5

1

4

3

7

4

8

25

6

Original Negative

EXPOSURE DATA

Lens: 85 mm Zeiss Ultra Prime

Filter:Clear

Aperture: T5.6

Incident Light Levels

Key = 800 fc

Color temperature = 5460 K

1 -0.5 Stops

2 -2.6 Stops

3 -1.5 Stops

4 -1.0 Stops

5 0 Stops

6 +0.3 Stops

7 +0.4 Stops

8 +2.3 Stops

 

 

 

 

 

 

 

 

Base

Acetate safety base with rem-jet backing.

Darkroom Recommendations

Do not use a safelight. Handle unprocessed film in total darkness.

Processing

ECN-2

Storage

Store unexposed film at 13°C (55°F) or lower. For storage of unexposed film longer than 6 months, store at -18°C (0°F). Process film promptly.

Exposure Index

Daylight (5500 K)—50;

Tungsten (3200 K)—12 (with KODAK

WRATTEN Gelatin Filter No. 80A).

Laboratory Aim Density

Time negative originals relative to Laboratory Aim Density (LAD) Control Film supplied by Eastman Kodak Company.

Color Balance

Postproduction information

This film is balanced for exposure with

When you transfer this film directly to

daylight illumination (5500 K). For other

video, set up the telecine using negative

light sources, use the correction filters

Telecine Analysis Film (TAF).

in the table below.

LIGHT SOURCE

KODAK FILTERS ON CAMERA*

EXPOSURE INDEX

 

 

 

Daylight (5500 K)

None

50

 

 

 

Tungsten (3000 K)

WRATTEN Gelatin No. 80A

12

 

 

 

Tungsten (3200 K)

WRATTEN Gelatin No. 80A

12

 

 

 

Tungsten Photoflood (3400 K)

WRATTEN Gelatin No. 80A

12

 

 

 

White-Flame Arcs

Color Compensating Filter 20C + 40Y

32

 

 

 

Yellow-Flame Arcs

Color Compensating Filter 40C

12

 

 

 

OPTIMA 32

WRATTEN Gelatin No. 80A

12

 

 

 

VITALITE

None

50

 

 

 

Fluorescent, Cool White

Color Compensating Filter 10M + 05B

32

 

 

 

Fluorescent, Deluxe Cool White

WRATTEN Gelatin No. 10B + 20C

32

 

 

 

Metal Halide H.M.I.

None

50

 

 

 

*These are approximate corrections only. Make final corrections during printing.

†These are starting-point recommendations for trial exposures. If the type of fluorescent lamp is unknown, use a KODAK Color Compensating Filter CC20M with an exposure index (EI) of 32.

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Kodak 5201 Light Source Kodak Filters on Camera Exposure Index, Daylight 5500 K None Tungsten 3000 K, Tungsten 3200 K

5201 specifications

Kodak 5201 is a black-and-white motion picture film stock specifically designed to cater to the needs of filmmakers looking for high-fidelity imagery. This film is particularly popular among professionals who appreciate the timeless aesthetic and texture that black-and-white film can provide. One of the standout features of Kodak 5201 is its exceptional sensitivity to light. With an ISO rating of 400, it performs remarkably well in a variety of lighting conditions, making it suitable for both well-lit studios and challenging low-light environments.

Kodak 5201 is known for its fine grain structure, which allows for smooth tonal ranges and detailed imagery. This quality is especially beneficial for cinematographers who desire sharpness without the visual noise often associated with higher ISO films. The film's broad exposure latitude means that filmmakers have flexibility during shooting and post-processing, allowing them to push the film a stop or two without compromising image quality.

The characteristic contrast of Kodak 5201 provides filmmakers with a versatile canvas on which to work, enabling them to achieve both high contrast and subtle gradations in their images. This versatility makes it a favorite for various genres, from documentary to narrative filmmaking. The film also features a unique spectral sensitivity, which enhances the rendition of skin tones and textures, ensuring that the end product is not only striking but also meaningful in terms of visual storytelling.

Kodak has utilized advanced emulsion technology in the development of 5201, resulting in improved sharpness and enhanced resolution. This technology allows for excellent performance when projected on large screens, making it an ideal choice for theatrical releases. Furthermore, Kodak 5201 is compatible with a wide range of cameras, ensuring that filmmakers can utilize this film in both traditional and contemporary filmmaking settings.

In addition to all these features, Kodak 5201 retains the classic look and feel of traditional black-and-white cinematography. The film's aesthetic qualities contribute to its endearing status among film enthusiasts and professionals alike, maintaining a connection to the roots of the art form while embracing modern cinematic techniques. This blend of artistry and technology makes Kodak 5201 a preferred choice for those looking to create visually compelling and emotionally resonant stories.