Alt 3-4

MUTE/ALT 3-4 SWITCHES

Every time a bell rings, an Angel gets its wings. In a similar way, every time a mute switch is pressed, that channel is muted in the main mix and appears in the alt 3-4 outputs instead.

If you just want to mute the channels, then don't connect the alt 3-4 outputs to anything.

Muted channels can still be soloed to audition them in the headphones and control room, and to adjust and check the channel gain levels.

ALT 3-4 OUTPUTS

These 1/4" TRS jacks provide a balanced line-level signal that can provide an alternate stereo mix for recording or subgrouping.

Connect these outputs to the inputs of an amplifier, powered speaker, or recording device. If you want to think up some good uses for the alt 3-4 outputs then go ahead.

For example, these outputs could be used to send particular channels to another zone, or you could create a sub-mix of several drum microphones. The alt 3-4 submix can then be routed to the control room and phones, by pressing the control room alt 3-4 switch, and then added to the main mix with the control room "assign to main mix" switch.

The alt 3-4 output doesn’t have a master level control. All the channels assigned to the alt 3-4 bus are summed together (post-fader and pan) and sent directly to the alt 3-4 out.

Alt 3-4 outputs

 

 

1

 

 

2

 

 

3

 

 

4

CTRL - RM OUT

 

MAIN OUT

ALT 3-4 OUT

TAPE

 

 

 

 

 

 

 

 

 

 

 

 

BAL/UNBAL

 

 

BAL/UNBAL

BAL/UNBAL

 

L

YX

MIC

PRE

YX

MIC

PRE

YX

MIC

PRE

YX

MIC

PRE

 

 

 

 

 

 

ON

 

ON

 

ON

 

ON

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IN

OUT

 

 

 

 

 

 

 

 

 

 

 

 

L

R

L

R

L/3

R/4

R

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN 5-6

LINE IN 7-8

 

LINE IN 9-10

LINE IN 11-12

 

 

 

1

 

2

 

3

 

4

 

LINE

 

LINE

 

LINE

 

LINE

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

LINE

 

LINE

 

 

 

 

 

HI-Z

 

HI-Z

75Hz

 

75Hz

 

 

 

 

 

18dB/OCT

18dB/OCT

 

48V

 

48V

 

48V

 

48V

30

30

30

30

20 U

40

20 U

40

20 U

40

20 U

40

 

GAIN

 

GAIN

 

GAIN

 

GAIN

U

60

U

60

U

60

U

60

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

-20dB

+40dB

SEND

 

SEND

 

SEND

 

SEND

 

 

PRE

 

PRE

 

PRE

 

PRE

 

POST

 

POST

 

POST

 

POST

U

EQ

U

EQ

U

EQ

U

EQ

 

 

 

 

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

12kHz

 

12kHz

 

12kHz

 

12kHz

-15

+15

-15

+15

-15

+15

-15

+15

1k

 

1k

 

1k

 

1k

 

FREQ

 

FREQ

 

FREQ

 

FREQ

100

8k

100

8k

100

8k

100

8k

U

 

U

 

U

 

U

 

 

MID

 

MID

 

MID

 

MID

-15

+15

-15

+15

-15

+15

-15

+15

U

 

U

 

U

 

U

 

 

LOW

 

LOW

 

LOW

 

LOW

 

80Hz

 

80Hz

 

80Hz

 

80Hz

-15

+15

-15

+15

-15

+15

-15

+15

 

AUX

 

AUX

 

AUX

 

AUX

 

1

 

1

 

1

 

1

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

2

 

2

 

2

 

2

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

PAN

 

PAN

 

PAN

 

PAN

 

L

 

L

 

L

 

L

 

 

 

 

 

 

 

(MONO)

 

(MONO)

 

(MONO)

 

(MONO)

 

 

 

 

 

 

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

BAL/UNBAL

 

 

 

 

 

 

 

R

 

R

 

R

 

R

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

 

 

 

 

 

 

 

 

U

 

U

 

U

 

U

 

CTRL ROOM/PHONES

 

 

 

 

 

 

 

SOURCE

 

0dB=0dBu

 

 

 

 

 

 

 

 

 

 

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

 

 

 

L

R

-20dB

+20dB

-20dB

+20dB

-20dB

+20dB

-20dB

+20dB

 

 

 

 

20

CLIP

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAIN MIX

 

15

 

SEND

 

SEND

 

SEND

 

SEND

INPUT

 

 

 

 

10

 

 

PRE

 

PRE

 

PRE

 

 

 

 

 

 

6

 

 

POST

 

POST

 

POST

 

 

 

 

 

 

 

U

EQ

U

EQ

U

EQ

U

LINE

 

TAPE

 

3

 

FW 1-2

 

 

 

 

 

 

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

 

 

 

0

 

 

 

 

 

FW 1-2

ALT 3-4

2

 

 

12kHz

 

12kHz

 

12kHz

 

12kHz

LEVEL

-15

+15

-15

+15

-15

+15

-15

+15

 

 

 

 

 

 

 

 

 

4

SET

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7

 

U

 

U

 

U

 

U

 

 

ASSIGN TO

 

10

 

 

MID

 

MID

 

MID

 

MID

 

MAIN MIX

 

20

 

 

 

 

 

 

 

 

 

 

 

2.5kHz

 

2.5kHz

 

2.5kHz

 

2.5kHz

 

 

 

 

30

 

-15

+15

-15

+15

-15

+15

-15

+15

 

 

 

 

 

 

 

 

 

 

 

 

 

OO

MAX

OO

MAX

RUDE

U

 

U

 

U

 

U

 

CONTROL

PHONES

 

 

 

 

 

 

 

 

ROOM

 

 

SOLO

 

LOW

 

LOW

 

LOW

 

LOW

 

 

 

 

 

 

 

80Hz

 

80Hz

 

80Hz

 

80Hz

 

 

 

 

 

 

-15

+15

-15

+15

-15

+15

-15

+15

 

 

AUX MASTER

 

 

AUX

 

AUX

 

AUX

 

AUX

 

SEND

 

RETURN

 

1

 

1

 

1

 

1

 

 

 

1

 

1

OO

MAX

OO

MAX

OO

MAX

OO

MAX

PRE

OO

+15

 

OO

+10

POST

RTN TO

 

 

 

 

 

 

 

 

 

 

 

AUX1

 

 

 

2

 

2

 

2

 

2

 

 

 

2

 

2

OO

MAX

OO

MAX

OO

MAX

OO

MAX

PRE

OO

+15

 

OO

+10

POST

 

PAN PAN PAN PAN

Control Room/ Phones Source Alt 3-4

Assign to Main Mix

Mute/Alt 3-4 switches

L R

L R

L R

L R

L R

L R

L R

L R

POWER

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

 

 

 

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

ALT 3/4

 

 

 

dB

dB

dB

dB

dB

dB

dB

dB

 

MIC

dB

10

10

10

10

10

10

10

10

 

 

10

5

5

5

5

5

5

5

5

 

 

5

U

U

U

U

U

U

U

U

 

 

U

OL

OL

OL

OL

OL

OL

OL

OL

 

 

 

5

5

5

5

5

5

5

5

OO

MAX

5

- 20

- 20

- 20

- 20

- 20

- 20

- 20

- 20

LEVEL

 

10

10

10

10

10

10

10

10

 

 

10

20

20

20

20

20

20

20

20

DESTINATION

20

 

 

30

30

30

30

30

30

30

30

 

 

30

40

40

40

40

40

40

40

40

PHONES

AUX

40

50

50

50

50

50

50

50

50

 

1-2

50

60

60

60

60

60

60

60

60

 

 

60

OO

OO

OO

OO

OO

OO

OO

OO

 

 

OO

 

 

 

 

 

 

 

 

TALKBACK

 

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

 

 

 

1

2

3

4

5-6

7-8

9-10

11-12

TALKBACK

MAIN MIX

Main Mix Level

Quick Start Guide 13