Acoustic | Studio | |
Guitar | Microphone | |
mic’d up |
| Mackie |
Bass |
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| HR824mk2 | |
Guitar |
| Powered Reference |
Electric |
| Monitors for |
Guitar |
| Control Room |
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| CD Player |
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| 1 |
| 2 | 4 | CTRL - RM OUT |
| MAIN OUT | ALT | TAPE | ||
| M |
| M |
| BAL/UNBAL |
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| BAL/UNBAL | BAL/UNBAL |
| L |
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ONYX | IC PRE | ONYX | IC PRE |
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| IN | OUT |
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| L | R | L | R | L/3 | R/4 | R |
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| LINE IN | LINE IN |
| LINE IN | LINE IN |
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Engineer’s Headphones
press
| 1 |
| 2 |
| 3 |
| 4 |
| L |
| L |
| L |
| L |
| LINE |
| LINE |
| LINE |
| LINE |
| (MONO) |
| (MONO) |
| (MONO) |
| (MONO) |
| BAL/UNBAL |
| BAL/UNBAL |
| BAL/UNBAL |
| BAL/UNBAL |
| BAL/UNBAL |
| BAL/UNBAL |
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| BAL/UNBAL |
| LINE |
| LINE |
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| 75Hz |
| 75Hz |
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| R |
| R |
| R | ||
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| 18dB/OCT | 18dB/OCT |
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| 48V |
| 48V |
| 48V |
| 48V |
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30 | 30 | 30 | 30 | U |
| U |
| U |
| U |
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20 U | 40 | 20 U | 40 | 20 U | 40 | 20 U | 40 |
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| GAIN |
| GAIN |
| GAIN |
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| GAIN |
| GAIN |
| GAIN |
U | 60 | U | 60 | U | 60 | U | 60 |
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+40dB | +40dB | +40dB | +40dB | +20dB | +20dB | +20dB | +20dB | ||||||||
SEND |
| SEND |
| SEND |
| SEND |
| SEND |
| SEND |
| SEND |
| SEND | INPUT |
| PRE |
| PRE |
| PRE |
| PRE |
| PRE |
| PRE |
| PRE |
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| POST |
| POST |
| POST |
| POST |
| POST |
| POST |
| POST |
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U | EQ | U | EQ | U | EQ | U | EQ | U | EQ | U | EQ | U | EQ | U | LINE |
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| FW | ||||||||
| HIGH |
| HIGH |
| HIGH |
| HIGH |
| HIGH |
| HIGH |
| HIGH |
| HIGH |
| 12kHz |
| 12kHz |
| 12kHz |
| 12kHz |
| 12kHz |
| 12kHz |
| 12kHz |
| 12kHz |
+15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | ||||||||
1k |
| 1k |
| 1k |
| 1k |
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| FREQ |
| FREQ |
| FREQ |
| FREQ | U |
| U |
| U |
| U |
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100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k |
| MID |
| MID |
| MID |
| MID |
U |
| U |
| U |
| U |
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| 2.5kHz |
| 2.5kHz |
| 2.5kHz |
| 2.5kHz |
| MID |
| MID |
| MID |
| MID | +15 | +15 | +15 | +15 | ||||
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+15 | +15 | +15 | +15 |
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U |
| U |
| U |
| U |
| U |
| U |
| U |
| U |
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| LOW |
| LOW |
| LOW |
| LOW |
| LOW |
| LOW |
| LOW |
| LOW |
| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
+15 | +15 | +15 | +15 | +15 | +15 | +15 | +15 | ||||||||
| AUX |
| AUX |
| AUX |
| AUX |
| AUX |
| AUX |
| AUX |
| AUX |
| 1 |
| 1 |
| 1 |
| 1 |
| 1 |
| 1 |
| 1 |
| 1 |
OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX |
| 2 |
| 2 |
| 2 |
| 2 |
| 2 |
| 2 |
| 2 |
| 2 |
OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX | OO | MAX |
| PAN |
| PAN |
| PAN |
| PAN |
| PAN |
| PAN |
| PAN |
| PAN |
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
CTRL ROOM/PHONES
SOURCE 0dB=0dBu
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| L | R |
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| 20 CLIP | |
| MAIN MIX |
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| 15 |
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| 10 |
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| 6 |
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| TAPE |
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| 3 |
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| 0 |
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| FW | ALT |
| 2 | LEVEL | |
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| 4 | SET |
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| 7 |
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| ASSIGN TO |
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| 10 |
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| MAIN MIX |
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| 20 |
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| 30 |
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OO | MAX | OO | MAX | RUDE |
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CONTROL | PHONES |
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ROOM |
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| SOLO |
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AUX MASTER
| SEND | RETURN | ||
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| 1 |
| 1 |
PRE | OO | +15 | OO | +10 |
POST |
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| RTN TO |
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| AUX1 |
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| 2 |
| 2 |
PRE | OO | +15 | OO | +10 |
POST |
press FW
Electronic
Drum Kit
Keyboard
Computer with
audio production
software
L R | L R | L R | L R | L R | L R | L R | L R | POWER |
MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE | MUTE |
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ALT 3/4 | ALT 3/4 | ALT 3/4 | ALT 3/4 | ALT 3/4 | ALT 3/4 | ALT 3/4 | ALT 3/4 |
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dB | dB | dB | dB | dB | dB | dB | dB |
| MIC | dB |
10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 |
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5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 |
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| 5 |
U | U | U | U | U | U | U | U |
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OL | OL | OL | OL | OL | OL | OL | OL |
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5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | OO | MAX | 5 |
- 20 | - 20 | - 20 | - 20 | - 20 | - 20 | - 20 | - 20 | LEVEL |
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10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 |
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20 | 20 | 20 | 20 | 20 | 20 | 20 | 20 | DESTINATION | 20 | |
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30 | 30 | 30 | 30 | 30 | 30 | 30 | 30 |
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| 30 |
40 | 40 | 40 | 40 | 40 | 40 | 40 | 40 | PHONES | AUX | 40 |
50 | 50 | 50 | 50 | 50 | 50 | 50 | 50 |
| 50 | |
60 | 60 | 60 | 60 | 60 | 60 | 60 | 60 |
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| TALKBACK |
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SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO | SOLO |
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1 | 2 | 3 | 4 | TALKBACK | MAIN MIX |
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| DESIGNED BY MACKOIDS IN |
| WA, USA • MANUFACTURED IN |
| • FABRIQUE |
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| "MACKIE" & "ONYX" ARE |
| OF LOUD TECHNOLOGIES | COPYRIGHT |
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| RETURN |
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FIREWIRE | MAIN OUT | AUX SEND |
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| CHANNEL |
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POWER | BALANCED |
| 1 |
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| 3 |
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| R |
| L |
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| BAL/UNBAL |
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| AUX RETURN |
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| 2 | R | 2 | L BAL/UNBAL | R | 1 | L |
| MAIN OUTPUT | +4dB |
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| LEVEL | MIC |
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Keyboard
Send
Return |
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| Compressor (Vocals) | |||
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| Send | |||
Return |
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Dynamics Processor (Bass) | ||||
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| Send | |||
Return |
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| Multi FX Processor (Guitar) | |||
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| Headphones |
Headphone Amp
This diagram shows an electric guitar connected directly to the channel 1 input
A
Mackie HR824mk2 powered reference monitors are used for your control room listening. The engineer's headphones are used to monitor levels. Aux 2 is set up to provide the feed to a headphone amplifier and your band's headphones.
A desktop computer connects to a FireWire port, allowing the
Mixer channels
Typical Recording System
Quick Start Guide 7