PRO SM-1
REAR PANEL DIAGRAM...
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1. The Power Switch should be turned on after you
have turned on all input devices and before you turn on
any devices attached to the output.
2. Power Supply Input Plug your power adapter in
here before switching on power. See safety precautions
on page 3 for proper treatment of power.
3. Phono Inputs use unbalanced RCA jacks. Your input
signal is fed directly to the PRO SM-1's high-quality RIAA
phono pre-amplifiers so use this input only for turntables.
Line level sources will overload the sensitive phono pre-
amps.
4. The GROUNDS (GND) are the grounding lugs for all
turntables. Always use these connections with your
turntables to avoid signal hum.
5. Phono/Line Inputs are unbalanced RCA jacks. The
line input is selected with the slider switch (6) on the rear
panel. When the slider is moved to the line position you
can connect stereo audio from HiFi VCRs, cassette and
reel-to-reel tape decks, DAT machines, CD players, laser
discs, tuners, even synthesizers or other mixing consoles.
NOTE: Plug mono audio sources into both Left and
Right inputs using a “Y” cable connector.
6. Line/Phono Input Slider Switch. Use this to allow
line level equipment to be plugged into your phono inputs
giving you a total of 5 line input options.
Warning: make sure the LINE/PHONO input
switch is set to line before playing any line input
level devices through your mixer
7. The Record Output is for attaching your tape deck. It
can also be connected to light controllers or other external
devices. The audio that passes through this connector is
not controlled by the master so levels are set only by the
channel and mic input faders.
8. The Zone Output is unbalanced and controlled by
Zone Level control on the face panel.
9. The Stereo/Mono Zone Switch allows the user to
make the signal.
10. The RCA Stereo Main Outputs are unbalanced
connectors controlled by the Master fader knob.
11. These 1/4” Stereo Main Outputs are reliable
Balanced TRS 1/4” connectors controlled by the Master
fader knob. Power transformers and other devices which
cause magnetic fields can induce hum in audio cables. This
can be best resolved by using balanced lines where inputs
and outputs permit. Balanced lines are also the most
effective means of reducing or eliminating RF or “radio
frequency” interference.
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