GY-HD110 Outputs and Applications
Signal: 576i digital component throughout.
Application: Integration with existing
SD editing equipment plus additional facility for true native 16:9 origination.
Standard Definition Production
| |
NLE | |
IEEE 1394 |
|
The compact size and wealth of professional features of the
both widescreen 16:9 modes and also in a standard 4:3 aspect ratio.
For those upgrading in the future to High Definition, the
576i |
Standard Definition formats |
|
currently in use to those | |
in demand for the coming | |
HD standards. |
|
| DV |
| 576i |
Signal: 720p 24.
Application: Acquisition for cinematography, transfer to film & video assist.
Film School
MATTE
From the native uncompressed 720p signal, the
A further advantage of the
BOX
PRIME
LENSES
1/3" TO 'PL' |
|
MOUNT | HDVô |
ADAPTOR | 720p24 |
|
For the film shooting |
|
|
application of ìvideo assistî, |
|
|
even standard definition |
|
|
recording can be set to 24p | TAPE | |
progressive to capture perfectly |
| |
|
|
the film effect.
LASER PRINTER
720p24
NLE
Signal: 720p 60/50, 720p 30/25, 1080i 60/50, and 576i 50.
Multi Standard Flexibility
Application: Various, where material is to be matched with existing footage or images captured on another format.
720p 60/50
The diagram shows the video signals that are commonly found in HD and SD production in Europe. Specifically this diagram illustrates how these signals are directly available from either the
a tape recorded in the native 720p 30/25 format on either of these devices.
GY-HD110
This flexibility comes in part as a result of the original material being recorded in a progressive format, which allows for easier and more effective conversion to other formats than if the original had been recorded as an interlaced signal.
TAPE
REC 720p 30/25
720p 30/25
1080i 60/50 576i 50
| 720p 30/25 |
| 1080i 60/50 |
576i 50 | |
| |
|
5●