EXPOSURE TABLE - TUNGSTEN LIGHT

At 24 frames per second (fps), 170-degree shutter opening:

KODAK VISION2 HD Color Scan Film at nominal speed of EI500

Lens

f/1.4

f/2

f/2.8

f/4

f/5.6

f/8

f/11

f/16

Aperture

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Footcandles

5

10

20

40

80

160

320

640

Required

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

KODAK VISION2 HD Color Scan Film at nominal speed of EI320

Lens

f/1.4

f/2

f/2.8

f/4

f/5.6

f/8

f/11

f/16

Aperture

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Footcandles

8

16

32

64

125

250

500

1000

Required

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Use this table for average subjects that contain a combination of light, medium, and dark colors. When a subject includes only pastels, use at least 12 stop less exposure; dark colors require 12 stop more exposure.

RECIPROCITY CHARACTERISTICS

You do not need to make any filter corrections or exposure adjustments for exposure times from 1/1000 to 1 second. If your exposure is in the 10 second range, it is recommended that you increase your exposure by1 stop and use a KODAK Color Compensating Filter CC 10R.

PROCESSING

Process in Process ECN-2.

Most commercial motion-picture laboratories provide a processing service for these films. See KODAK Publication No. H-24.07, Processing KODAK Color Negative Motion Picture Films, Module 7 available online at http:// www.kodak.com/US/en/motion/support/processing/h247/ h2407.pdf, for more information on the solution formulas and the procedure for machine processing these films. There are also pre-packaged kits available for preparing the processing solutions. For more information on the EASTMAN ECN-2 Kit Chemicals, check Kodak's Motion Picture Films for Professional Use price catalog.

IDENTIFICATION

After processing, the product code numbers 7299 (16 mm), emulsion, roll, and strip number identification, KEYKODE Numbers, and manufacturer/film identification code (EI) are visible along the length of the film.

FILM-TO-VIDEO TRANSFERS

KODAK VISION2 HD Color Scan Film 7299 is intended exclusively for telecine transfer using the KODAK VISION2 HD Digital Processor. With the telecine set to the nominal starting conditions as recommended for the KODAK VISION2 HD System, color and tone characteristics can be automatically set to match the baseline technical starting point of any other Kodak color negative film. Once set to this starting condition, normal color correction can be applied as with any other typical motion picture negative film.

For more information on the KODAK VISION2 HD System, please refer to the KODAK VISION2 HD Digital Processor User Guide, Part No. 4F2310.

IMAGE STRUCTURE

The modulation-transfer and diffuse rms granularity curves were generated from samples of 7299 Film exposed with tungsten light and processed as recommended in Process ECN-2 chemicals. For more information on image-structure characteristics, see KODAK Publication No. H-1, KODAK Motion Picture Film available online at http:// www.kodak.com/US/en/motion/support/h1.

MTF

The "perceived" sharpness of any film depends on various components of the motion picture production system. The camera and projector lenses and film printers, among other factors, all play a role. But the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve.

rms Granularity:

Refer to curve.

Read with a microdensitometer, (red, green, blue) using a

48-micrometer aperture.

The "perception" of the graininess of any film is highly dependent on scene content, complexity, color, and density. Other factors, such as film age, processing, exposure conditions, and telecine transfer may also have significant effects.

KODAK VISION2 HD Color Scan Film 7299 H-1-7299t

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Kodak H-1-7299T Exposure Table Tungsten Light, Reciprocity Characteristics, Processing, Identification, Image Structure