LEAD CHANNEL

 

 

 

RHYTHM CHANNEL

 

DIGITAL EFFECTS

 

 

 

 

LINE OUT

AUX

GUITAR

BALLS BIGGER LOW

MID

HIGH

VOLUME

BASS

MIDDLE

TREBLE

VOLUME

LEVEL

PROGRAM

 

Quad 100 HD

 

INPUT

INPUT

BALLS

PREAMP

 

CHANNEL

 

 

PREAMP

EFFECTS

 

5

 

1.

 

 

 

 

SELECT

 

 

 

 

 

 

HALL REVERB

 

 

 

 

 

 

 

 

 

 

 

 

4

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2.

SPRING REVERB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3.

SLAP BACK

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

74.

DELAY

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5.

CHORUS

 

 

 

 

 

 

 

 

 

 

 

 

 

2

8

6.

CHORUS/REVERB

POWER

 

 

 

ON

PUNCH

 

LEAD

 

 

LEAN

ON

 

1

 

7.

FLANGE/REVERB

 

 

 

 

 

 

 

 

 

 

8.

TREMOLO

 

 

 

 

OFF

GRIND

 

RHYTHM

 

 

FAT

OFF

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

1.) Line Output - this is a 3 cond. XLR output jack for plugging into Lo-Z microphone inputs as found on PA or recording mixers. It is intended in place of external mics or used as a built in direct box.

2.) CD/Tape Input - this 1/4" 3 conductor jack will allow you to plug in a CD player, tape or any other source to practice along with. It sums the left and right signals into a mono signal. To control the volume of the source, adjust the output volume of the device.

3.) Guitar Input Jack - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for guitars but will accept other instruments as well.

4.) B.A.L.L.S. (Ballistic Audio Loudness Level Saturation)- adjust this clockwise to increase the amount of distortion you Add lower ranges of the control, you get a less distorted sound, a "bluesy"tone .As you increase the gain, you add Tremendous amounts of distortion to the signal for a harder edged "crunch"tone.

5.) Bigger B.A.L.L.S.- this switch will add more distortion to the lead channel.

6.) Low - this control is the bass control for the lead channel. It is passive and set to shelve frequencies at 100 Hz. Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off -12db.

7.) Mid - this control is the midrange control for the instrument channel and is passive and set to shelve frequencies at 800Hz.Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off -12db.

8.) Preamp Select Switch- this switch selects which preamp style you are using. It will switch between the PUNCH and

GRIND.

9.) High - this is the high frequency tone control for the microphone channel. It is passive and set to shelve frequencies at 3KHz. Turning it fully clockwise, the signal is unaltered Turning it counterclockwise, the highs will be rolled off - 12db.

10.) Lead Channel On LED - when this LED light is on, it indicates that the Lead Channel is on.

11.) Volume - this is a volume control for the Lead Channel ONLY.

12.) Channel Select Switch - this switch selects between the Lead or Rhythm Channel.

13.) Bass - this control is the bass control. It is passive and set to shelve frequencies at 100Hz. Turning it fully clockwise, the signal is unaltered Turning it counterclockwise, the low will be rolled off -12db.

14.) Middle - this control is the midrange control for the instrument channel, and is passive and set to shelve frequencies

at 1KHz. Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off - 12db.

15.) Preamp Switch - when engaged, this switch will boost the treble sound of the Rhythm channel. It boosts 3 KHz by +6 db.

16.) Treble - this is the high frequency tone control. It is passive and set to shelve frequencies at 3KHz on the instrument channel. Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the highs will be rolled off - 12db.

17.) Rhythm Channel On LED - when this LED light is on, it indicates that the Rhythm Channel is on.

18.) Volume - this is a volume control for the Rhythm Channel ONLY.

19.) Effects On/Off - this switch engages the digital effects section.

20.) Effects Level - this control adds the digital effects section and mixes it into the main signal buss. Several different effects are available.

21.) Program Select - this switch will select any of eight different effects. 2- Reverbs, 2- Echos, Chorus, Chorus/Reverb, Flange/Reverb and Tremolo.

22.) Jewel Light - this jewel light lets you know that the amplifier is on.

23.) Power Switch - this switch turns on and off the AC power to the amp.

Back Panel - (not pictured)

Speaker Out - these are 2 conductor 1/4" speaker output jacks. Rating is 4 ohms total. If using both jacks, a load lower than 8 ohms per jack is not recommended. If using one jack, a load lower than 4 ohms is not recommended.

Line Output - this is a 2 conductor 1/4" line output jack. This will allow an external amplifier or mixing board to be supplied with the signal from this amp.

Effects Loop I/O - This is an effects Insert jack. Tip send (preamp out) and ring return (power amp in).

Footswitch Jack - this is a 3 conductor 1/4" jack. This is for hooking up a footswitch to switch channels and to turn on/off the effects section.

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Kustom Quad 200 HD owner manual Back Panel not pictured
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Quad 200 HD specifications

Introducing the Kustom Quad 200 HD, a powerful and versatile amplifier that is changing the way musicians approach live performances. With its unique design and cutting-edge technology, this amplifier delivers exceptional sound quality and flexibility, making it an essential tool for both seasoned professionals and budding artists alike.

The Kustom Quad 200 HD features four independent channels, allowing musicians to create a variety of tones with ease. Each channel is equipped with its own EQ section, giving users complete control over their sound. The amplifier also includes a built-in effects loop, making it simple to integrate external effects pedals and processors. This feature enhances the overall versatility of the Quad 200 HD, enabling players to experiment with different sounds and achieve their desired tone.

Equipped with a powerful 200-watt RMS output, the Kustom Quad 200 HD can easily handle large venues, ensuring that your performance is heard clearly no matter the setting. The lightweight design of the amplifier also makes it highly portable, allowing musicians to transport it with ease. This is particularly advantageous for touring artists who require reliable gear that won’t bulk up their setup.

One of the standout technologies in the Quad 200 HD is Kustom's innovative DSP (Digital Signal Processing) system. This technology provides musicians with a range of preset amplifier models and effects that can be easily accessed and adjusted via the user-friendly interface. The DSP system also allows for on-the-fly modifications, ensuring that artists can adapt their sound as the performance evolves.

Durability and reliability are key characteristics of the Kustom Quad 200 HD. The robust construction of the amplifier ensures it can withstand the rigors of both studio and stage use, providing peace of mind for musicians who rely on their gear. Additionally, the included 4-ohm speaker output means that users have the option to connect additional cabinets, expanding their sound possibilities even further.

In summary, the Kustom Quad 200 HD is a feature-rich amplifier that combines power, flexibility, and durability. With its four independent channels, built-in effects loop, cutting-edge DSP technology, and rugged construction, the Quad 200 HD is designed to meet the needs of musicians at all levels, making it an invaluable addition to any performance rig.
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