Signals passing through these STEREO RETURN level controls will proceed directly to main mix, with one exception (see next paragraph). The STEREO RETURNs do not have MUTE/ALT
42. RETURN TO AUX 1
If you want to add reverb or delay to the stage monitor mixes, this is the switch for you. The implementation leading up to the switch is the tricky part:
With the switch up, STEREO RETURN 1 and 2 behave normally — they deliver their signals into the main mix. With the switch down, STEREO RETURN 1 still behaves normally, but STEREO RETURN 2 will feed AUX SEND 1 instead of the main mix.
Still with us? Good. So far, with the switch down, we have STEREO RETURN 1 feeding the main mix and STEREO RETURN 2 feeding AUX SEND 1. Now, suppose you only have one effects device, and you want it to feed both the main mix and AUX SEND 1. That’s where “jack normalling” comes in:
JACK NORMALLING
Jack normalling (not to be confused with Jack Normalling, Chicago Cubs utility infielder,
These normalling pins can be used in all sorts of ways. The ubiquitous phrase “LEFT (MONO)” means that if you plug a signal into the LEFT side and have nothing in the RIGHT side, that signal is also fed to the right input, courtesy of jack normalling. As soon as you plug something in the RIGHT side, that normalled connection is broken.
How does all this relate to the RETURN TO AUX 1 switch? STEREO RETURN 1’s inputs are normalled to STEREO RETURN 2. If you have one effects device, plug it into STEREO RETURN 1. Plug nothing into STEREO RETURN 2. Now the signals feeding the STEREO RETURN 1 inputs will also be sent to the STEREO RETURN 2 inputs.
Engage the RETURN TO AUX 1 switch, and now the STEREO RETURN 2 knob will become an additional AUX SEND 1 knob for the signal at STEREO RETURN 1. Say that ten times! Once again, STEREO RETURN 1 will behave normally, as always.
Congratulations! You’ve just read about all the features of your
Manual Owner’s
Owner’s Manual | 19 |