-step), Auto knee,
Highlight chroma processing, SMPTE/EBU time code generator, Blank search, Edit search, Adapt- able to Sony-style tripod base
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